Bastille Day 1889: Los Angeles Celebrates Centennial of French Liberty

Bastille Day Centennial, 1889

July 16, 1889: the Los Angeles Times uses drawings to illustrate reports on the centennial celebration of Bastille Day in Los Angeles.

Bastille Day in Los Angeles, 1889

 

The streets through which the procession was to pass had been handsomely decorated, those in the French quarter being especially elaborate, and almost every house had the stars and strips and the tri-color of France displayed side by side.At the corner of Aliso and Alameda streets, from which point the procession was to start, a large banner was suspended across the street, bearing the inscription “Centennaire Republique Francaise, 1789-1889, Liberte.”

 

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Mary Mallory / Hollywood Heights: Hollywood Sign Built and Illuminated November-December 1923

1923_1208_evening_herald_hollywood_sign

The Hollywoodland Sign, in a photo published in the Los Angeles Evening Herald, Dec. 8, 1923.


Note: Today (July 13) is commonly mistaken for the “birthday” of the Hollywood Sign. An encore post from Mary Mallory sets the record straight.


O
riginally constructed as a publicity gimmick and branding symbol to help generate sales for a real estate development, the Hollywood Sign is now a worldwide icon just as powerful as Big Ben, the Eiffel Tower, and the Statue of Liberty, signifying a land of glamour and opportunity. Myths have always existed about it, from the date of its construction to how the city of Hollywood obtained it. After in-depth research by both historian Bruce Torrence and myself, we can conclusively say the sign was constructed in late November and early December 1923, and illuminated in that first week of December.

Like me, a California transplant involved in history, research, and writing since I was child, Torrence has always been fascinated by Hollywood history, perhaps because his two famous grandfathers contributed much to it. His paternal grandfather, Ernest Torrence, starred in many classic silent films such as “Steamboat Bill Jr.” and “Peter Pan” after a successful career as an opera singer. His maternal grandfather C. E. Toberman could be called the builder of Hollywood for his construction of so many iconic structures around Hollywood Boulevard. Bruce began a photo collection of Hollywood in 1972 with thirty photographs, which has blossomed into thousands. He employed these photos in writing one of Hollywood’s first detailed history books in 1979 called “Hollywood: The First 100 Years.”
Hollywood at Play: The Lives of the Stars Between Takes, by Stephen X. Sylvester, Mary Mallory and Donovan Brandt, goes on sale Feb. 1, 2017.

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Mary Mallory / Hollywood Heights: Garden Court Apartments Offer Luxurious Living on Hollywood Boulevard

garden_court_apartments

A postcard of the Garden Court Apartments, listed on EBay as Buy It Now for $9.99.


Note: This is an encore post from 2014

F
or decades, the elegant Garden Court Apartments represented high-class living for both aspiring and successful residents of Hollywood. Located just west of the thriving business district at 7021 Hollywood Blvd., the neo-baroque structure featured regal caryatids holding up pilasters just above the first floor, a dramatic design showing the strength and integrity of the building.

The June 3, 1916, Los Angeles Times noted the beginning of construction for J. E. Ransford’s four-story class C apartment home, designed and built by the renowned Frank Meline Co. The classical structure would consist of 190 two and three room suites composed of hard wood and tile. An ad in the Jan. 1, 1917, Times proclaimed Hartwell Motor Co. President Ransford’s $500,000 building, “the Most Modern in the West,” and the paper called it “the most beautiful and complete apartment house” in a Jan. 22, 1917, story.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Movieland Mystery Photo (Updated + + + +)

July 15, 2017, Mystery Photo
This week’s mystery movie has been the 1945 Michael Powell – Emeric Pressberger film “I Know Where I’m Going!” Unfortunately, I cant do justice to the ingenious opening title sequence, but it should settle once and for all the recent argument (in case you missed it) that opening credits were merely boring lists until the arrival of Saul Bass.

The DVD has been issued by the Criterion Collection and is available from the usual sources.

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L.A. Celebrates the Fourth of July

image

July 4, 1944: Uncle Sam in a cartoon by Edmund Waller “Ted” Gale for the Los Angeles Examiner and republished in the Milwaukee Sentinel.

 


Here’s a look at how Los Angeles has celebrated Independence Day over the years.

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Mary Mallory / Hollywood Heights: ‘I’m the Guy’ – Rube Goldberg as Comic Performer

 

im_the_guy
The cover of “I’m the Guy” as a refrigerator magnet, available on EBay for $4.99.


Long before newspaper humorists like Erma Bombeck and Dave Barry came on the scene, there was Rube L. Goldberg, Renaissance Man of entertainment. Cartoonist, columnist, and script writer, the witty Goldberg is perhaps most well known as the creator of images displaying zany out-of-this-world contraptions that when operated in sequence, perform a simple task like breaking an egg, ringing a bell, etc. He was also perhaps one of the first newspapermen to realize the value of “branding” himself, creating songs, shows, and film projects from his work.

Born on the Fourth of July, 1883 in San Francisco as Reuben Goldberg, the madcap wordmaster graduated from the UC Berkeley with a degree in engineering. Young Goldberg moved on to the San Francisco Chronicle and soon became a hit. Hired by the Hearst syndicate in New York, his work for the paper grabbed him lasting fame, combining his hilarious, breezy ideas with witty drawings and sayings that often became catch phrases. His Evening Mail syndicate gave me approximately seven million readers across the country. One of his cartoons in 1912 was called “I’m the Guy,” and displayed an odd little gentleman who seemed to always get the the goat of whoever he was dealing with, whether they discussed donuts, July 4, sports, or whatever.

Hollywood at Play, by Donovan Brandt, Mary Mallory and Stephen X. Sylvester is now on sale.

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Movieland Mystery Photo (Updated + + + +)

July 8, 2017, Mad Love
This week’s mystery movie has been the 1935 MGM film “Mad Love,” based on the Maurice Renard novel “Les Mains d’Orlac,” translated and adapted by Florence Crewe-Jones, with Peter Lorre, Frances Drake, Colin Clive, Ted Healy, Sarah Haden, Edward Brophy, Henry Kolker, Keye Luke and May Beatty, directed by Karl Freund and produced by John W. Considine Jr. Adaptation by Guy Endore, with a screenplay by P.J. Wolfson and John Balderston, a score by Dimitri Tiomkin, art direction by Cedric Gibbons, William A. Horning and Edwin B. Willis, wardrobe by Dolly Tree and photography by Chester Lyons and Gregg Toland.

“Mad Love” is available on DVD from Warner Archive in the “Legends of Horror” set for $29.99.

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Movieland Mystery Photo (Updated + + + +)

Jul 1, 2017, Mystery Photo
This week’s mystery movie has been the 1958 Anthony Mann film “God’s Little Acre,” starring Robert Ryan, Aldo Ray, Buddy Hackett, Jack Lord, Fay Spain, Vic Morrow, Helen Westcott, Lance Fuller, Rex Ingram, Michael Landon, Russell Collins, Davis Roberts, Janet Brandt and introducing Tina Louise. Music by Elmer Bernstein, photography by Ernest Haller, production design by John S. Poplin Jr. set dressing by Lyle B. Reifsnider. The prop master was Max Miller, and the dialogue coach was Janet Brandt. Costumes by Sophia Stutz, makeup by Maurice Seiderman, hairstyles by Helene Parrish, lighting by Lloyd Garnell (don’t usually see a credit for lighting technician). The film was directed by Anthony Mann and produced by Sidney Harmon. The screenplay was by Philip Yordan “based on the world’s best selling novel by Erskine Caldwell.” The film was preserved by the UCLA Film and Television Archive.

You might think I’m on a kick of doing 1950s films with schlocky theme songs. This one is even worse than “Until They Sail.” It may even be worse than the title song for “Home Before Dark,” which is saying something.

The film is available on DVD from TCM for $11.55.

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Mary Mallory / Hollywood Heights: Japanese Gardens Bring Serenity to Los Angeles

Hunt. Hotel Jap Garden
A postcard showing a Japanese garden at the Huntington Hotel, courtesy of Mary Mallory.

 


Note: This is an encore post from 2015

Throughout its history, Los Angeles has been blessed with an abundance of beautiful parks and gardens in which to relax. In the early twentieth century, Japanese gardens were all the rage, and many dotted the Southern California landscape. Estates as well as city parks contained serene tea gardens in which to contemplate nature and just be.

Popular culture helped lead the way to the creation of many of these Oriental gardens. After American Commodore Matthew Perry and his ships entered Tokyo Bay on July 8, 1853, Japan reopened trade with the West. Textiles, ceramics, and prints soon gained in popularity both in Europe and America, leading to the term, Japonism, referring to the influence of Japanese aesthetics, art, and philosophy on Western culture. A craze for collecting all things Japanese exploded.

Mary Mallory’s “Hollywood land: Tales Lost and Found” is available for the Kindle.

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Inside L.A.’s Movie Palaces

Theater tour

Gary Martin, one of the members of the Brain Trust, writes to tell us that the Theatre Historical Society of America will meet in Los Angeles next week and offer tours of many theaters.

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Mary Mallory / Hollywood Heights: Tsuru Aoki, Lotus Flower of the Cinema

 

Tsuru Aoki
Tsuru Aoki, in Sunset magazine.


Though long in the shadow of her more well known husband, Tsuru Aoki achieved just as great a fame as Sessue Hayakawa, with a life story as fascinating as any novel. Born in Japan though raised in the United States, the beautiful Aoki functioned as a crossroads of the East and West, blending together the best attributes of both nations into a wonderful hybrid, though never fully embraced by either. Brought to this country as a child, she was never able to apply for American citizenship thanks to Anti-Asian laws and sentiments, and was often forced to depend on the kindness of others as she was shunted to and fro. Aoki’s life story also reveals America’s changing viewpoints and knee-jerk reactions about and to the Japanese, often during times of trouble in which the “other” became the villain to make up for other groups’ sins.

The vast majority of books and articles mentioning Aoki then and now blend together fact and fiction into her biography, not digging for the true facts. She was not born with Aoki as her name. In fact, she was probably born December 24, 1891 or 1892 in Hakata, the daughter of a poor Japanese fisherman Kahara Isekichi and his wife, Taka Kawakami, which she discovered when her father sent her a letter years after she became a star.

Hollywood at Play, by Donovan Brandt, Mary Mallory and Stephen X. Sylvester is now on sale.

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Movieland Mystery Photo (Updated + + + +)

June 24, 2017, Mystery Photo
This week’s mystery movie has been the 1957 MGM film “Until They Sail,” with Jean Simmons, Joan Fontaine, Paul Newman, Piper Laurie, Charles Drake, Sandra Dee, Wally Cassell, Alan Napier, Ralph Votrian, John Wilder, Tige Andrews, Adam Kennedy and Mickey Shaughnessy.

The screenplay was by Robert Anderson from a story by James A. Michener, with music by David Raksin and typical schlocky 1950s title song by Sammy Cahn, performed by Eydie Gorme. The film was photographed in CinemaScope by Joseph Ruttenberg, with art direction by William A. Horning and Paul Groesse (Groesse scouted the New Zealand locations) and set decorations by Edwin B. Willis and Henry Grace. The film was produced by Charles Schnee and directed by Robert Wise.

The film is available on DVD from Warner Archive for $19.99.

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Black Dahlia: Don’t Spend Money on the FBI Files

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Every so often, some EBay vendor gets the clever idea of selling the FBI’s files on the Black Dahlia case. In this instance, it’s someone in the UK selling Part 1 | and Part 2.

Of course, you can download the file for free from the FBI.

That is for free.

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Mary Mallory / Hollywood Heights: Los Angeles Tennis Club, Society Racket

 

The Los Angeles Tennis Club, Modern Screen
The Los Angeles Tennis Club, Modern Screen, 1931-32.

 


 

Long a favorite activity of high society, tennis has been a way to fashionably exercise and enjoy time with friends for centuries. Los Angeles “in crowd” flocked to tennis, especially in the 1920s when it began to rise in popularity around the world. Seeking to become a world class home for the game, the Los Angeles Tennis Club constructed an elegant Spanish Revival building and courts at its current 5851 Clinton Street location in 1920. Designed by preeminent Southern California architect Sumner Hunt, the refined location has hosted top athletes and motion picture stars for over 97 years.

The “popular” club itself seems to have begun in 1889, per listings in the Los Angeles Times and Herald, with its first courts opening Friday, September 20, 1889 at Ninth and Pearl Streets, per the September 22, 1889 Los Angeles Times. It hosted men’s singles and doubles, women’s singles, and even mixed doubles in its first tournament. While small, the club hosted teas, tournaments, and events through 1897, when all mention of it in the newspaper disappears until showing up again in 1919, when the Red Bluff Daily News reported that the newly formed club intended to build a $25,000 clubhouse with 20 courts, after talking about it for years.

Hollywood at Play, by Donovan Brandt, Mary Mallory and Stephen X. Sylvester is now on sale.

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Movieland Mystery Photo (Updated + + + +)

The Half-Breed

This week’s mystery film has been the 1916 picture “The Half-Breed,” with Douglas Fairbanks, Frank Brownlee, George Beranger, Sam De Grasse, Jewel Carmen, Tom Wilson, Alma Rubens, Winifred Westover and Elmo Lincoln. It was directed by Allan Dwan, production supervisor was D.W. Griffith, photography by Victor Fleming, scenario and titles by Anita Loos, based on Bret Harte’s short story “In the Carquinez Woods.”

This film was the first to be restored by the San Francisco Film Festival and was shown at the festival in 2013.  As far as I can tell, the unrestored version is available on DVD, but I can’t find a DVD of the 2013 restoration.

'The Half-Breed'
We first see Fairbanks in this establishing shot.

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Hollywood Heights / Mary Mallory: San Francisco Silent Film Festival Travels the Globe

 

San Francisco Silent Film Festival

The Twenty Second Annual San Francisco Silent Film Festival concluded Sunday, June 4, after screening an eclectic slate of entertaining and challenging films from around the globe. The festival’s films covered a diverse variety of themes, examining exploration of the land and heart, father figures and daughters, moral choices, and girl power, while coming to life through the magic of live accompaniment.

Harold Lloyd’s “The Freshman” kicked things off Thursday, June 1, a rousing tale of football team water boy makes good. With the climatic football game featuring footage of Memorial Coliseum, the Rose Bowl, and Berkeley’s Memorial Coliseum, likable Lloyd runs to victory, winning the girl and the game. The student group Berklee Silent Film Orchestra provided accompaniment.

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ALLIES INVADE FRANCE! JUNE 6, 1944; Complete Radio Coverage

June 7, 1944, D-day

June 7, 1944, D-Day Map

The headline and map by Charles Owens from The Times.


June 6, 1944: Complete radio coverage of the D-Day Invasion. This was pool coverage using correspondents from various news organizations. By 10 a.m., CBS had resumed regular programming with news bulletins, so I’ll only post up to noon. The full day is at archive.org.

It’s worth noting that German radio was the source for most of the information in the early hours of the invasion. The eyewitness accounts are vivid and it’s worth listening to Quentin Reynolds’ analysis on how the Allies learned from disastrous surprise invasion at Dieppe in 1942.

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Movieland Mystery Photo (Updated + + + +)

June 10, 2017, Mystery Photo
This week’s mystery movie has been the 1932 RKO film “Bird of Paradise,” with Dolores del Rio, Joel McCrea, John Halliday, Richard “Skeets” Gallagher, Bert Roach, Creighton Chaney, Wade Boteler, Arnold Gray, Reginald Simpson, Napoleon Pukui, Agostino Borgato and Sofia Ortega. The screenplay was by Wells Root, Wanda Tuchock and Leonard Praskins, suggested by a play by Richard Walton Tully. Music by Max Steiner, art direction by Carroll Clark, photography by Clyde DeVinna, Edward Cronjager and Lucien Andriot, with photographic effects by Lloyd Knechtel. The executive producer was David O. Selznick, the director was King Vidor.

“Bird of Paradise” is available on DVD from Amazon.

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Mary Mallory / Hollywood Heights: Nigel De Brulier — Soothsayer From the East?

Nigel de Brulier Nigel de Brulier, courtesy of Mary Mallory.


Note: This is an encore post from 2014


F
or decades, Hollywood typed actors for their looks, personality, temperament, a shorthand telling audiences what they could expect whenever the actor appeared. Some personalities like Clark Gable, Marilyn Monroe, Humphrey Bogart, Joan Crawford, and Cary Grant rocketed to fame through their megawatt looks and charm, deep talent, or fierce drive. Others like Franklin Pangborn, Ned Sparks, Edna May Oliver, and Thelma Ritter provided tart flavor to films as prominent character actors, adding zesty spark, comic interludes, or high energy with their strong characterizations.

Gaunt, imploring Nigel de Brulier, a live version of an El Greco painting, added a note of mysticism or fanaticism to silent films with his impassioned clerics or wild-eyed madmen. His characters often seemed to inhabit their own spiritual worlds. Tall, lean, gaunt and possessing piercing eyes, de Brulier endured ill health and work struggles as a young man, bringing realistic fervor and devotion to his roles.


Corrections: This post changes the year De Brulier declared an interest in U.S. citizenship from 1909 to 1899 and notes that he was in the second screen version of “Ramona,” the first being made in 1910.


Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Movieland Mystery Photo (Updated + + + +)

This week’s movie has been the 1946 Monogram Pictures film “In Fast Company” with the Bowery Boys.  Continue reading

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