Black Dahlia: Going Digital

Cassettes

 

I am slowly digitizing all the interviews I have conducted into Los Angeles in the 1940s and it’s so nice to hear them again. This week, I did Fred Okrand (d. 2002) of the ACLU; Betty Rowland, the 1940s “Ball of Fire” burlesque dancer; and Irene Tresun (d. 2013), who gave me a tour of City Hall in 1997, when it was under reconstruction after the Northridge quake. I am so thankful that I spoke to these folks when I did. Even if they had little direct connection to the Black Dahlia case, they gave me a fabulous amount of background detail on Los Angeles history.

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Mary Mallory / Hollywood Heights: The Zulu Hut – Studio City’s First Programmatic Architecture

 

Zulu Hut Close Up

The Zulu Hut, courtesy of Mary Mallory.


Thanks to California’s inventive motion picture industry, eccentric, eye-catching examples of vernacular architecture took off in the 1920s. Though around for decades, vernacular or programmatic architecture hit its stride in the 1920s and refers to commercial buildings or signs designed to resemble what they are selling, particularly to those driving by in automobiles. Popular models here in Southern California included the Pup Cafe, the Brown Derby, Ben Hur Coffee, and the Jail Cafe, well documented in Jim Heiman’s colorful book, “California Crazy and Beyond.”

Actor-comedian Raymond McKee constructed the first example of roadside vernacular architecture in what is now Studio City in 1924 when he constructed the Zulu Hut. A long time performer, McKee began acting in films as early as 1912, working for such companies as Lubin, Edison, Kalem, Goldwyn, and Fox, to name a few. Brent Walker, author of “Mack Sennett’s Fun Factory,” states that McKee joined Mack Sennett in 1924 as Alice Day’s leading man, before moving on to play the young father “Jimmy Smith” to little Mary Ann Jackson in the “Smith Family” Series for several years. Besides investing in oil and real estate in the 1920s, North Hollywood resident McKee ( he lived at 11107 Sunshine Terrace), decided to open a restaurant near his home.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Historians’ Tools: Archiving Email With MailStore

 

Sept. 7, 2015, Mail Store

Much of the research I have done on the Black Dahlia case has been conducted via email, and after almost 20 years, I have quite a lot of it. I have tried to be diligent in backing up my email and copying it from one computer to the next as I upgraded, but I had no way of being positive that I had everything. For example, I used to use Outlook Express, which was prone to vapor lock because of corrupted files – requiring a long and tedious repair process. Some of my email was in Outlook, which saves email in a proprietary format (.pst). Since my upgrade to Windows 8, I have been using Thunderbird.

In other words, like most of us, after nearly 20 years, I had email files scattered all over my drives in various formats.

MailStore Home.

Aid4Mail.

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Movieland Mystery Photo (Updated + + + +)

 

Sept. 12, 2015, Small Town Girl

Sept. 12, 2015, Small Town Girl
This week’s mystery movie was the 1936 MGM picture “Small Town Girl,” starring Janet Gaynor and Robert Taylor. It featured Binnie Barnes, Andy Devine, Lewis Stone, Elizabeth Patterson, Frank Craven and James Stewart. It was directed by William A. Wellman,  with a script by John Lee Mahin, Frances Goodrich, Albert Hackett and Edith Fitzgerald from the book by Ben Ames Williams.

I chose it because I wanted to do a film edited by Blanche Sewell and most of her films are too well known to be a mystery movie.

Portions of the film were shot on the Monterey Peninsula and the crew set up its headquarters at Carmel, according to the Los Angeles Times. It opened in Los Angeles at Loew’s State and Grauman’s Chinese theaters on April 24, 1936, on a bill with “Charlie Chan at the Circus.” Edwin Schallert  of The Timesc alled it one of Gaynor’s best pictures.

MGM’s 1953 remake with Farley Granger and  Jane Powell is available on DVD. The 1936 version is not, as far as I can tell.

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Larry Gelbart’s Rare ‘My L.A.’ Revue – Found on EBay

My L.A. Sheet Music
I rarely brag about a find on EBay, but this is something special. This is sheet music from the ultra-obscure 1951 musical revue that took its title from Matt Weinstock’s “My L.A.” The production  — note the name of Larry Gelbart — had a lot of problems and closed after four performances. How this music ended up in the UK is unclear, but its arrival is eagerly anticipated at the Daily Mirror HQ.

Selections also appear on the CD “Sammy Sings Fain Again.”

More about Gelbart’s “My L.A.”

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Random Shot: Isabelle Yates in ‘Axis Powers’

Axis Powers

Snapped this photo last week during filming outside the Los Angeles Theatre.

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Movieland Mystery Photo (Updated + + + +)

Sept. 5, 2015, Mystery Photo

Sept. 5, 2015, Mystery Photo
This week’s mystery movie has been the 1944 Warner Bros. picture “The Conspirators,” with Hedy Lamarr and Paul Henreid (Friday’s mystery guests), Sydney Greenstreet, Peter Lorre (Friday’s mystery guests), Victor Francen, Joseph Calleia (Thursday’s mystery guest), Carol Thurston, Vladimir Sokoloff, Edward Ciannelli, Steven Garay (Thursday’s mystery guest) and Kurt Katch (Wednesday’s mystery guest). The screenplay was by Vladimir Pozner and Leo Rosten with additional dialogue by Jack Moffitt, based on a novel by Fredric Prokosch. The music was by Max Steiner. Directed by former mystery guest Jean Negulesco.

There were lots of interesting guesses on this film. Several people guessed “Mask of Dimitrios” which holds a special place in my heart because it was the first movie I stayed up all night to see when WGN in Chicago started running movies all night on the weekends in the early 1960s. But far too easy for the brain trust. “Gilda” was another popular guess. But again, too easy for the brain trust.

The DVD is available from TCM or for a few dollars less from Warner Archive. Continue reading

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Mary Mallory / Hollywood Heights: ‘Sins of Hollywood – Tinseltown’s First Sordid Look at Scandal

The Sins of Hollywood
“The Sins of Hollywood,” via Archive.org.


From its very beginnings, the motion picture industry has endured protests and censorship attacks from conservative members of the American public, those scandalized at seeing women given the right to be heroines, use of spirits or drugs depicted on screen, accurate depictions of romantic or sexual relationships, and dramatic depictions of violence. At the same time, many of the same people complaining about these visceral images on screen were eagerly partaking of scandal sheets and tabloid newspapers filled with muck, sensationalism, and gossip. These hypocritical individuals failed to realize that one form of entertainment was just as bad as the other, but they allowed journalism to partake of First Amendment rights, but not the entertainment industry.

As early as 1905 to 1907, many persons began calling for censorship of moving pictures, and by 1909, many cities and states possessed censor boards which approved or disapproved films for public exhibition. Though they would censor film product for its licentiousness, these same public officials felt no need to alter or disapprove of scandalous printed forms of entertainment. Conservative voices increasingly voiced their opposition to film depictions whenever scandal erupted in the motion picture industry.
Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Movieland Mystery Photo (Updated + + + +)

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This week’s mystery production was the 1961 “Perry Mason” episode “The Case of the Envious Editor,” which deals with the publisher (James Coburn) of a magazine company who tries to boost its declining circulation by pandering to the lowest common denominator with sexually oriented material. And things go horribly wrong – at least for him.

“The Case of the Envious Editor” was directed by Laslo Benedek and written by Milton Krims. The story consultant was Jackson Gillis.  It starred series regulars Raymond Burr, Barbara Hale, William Hopper and Ray Collins, and guests Philip Abbott, James H. Coburn, Paul Lambert, H.M. Wynant, Barbara Lawrence, Jennifer Howard, Vinton Hayworth, Sara Shane, S. John Launer, Sid Tomack, Dave Willock, Jim Drum, Virginia Carroll, Paul Power, Donna Hayes, Harry Hollins and (although I looked for him in vain) George E. Stone.  Director of photography was Frank Redman and art direction was by Robert G. Stone.

Mystery Photo, Aug. 29, 2015
No more pictures of missiles! “Women’s Viewpoint will deal frankly with sex from the point of view of the woman….”

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Mary Mallory / Hollywood Heights: Theatre Mechanique: Little Theatre, Big Heart

Olga Baclonova Theatre Mechanique


Theatre has enlightened and entertained audiences for centuries as it weaves the tales of life and love through both the comedic and dramatic talents of myriad actors. While most stage acting involves the danger and electricity of live performance, sometimes it employs only the voice to bring characters to life, such as in puppetry.

Puppetry and marionette work come alive solely through the magic of performers’ skills in voice acting. Both have entertained people young and old for eons, either through the slapstick anger of Punch and Judy shows, or the technical skill of real theatrical performance. Los Angeles possessed its own unique form of puppetry work in the early 1930s with Ellsworth Martin’s Theatre Mechanique, a sophisticated blend of old and new technologies for stage enthusiasts in what some newspapers at the time called “the world’s smallest theatre.”

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Merl Reagle: Bonus Crossword Puzzles to Remember an Old Friend

Merl Reagle, 1974

Merl Reagle in 1974 for the Invisible Theatre production of “Mad Dog.” I kept asking him why he didn’t write parts for himself and he said if he had wanted to, he would have done it. Original photo by Tim Fuller.


Like his friends and his many fans in the world of puzzles, I was stunned Saturday to learn of the death of Merl Reagle, whom I met my senior year at Catalina High School in Tucson (Class of 1968).

I had the good fortune to sit next to Merl in a required class for seniors with the compelling name American Problems. Mostly what I remember from that class is having Merl show me how to construct crossword puzzles (at that point, he had already sold his first puzzle to the New York Times). It was an early lesson from the master, in which he talked about wide-open designs and other elements that aren’t necessarily apparent to the solver but are crucial to the constructor.

 

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A Brief Delay

20150820_072724

The Daily Mirror thanks its readers in advance for their patience.

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Black Dahlia: Portrait of ‘Not Elizabeth Short’ for Sale on EBay

black_dahlia_ebay_not_elizabeth_short

An EBay vendor has listed this portrait by Eleanor Merriam Lukits, stating that it “looks like Black Dahlia Elizabeth Short.”

Actually, no. The work appears to be skillfully done, but it’s not Elizabeth Short and doesn’t look like her. But I guess it’s a good sales gimmick. Bidding on this picture of “Not Elizabeth Short” starts  at $49.

Posted in 1947, Another Good Story Ruined, Black Dahlia, Found on EBay | Tagged , , , | 3 Comments

Movieland Mystery Photo (Updated + + + +)

Aug. 22, 2015, Mystery Photo
This week’s mystery movie has been the 1928 MGM film “Across to Singapore,” starring Ramon Novarro (Thursday’s mystery guest), Joan Crawford (Friday’s mystery guest) and Ernest Torrence (Monday’s mystery guest).

The film was based on the 1919 novel “All the Brothers Were Valiant” by Ben Ames Williams and adapted by Ted Shane. Settings were by Cedric Gibbons, wardrobe by David Cox, photography by John Seitz and editing by Ben Lewis. It was directed by William Nigh. The cast also included Frank Currier (Tuesday’s mystery guest), Dan Wolhelm, Duke Martin, Edward Connelly and James Mason (no, not that James Mason).

The Los Angeles opening at Loew’s State in April 1928 featured the Fanchon and Marco girls diving into what the Los Angeles Times described as a huge glass tank. Times film critic Marquis Busby  said of Crawford:  “unless I am badly mistaken Joan does the best work of her career.” Busby died in Los Angeles in 1934 at the age of 31.

As I noted earlier, this week’s mystery person was cinematographer John Seitz, who gave us “Double Indemnity,” “Lost Weekend,” “Sunset Boulevard,” “Five Graves to Cairo,” “This Gun for Hire” and  “The Miracle of Morgan’s Creek,” among many other film classics.  If anyone at TCM is reading this, how about a birthday tribute on June 23?

The film is available from Warner Archive, as is the 1953 MGM remake, “All the Brothers Were Valiant,” with Robert Taylor, Stewart Granger and Ann Blyth. “Across to Singapore” was itself a remake of “All the Brothers Were Valiant,” a 1923 Metro picture with Lon Chaney, Malcolm McGregor and Billie Dove, which Busby called “one of the best sea pictures ever made.”

lon_chaney_brothers_were_valiant

Images of the badly damaged 1923 “All the Brothers Were Valiant” here.

Williams’ novel is available at Archive.org.

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Mary Mallory / Hollywood Heights: The 233 Club, Hollywood’s Masons

image Feb. 27, 1926: The proposed building for the 233 Club in the Los Angeles Times.


The jazz-mad, high-flying 1920s celebrated adventure, life, and excitement after all the dreariness and death of World War I. New-fangled fads skyrocketed in popularity one day, sliding to the basement the next as something shiny and new caught the eye. People rushed to join social clubs, with new private, social, and charitable organizations opening every day. While lodges like the Elks and Moose, and veterans and patriotic groups like the American Legion, the Grand Army of the Republic, and the Sons and Daughters of the American Revolution had existed for decades, new organizations like the Rotary, Kiwanis, and Optimists exploded in growth. Not to be outdone, Hollywood formed its own social groups like the 400 Club, the Mayfair Club, and the Masquers Club.

At the same time, a group of 50 New York City Masons now in Hollywood decided to form their own Masonic Temple. Calling themselves the 233 Club, after the name of New York’s Pacific Lodge F & AM No. 233 which contained only theatrical and entertainment members, the group elected Edward Davis, former president of the National Vaudeville Association as President and Don Meany as Vice President, per the July 8, 1924 Los Angeles Times.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Julian Bond: Video of 1968 Democratic National Convention

image

This is how I think of Julian Bond: At the 1968 Democratic National Convention in Chicago (notice the shots of Mayor Richard J. Daley) being nominated for vice president, but too young to hold the job. (Yes, Bond is talking to Dan Rather). Here’s the clip on YouTube.

Posted in 1968, Obituaries, Politics, Television | Tagged , , , | 2 Comments

Watts Riots: Rare Video of Marquette Frye

Marquette Frye

My good friend Tony Valdez aired part of an interview with Marquette Frye last night as part of Fox 11’s coverage of the Watts riots. The arrest of Frye by CHP officers is what touched off the riots in 1965. Tony says that he will have more of the interview Friday night at 10:30 p.m. Set your DVRs!

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Movieland Mystery Photo (Updated + + + +)

Aug. 15, 2015, mystery photo
I wanted to do a Michael Curtiz film, so as this week’s mystery movie, I chose the 1959 Mirisch Co. film “The Man in the Net,” starring Alan Ladd (Friday’s mystery guest), Carolyn Jones (Thursday’s mystery guest), Diane Brewster (Wednesday’s mystery guest), John Lupton (Friday’s mystery guest), Charles McGraw (Tuesday’s mystery guest) and Tom Helmore (Friday’s mystery guest).

The screenplay was by Reginald Rose, from a story by Patrick Quentin. Cinematography was by John Seitz , music by Hans J. Salter.

Monday’s mystery guest is identified in the credits as Steven Perry. IMDB, alas, has confused him with this Steven Perry.

image
Rather than this Stephen Perry.

image
I have given up trying to make fixes in IMDB, but it would be nice if they got this straightened out.

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Mary Mallory / Hollywood Heights: ‘Since Ma Is Playing Mah Jongg’ 1920s Game Craze

Since Ma is Playing Mah Jong

“Since Ma Is Playing Mah Jongg,” sung by Eddie Cantor, sheet music courtesy of Mary Mallory.


In the 1920s, life changed fast and furiously as people celebrated the Jazz Age. Dance mad, adventure-seeking flappers and flaneurs jumped from craze to craze enjoying the whirlwind of life. Games, foods, clothing, everything changed in a flash, tied to the experience hungry, new sensation-seeking younger Americans looking for excitement. Bridge, crossword puzzles, the Charleston, dance marathons, flagpole sitting, and the game of mah jongg enticed people of all ages insecure in their position and beliefs to jump onto the next big thing in order not to be left behind.

“Since Ma Is Playing Mah Jongg” by the Memphis Five.

For a few years in the 1920s, “mah jongg” became a household name and game, more popular than chess, checkers, or even certain card games. The game attracted many because of its exotic, mysterious game pieces and name, while also requiring some skill in remembering key rules and tiles.

Mary Mallory’s “Hollywood land: Tales Lost and Found” is available for the Kindle.

 

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Another Good Story Ruined: The L.A. Times and the Watts Riots

Aug. 13, 1965, Charles Hillinger
Myth destroyed: The Times publishes a photo Aug. 13, 1965  of Charles Hillinger in the riot area interviewing people.


As next week’s anniversary of the Watts Riots draws near, I am once again hearing the old urban myth that the Los Angeles Times was afraid of sending white reporters to cover the unrest so it drafted Bob Richardson, an African American from the advertising department.

Executive Summary: Totally False.

Here is an account by Charles Hillinger debunking the story, which had been revived by Bob Baker, both of whom have gone to the city room in the sky.

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