
In the early 1920s, Universal purchased many popular novels and short stories for adaptation into motion pictures. Many of these were hugely popular and possessed giant name recognition with filmgoing audiences, while also focusing their stories on intimate human relationships, cheaper and more economical to produce.
The studio turned to the intimate family drama “The Home-Maker” in 1925, based on Dorothy Canfield Fisher’s widely successful novel of the same name, ahead of its time in gender depictions and expectations. Canfield Fisher, one of the most popular and acclaimed writers of the day, was a well-known advocate for adult education, racial equality, and women’s rights, and one of the people Eleanor Roosevelt most admired.

















