
Note: This is the last of the “Laura” posts I had in reserve from last year, when I went on sabbatical. It was a fun project, but my focus on the Dahlia project prevents me from doing any more.
Reading the final shooting script for “Laura,” dated April 18, 1944, is like walking into your house and discovering that the kitchen and the TV room have traded spots and there’s another family living upstairs.
The completed film flows smoothly and more or less logically, but the final script reveals a narrow path through a junkyard of inferior material that someone had the wisdom to throw out. Whether it was a few lines, entire scenes or an earlier ending that is bad beyond belief, someone – presumably producer-director Otto Preminger — had the vision to know what didn’t work and discarded it.
Here’s a small example of one idea that was scrapped, but couldn’t be eliminated from the entire film.
Spoilers ahead
















