Mary Mallory / Hollywood Heights: Ravenswood Apartments Attract the Stylish

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Mae West in her boudoir at the Ravenswood, Life magazine, Feb. 19, 1940.


Note: This is an encore presentation of a post from 2014.


B
uilt during the early years of the Great Depression, the luxurious Ravenswood Apartment building at 570 N. Rossmore Ave. stands as one of the best examples of upscale apartment living in Los Angeles the 1930s. A gorgeous Zig Zag Streamline Moderne building, the Ravenswood features elegant decorations, adornments, and amenities, attracting many celebrity and discriminating residents.

Financier Maurice Feigenbaum obtained a permit for an eight-story, 240 room apartment building costing $350,000 in early June 1930, per the June 8, 1930 Los Angeles Times. He hired Max Maltzman, one of the few Jewish architects in Los Angeles at the time, to design an upscale structure. Originally from Boston, where he opened a draftsman’s office in 1923, Maltzman arrived on the West Coast in 1927, working as a draftsman for architect Leland A. Bryant. By 1929, Maltzman opened his own shop at 704 S. Spring Street, designing elegant apartment buildings throughout mid-Wilshire and the surrounding area. Feigenbaum, unfortunately, was indicted along with eleven others by a Federal grand jury November 18, 1931 for attempting to defraud more than $5 million through the U. S. mail.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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In the Steps of Raymond Chandler: L.A. Mystery Quotes (Updated +)

Black Mask 1936

To accompany my piece on James Ellroy, Michael Connelly and The Wrong Side of Goodbye at the L.A. Review of Books, here are eleven mystery writers strolling Los Angeles in the shadow of Raymond Chandler. Can you identify the authors? Note: Characters’ names have been redacted to avoid giving unintended clues. And of course, you’re on your honor not to use Google.

See if you can spot: Michael Connelly, Miles Corwin, Robert Crais, James Ellroy, George Fox, Denise Hamilton, Naomi Hirahara, Jonathan Kellerman, Ross Macdonald, Walter Mosley and Joseph Wambaugh

1. It was a beautiful L.A. summer evening, ideal for the Bowl. Cruising west on Sunset with the top down my mind took flight with bits and fragments of the passing scene: The Strip gearing up for another go at nightlife, the giant lighted signs proclaiming rock groups and other coming attractions, the callow idolators of electric music cliquing up in front of the Whisky A Go Go.

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Eve Golden’s YouTube Theater: Talking About Talkies

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A program for “The Jazz Singer” at Chicago’s Garrick Theatre (d. 1960), listed on EBay at $141.53.

If you tell me that The Jazz Singer was “the first talkie,” I will have to punch you in the throat. I know you won’t take it personally, but anyone who thinks that The Jazz Singer was the first talkie just needs to be punched in the throat. I mean, for goodness sake, two years before The Jazz Singer, Theodore Case had already made the greatest talkie in the world, featuring Gus Visser and His Singing Duck [checks carefully that I spelled “Duck” right):

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Movieland Mystery Photo (Updated + + + +)

Nov. 12, 2016, Mystery Photo
This week’s mystery movie has been the 1928 MGM film “The Viking,” with Pauline Starke, Donald Crisp, LeRoy Mason, with a screenplay by Jack Cunningham from Ottilie A. Liljencrantz’s “The Thrall of Leif the Lucky.” The film was produced by Herbert T. Kalmus, photographed by George Cave and edited by Aubrey Scotto with settings by Tec-Art. The supervising art director was Carl Oscar Born, color art director Natalie Kalmus, with associate artists Jack Holden, Andre Chotin and Lewis W. Physioc. It was directed by R. William Neill.

“The Viking” was released on DVD by Warner Archive, but was apparently discontinued.

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Mary Mallory / Hollywood Heights: ‘The House I Live In’ Promotes Tolerance

 



T
hough the United States is a nation of immigrants, in times of trouble people act of fear and ignorance, hating and blaming the other for their problems. Throughout the country’s history, in times of economic problems, the newest immigrant group found itself hated and attacked for the ills affecting other ethnic groups. Families passed down myths and folklore concerning those of other nations as well.

During World War II, at a time when the country should have banded together to fight our common enemy, some were still attacking others for looking or being different, be they those wearing zoot suits or those of Japanese or German persuasion.

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is available at Amazon and at local bookstores.

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A Reminder From Pier Angeli and Friend

Nov. 3, 2016, Pier Angeli

Pier Angeli and her little friend remind Daily Mirror readers to turn back their clocks this Sunday.

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Eve Golden’s YouTube Theater: The Party’s Over Now

 

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A Belgian poster for “Humoresque,” listed on EBay for $6.99.

 


I am going to spoil two films for you, so stop reading now if you have not seen What Price Hollywood? (1932) and Humoresque (1946).

Lowell Sherman and Joan Crawford, respectively, commit suicide at the end of the films. And these are my favorite movie suicides: one of them gritty and brutal and realistic, and the other over-the-top Movie Magic.

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Movieland Mystery Photo (Updated + + + +)

Nov. 5, 2016, Mystery Photo
This week’s mystery movie has been the 1950 Universal International film “Woman on the Run,” with Ann Sheridan, Dennis O’Keefe, Robert Keith, John Qualen, Frank Jenks, Ross Elliott, Jane Liddell, Joan Fulton, J. Farrell MacDonald, Steven Geray, Victor Sen Yung, Rako Sato, Syd Saylor and Thomas P. Dillon. The screenplay was by Alan Campbell and Norman Foster from a story by Sylvia Tate published in American Magazine. The film was photographed by Hal Mohr, with art direction by Boris Leven, set decoration by Jacque Mapes and music by Emil Newman and Arthur Lange. The film was produced by Howard Welsch and directed by Norman Foster.

The Film Noir Foundation’s restoration of the movie, released in May 2016, is available from Flicker Alley in a Blu-ray/DVD package for $34.59 from Amazon.

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Mary Mallory / Hollywood Heights: Mon Randall, Caricaturist

 

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Frank Mayo as drawn by Mon Randall.


In the world of popular culture, everything is about the sell. Photos, posters, graphics, all becomes a means of ballyhoo in attempts to lure consumers to purchase or view product. In the early decades of the twentieth century, master showmen employed artists to design striking advertising key art to lure audiences into theatres, be it posters on the street or alluring advertisements in magazines.

While some of these artists gained widespread recognition, like Batiste Madalena, Henry Clive, James Montgomery Flagg, or John Held, many toiled in obscurity though they too were creating eye-catching designs. Mon Randall drew gorgeous ads, heralds, and even title art in the style of old masters, but never gained great fame for his work.

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is available at Amazon and at local bookstores.

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Eve Golden’s YouTube Theater: Betty Grable Was Just Adorable

Betty Grable

Betty Grable in an undated publicity shot.


Betty Grable’s one of those people—a long list—I’d love to write a book about, but can’t. Her daughters were really nice, but said “we just don’t want to go through all that again,” having dealt with some pretty sleazy writers. I totally understand and told them I wouldn’t bother them again, but of course any book I’d do without them would be half-assed, and I like my books to be fully assed.

But I do adore Betty. She was one of the top song-and-dance gals of her generation; she could sing like Dinah Shore, dance like Ginger Rogers, and she was considerably cuter than a bug’s ear. She was no great shakes as a dramatic actress, but she knew it and put a halt to it after two serious films (the main thing I love about I Wake Up Screaming is the ads, which read “I Wake Up Screaming with Betty Grable!”).

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Mary Mallory / Hollywood Heights: ‘Crazylegs’ Salutes Elroy Hirsch and the Los Angeles Rams

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An image of Elroy “Crazylegs” Hirsch, scanned from a negative listed on EBay at $24.99.


Los Angeles is currently experiencing the second coming of its professional football team, the Los Angeles Rams, who first arrived in town in 1946 and also played at Memorial Coliseum. The team achieved some special firsts: such as being the first to be televised as well as the first to play themselves onscreen in the 1953 film “Crazylegs,” based on the life of its talented receiver/running back, Elroy “Crazylegs” Hirsch.

From 1949-1957, Elroy “Crazylegs” Hirsch excelled as one of the team’s top offensive players, earning All-Pro status in the National Football League for his top receiving/running skills. A potent ground gaining weapon, Hirsch’s odd twisted running style gained him his nickname. Hirsch’s remarkable background led writer/director Hall Bartlett to create a film about him, one that featured the team as well as its historic playing field, the Coliseum, a longtime film location.

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is available at Amazon and at local bookstores.

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Movieland Mystery Photo (Updated + + + +)

 

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This week’s mystery movie has been the 1947 Twentieth Century-Fox film “Nightmare Alley,” with Tyrone Power, Joan Blondell, Coleen Gray, Helen Walker, Taylor Holmes, Mike Mazurki and Ian Keith. It was written Jules Furthman from the novel by William Lindsay Gresham, with music by Cyril Mockridge, photography by Lee Garmes, art direction by Lyle Wheeler and J. Russell Spencer, wardrobe direction by Charles LeMaire and costumes by Bonnie Cashin. It was produced by George Jessel and directed by Edmund Goulding.

It is available on DVD from Amazon.

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Black Dahlia Halloween Costumes: The Annual Warning

Dahlia Halloween

Halloween is quickly approaching, which means the internet is brimming with photos of young women practicing their “Chelsea Smile” makeup and otherwise showing off their talent in dressing up like a brutally murdered woman. Regardless of what you may think, this does no honor to Elizabeth Short.

Oct. 19, 2016, Dahlia Halloween

Rethink your choices. Really.

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Eve Golden’s YouTube Theater: Why Jayne Mansfield Really Was Divoon

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Cary Grant and Jayne Mansfield in a still from “Kiss Them for Me,” listed on EBay at $8.99.


If Jayne Mansfield had died in 1957 instead of 1967, she’d be remembered as one of the most talented and promising actresses of her generation. In 1956 and ’57, she gave two sharp, smart comic performances (The Girl Can’t Help It and Will Success Spoil Rock Hunter?) and a quiet, touching dramatic performance in The Wayward Bus. Then it all went straight to hell, starting with the unwatchable Dumpster fire of Kiss Them for Me. Fox is really foxy about not letting its movies get onto YouTube, so I will have to present you with the official trailer for Rock Hunter:

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Movieland Mystery Photo (Updated + + + +)

 

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This week’s mystery movie has been the 1928 MGM film “The Wind,” starring Lillian Gish, Lars Hanson, Montagu Love, Dorothy Cumming, Edward Earle, William Orlamond, Carmencita Johnson, Laon Ramon and Billy Kent Schaefer, with a screenplay by Frances Marion adapted from the novel by Dorothy Scarborough. It was directed by Victor Seastrom.

It is available on DVD from Amazon Spain.

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Mary Mallory / Hollywood Heights: 4418 Vineland Ave., Yesterday and Today, Part 2

NH Med. Arts building

4418 Vineland Ave. in an undated photo, courtesy of Mary Mallory.


 


T
wo years can bring changes in life, whether to a person or building, and not always for the better. I wrote about the history of 4418 Vineland Ave. in May 2014, pointing out that the building had opened as a medical office complex in 1947 and had remained as such through 2014.

Photographs demonstrated how it still remained a building of integrity, looking much the same as it had more than 60 years ago. What appeared to be original brick facade had been plastered over and decorative detailing over the windows had been removed, though the original windows appeared to remain.

4418 Vineland Ave., Yesterday and Today, Part 1.

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Eve Golden’s YouTube Theater: Annie-Pie

Ann Miller

A publicity photo of Ann Miller, listed on EBay for $28.88.

My friend Donna hates Ann Miller—hates her—so I apologize to Donna in advance for this piece. But I love Annie. She was bright and glittery and silly and unlike the accomplished and talented dancers Cyd Charisse and Eleanor Powell, Ann seemed to be having fun when she tapped—Cyd and Eleanor seemed more like straight-A students dutifully showing off for final exams.

I interviewed Ann Miller once, and she was just as daffy and off-the-wall as in her films, but she was sharp as a tack, too, when it came to analyzing her career and her sometimes rocky life.

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Movieland Mystery Photo (Updated + + + +)

Oct. 15, 2016, Journey Into Fear

This week’s mystery movie has been the curious 1943 RKO film “Journey Into Fear,” with a screenplay by Joseph Cotten from the novel by Eric Ambler. The movie starred Joseph Cotten, Dolores Del Rio and Ruth Warrick, with Agnes Moorhead, Jack Durant, Everett Sloane, Eustace Wyatt, Frank Readick, Edgar Barrier, Jack Moss, Stefan Schnabel, Hans Conried, Robert Meltzer, Richard Bennett and Orson Welles. The music was by Roy Webb, photography by Karl Struss and art direction by Albert S. D’Agostino and Mark-Lee Kirk. The movie was directed by Norman Foster.

The movie is available from Amazon UK in an all-region DVD. It is also available from Amazon in a Region 2 DVD.

It is also on Archive.org.

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Mary Mallory / Hollywood Heights — Max Munn Autrey, Texas Stillman

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Max Munn Autrey, from Pictures and Picturegoer, August 1925


“In Hollywood, photographers spring into fame overnight. They are, for a time, a fad—and only become recognized as established worth when they prove that their ideas are not limited. All an ambitious camera artist needs to start him off on the road to fame and fortune is to display two or three portraits of big stars and if he has obtained something of beauty in photographing them, he is made. The fact, alone that a star admired his work enough to pose for him, is recommendation, and soon the other stars follow. When the picture trade is established, the photographer expands his business proportionately, and sets his prices. The more famous photographers have been known to charge as much as $350 for 12 prints of a single portrait.”

— Walter Irwin Moses, Pictures and Picturegoer, August 1925

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Max Munn Autrey’s portrait of Jane Winton, for sale on EBay listed at $199.95.


Note: This is an encore post from 2014.


T
exan Max Munn Autrey sauntered into the world of Hollywood still photography in the 1920s, a journeymen cameraman looking to settle down. He found his niche in portraiture, helping devise mystique and sensuousness in star portraits.

Born June 24, 1891, in Hamilton, Texas, Autrey moved around the state taking photographs as an adult. He was employed by P.T. Collier & Son in Dallas, per his World War I registration papers. In 1918, he married his wife, Bonnie, in her hometown of Tyler. They lived in Burleson in 1920, but soon decided to move to California.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Eve Golden’s YouTube Theater: Well, Here Is the Damndest Film You’ll Ever See

 

'Tomato Is Another Day'
“Cigarette Life!” A deathless line from “Tomato Is Another Day.”


I offer for your bewilderment Tomato Is Another Day (1930), seven of the weirdest minutes ever committed to film. It was never widely shown (for obvious reasons) and was only rediscovered in the wonderful age of cable, DVDs and YouTube. And no one knows what the hell to make of it.

 

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