Note: This is an encore post from 2005 and originally appeared on the 1947project.
By mid-July, Arnold Schoenberg was hard at work on a composition he had conceived several months earlier, when choreographer Corinne Chochem sent him details on a song for a potential commission.
Although the price was too high for Chochem, Schoenberg remained focused on the idea of a work of up to nine minutes for a speaker, orchestra and chorus, saying: “I plan to make it this scene—which you described—in the Warsaw ghetto, how the doomed Jews started singing before going to die.”




















