
Viola Mallory Lawrence in Exhibitors Herald, Dec. 25, 1920.
Mostly forgotten today, or in the shadow of other female editors, Viola Mallory Lawrence actually was the first to cut a film in 1912, going on to work almost 50 years with some of the most iconic and visionary directors. Her work cemented films’ stories together while also creating a dynamic pacing. Dedicated and disciplined, Lawrence turned to editing at a young age and grew into one of the field’s most respected veterans.
Born December 2, 1894, in Brooklyn, New York, Viola Mallory grew up with the exploding popularity of moving pictures as a child. She joined Vitagraph studio in Flatbush at the age of 12, standing on a box to hold cards being photographed as titles. Within a few years, she gravitated to cutting, dedicating herself to the field. Apprenticing under Vitagraph’s lead editor, Frank Lawrence, she learned quickly. In 1912, she edited the three-reeler O’Henry, her first opportunity to fully serve as editor. Continue reading












Note: This is an encore post from 2011.



