Gang shooting

Jan. 1, 1958
Los Angeles

 

1958_0101_gang

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Cops kill Marine

 

1958_0101_marine

Jan. 1, 1958

Los Angeles

1958_0103_rice
Officers Ed Neville and R.O. Potter of the Wilshire Division began the year on a thankful note: They were alive.

As final hours of 1957 ticked away, the officers were called to an apartment at 443 S. Alexandria Ave., where 21-year-old Carol Stoos had slashed her wrists. Stoos was taken to the Central Receiving Station and treated.

With the incident closed, Neville and Potter were returning to the
Wilshire Division station when they saw a car carrying two men and two
women speeding on Wilshire near Serrano Avenue. They stopped the driver, Marine Cpl. John Serino, 19, at 6th Street and Manhattan Place and in checking the license plates, found that he was driving a stolen car.

Neville tried to put his handcuffs on Serino, but the El Toro Marine
drew a revolver from a shoulder holster and fired five times at Neville
and once at his partner, missing all six times.

The two officers killed Serino, firing 15 shots, The Times said. Serino
was hit four times, leaving us to wonder what became of the other 11
bullets. Fortunately, although a total of 21 shots were fired, neither
of the officers, nor Serino hit the other three people in the car:
Marine Pfc. Noel Land, 18; Theresa Richaurd, 20; or Irene Marsalek, 29,
who happened to be Stoos’ roommate.*

Serino’s three companions were arrested on charges of murder (this may
not make sense at first, but yes, it is a point of law). Richaurd told
police that Serino had forced her to take the .38-caliber revolver they
found in her purse.

The Times never followed up on this story, so we don’t know what became
of any of these people. But we do know that they all began the new year
with a second chance.

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110 revisited

Feb. 11, 1917
Los Angeles

1917_0211_silver_lake_parkway

The Times published a map of the Silver Lake Parkway, intended as a beautification project for something called the Bimini Slough. The article notes that Westlake (MacArthur) and Sunset (Lafayette) parks were also built from reclaimed "sump holes."

Bimini Slough, in case you want to trace the path of what The Times called unreclaimable swampland, ran from 6th and Alexandria, east along 6th Street to Vermont Avenue, followed Vermont north past the "Bimini Baths" to 1st Street, then went in a diagonal to Silver Lake Reservoir. The slough was a notorious civic eyesore, having been used as an informal dumping ground for years, The Times says. The slough was filled and graded in 1931, making way for a major realignment of 3rd Street that opened in 1932.

The reason? To ease badly congested traffic on 6th and 8th streets.  It may be difficult to believe that Los Angeles had bad traffic 76 years ago–but we did.

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Jan. 3, 1958

 

1958_0103_cover

 

Note: Three Border Patrol agents crawling through brush found Roberta Elizabeth Donovan the next day, asleep in a clump of mesquite. Also note ABC’s settlement with Police Chief William Parker over remarks by Mickey Cohen in an interview with Mike Wallace. That’s $317,976.76 USD 2006.

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City Hall

Speaking of City Hall,
here’s a frame grab from "Chinatown," with the fabulous cinematography
of John Alonzo. I was quite fortunate to hear him discuss the making of
"Chinatown" at a presentation many years ago. If you live in Los Angeles and have never seen "Chinatown," go out immediately and rent it. Today.

Chinatown_grab02
Hollis Mulwray (Darrell Zwerling) announces that he will not approve the Alto Vallejo Dam and Reservoir, which would be at risk of failing like the Van der Lip Dam (based on the St. Francis Dam disaster).

"It won’t hold. I won’t build it. It’s that simple. I’m not going to make the same mistake twice."


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110 revisited

 

2007_1231_sterling_sign02
Photographs by Larry Harnisch / Los Angeles Times

 

I found a trace of the past while exploring Sterling Place just west of Orange Grove Avenue: A parking sign from the Automobile Club of Southern California. I can’t say I’ve ever seen another one like it in South Pasadena. At one time the Auto Club was extremely active in posting signage all over Southern California.

 

2007_1231_sterling_sign01

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Edward Weston dies

Jan. 2, 1958
Carmel, Calif.

 

Edward_weston_1937_0329_lat

Photograph by the Los Angeles Times

Edward Weston, after receiving a Guggenheim Fellowship in 1937, when he was living at 4166 Brunswick Ave., Los Angeles.*

 

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One of the greatest photographers of the 20th century receives a one-paragraph obituary in The Times. This is almost beyond belief. The next month, in a feature about a memorial exhibit at Barnsdall Park, Times art editor Arthur Millier offered a tribute to Weston:

I believe he taught two generations to see. Perhaps what I really mean is that he taught me to see. An exhibition of his photographs in 1924 staged by the local Japanese photographers opened my eyes. Everything his eyes saw had its special beauty.

The last time I saw Edward Weston, four years ago, he was shaking with Parkinson’s disease. He could no longer work in his darkroom. He had finally yielded to the requests of the Eastman Co. to try out their newest color film. Film–and this went against his Thoreaulike grain–that he could not himself develop.

These color prints are not included in the Barnsdall Park show. But they are the finest color photographs ever made. He proved that photography is not just a matter of snapping a button. To be good, there must be an artist behind the lens.

Louis Clyde Stoumen made a motion picture designed to show people the world of Edward Weston. It’s title: "The Naked Eye." This film, which should be shown soon, is the finest tribute yet given to the greatest artist I have known–Edward Weston.

Here’s the photographer in his own words from 1928. Given his comments about the purity of photography and the evils of manipulating the negative or the print, I suspect he would have detested Photoshop.

 

1928_0722_edward_weston_2

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* This is so weird. Weston lived a mile from Caryl Chessman, 3280 Larga Ave.

Update: Although The Times reported at least twice that Weston lived at 4166 Brunswick Ave., finding this home is a bit of a challenge. The online Los Angeles street directory for 1938 lists him as living at 4102 Verdant, a block from Brunswick. Further research is clearly in order.

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Jan. 2, 1958

1958_0102_cover

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Our lawless city

<p><p><p><p><p><p><p><p><p><p><p><p><p>lapd_crime_stats</p></p></p></p></p></p></p></p></p></p></p></p></p>

Los Angeles Police Department
Crime Statistics
Offense 1956 1957 Increase/Decrease
Homicide 104 119 +14.4%
Rape 1,056 1,271 +20.4%
Robbery 3,548 4,269 +20.3%
Aggravated Assault 5,315 5,786 +8.9%
Burglary 22,799 26,887 +17.9
Larceny (Except Auto Theft) 45,276 50,173 +10.8%
Auto Theft 10,342 13,203 +27.7%
Worthless Checks 12,782 17,390 +36.1%
Total
101,222
119,098
+17.7%

This is only a sample of the extensive annual crime statistics compiled by the Los Angeles Police Department. The summary notes that 1957 "was the highest year on record for reported crimes and attempts."

The highest crime areas were: Central Division, 10,426 crimes per 100,000 population; and Newton Street Division, 10,169 crimes per 100,000 population. The safest areas were the West Valley Division, 2,774 per 100,000 population; and West Los Angeles Division, 2,907 crimes per 100,000 population.

<p><p><p><p><p><p><p><p><p>1957_murders</p></p></p></p></p></p></p></p></p>

1957 Homicides by LAPD Division
77th Street Division 27
University Division 18
Central Division 16
Newton Division 15
Harbor Division 10
Hollywood Division 6
Wilshire Division 6
Valley Division 5
Highland Park Division 4
Hollenbeck Division 4
West Valley Division 4
West Los Angeles Division 3
Venice Division 1

Source: Los Angeles Police Department, annual report for 1957

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1958 Rose Parade

 

1958_0101_ktla_3

Ready for the 1958 Rose Parade? Let’s step off.

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Photograph by John Malmin / Los Angeles Times


The Long Beach Mounted Police, accompanied by a stray dog.

 

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Photograph by Art Rogers / Los Angeles Times

Rose Queen Gertrude Eleanor Wood and her court.

 

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Photograph by the Los Angeles Times

"Summer Time," See’s Candy Shops

 

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Photograph by Art Rogers / Los Angeles Times

"California, Here I Come," Alhambra

 

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Photograph by Art Rogers / Los Angeles Times

Los Angeles County Sheriff Eugene Biscailuz. I suspect future Sheriff Peter Pitchess is accompanying him, but he isn’t identified in this photo.

 

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Photograph by Art Rogers / Los Angeles Times

"Jewels of the Magi," City of Indio.

 

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Photograph by Art Rogers / Los Angeles Times


"Hawaiian Paradise," City of Glendale.

 

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Photograph by Art Rogers / Los Angeles Times


"New Worlds to Conquer," City and County of San Diego.

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Photograph by Art Rogers / Los Angeles Times

"A Dream of Far-Off Places," Union Oil.

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Jan. 1, 1958

 

The Los Angeles Times, Jan. 1, 1958.

1958_0101_cover

You can sure tell it’s the era of the TV Westerns: Guy Madison and Andy Devine from "The Adventures of Wild Bill Hickok," Richard Boone from "Have Gun — Will Travel" and William Boyd of "Hopalong Cassidy." Also note: Sheriff Eugene Biscailuz and–of course–Montie Montana.

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Countdown

 

City_hall_1962_crop

Photograph by Wayne F. Kelly / Los Angeles Times

I’m a few years ahead of myself, but I couldn’t find the photo from 1958. So just pretend.
Happy New Year from the Daily Mirror! (Hey, it’s Guy Lombardo and His Royal Canadians! They’re playing "Auld Lang Syne.")

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Julian Eltinge

I had never heard of Julian Eltinge until I came across some material for sale on EBay. I dug out his photo file and over the weekend found his former home in Silver Lake.

 

Julian_eltinge_1937_0912_file

Los Angeles Times file photo

 

Here’s Eltinge in his prime in an undated picture. He performed frequently in Los Angeles and appeared at the Mason Opera House in a play titled "The Fascinating Widow," which received rave reviews. In fact, the critic compared it favorably to the annual New Year’s show at the Jonathan Club.

 

Julian_eltinge_1913_1028_file
Los Angeles Times file photo

Julian Eltinge in "The Fascinating Widow," 1913.

 

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He was also a boxing fan.

 

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And he built this house in Silver Lake.

Julian_eltinge_home_2007Photograph by Larry Harnisch / Los Angeles Times

Here’s the former home of Julian Eltinge, 2328 Baxter St. Warning! Baxter is one of those extremely steep streets around Silver Lake.  Because of the mature trees,  it is quite difficult  to see the home from the street. But it is still there. Note: In his later years, he lived in North Hollywood. He died in New York in 1941, somewhere in his mid-50s. The Times noted that he was a "lifelong bachelor," a vintage code phrase for "gay."   

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Ps. The Times clips are full of interesting accounts about Eltinge. I’ll try to post a few as I get time. So many stories, only one Larry Harnisch.

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110 revisited

 

1912_map

I realized I got more than I bargained for as soon as I found this map among The Times pictures of the Pasadena Freeway. As this 1912 map shows, the Arroyo Seco Parkway was originally intended to link Elysian Park to the area north of Devils Gate Reservoir in what is now La Canada Flintridge. But what’s this off to the left? A parkway linking Elysian Park to Silver Lake? And what is this Silver Lake Parkway connecting Wilshire Boulevard to Griffith Park? Also, please note the reference to a "proposed boulevard from the mountains to the sea."

You might ask why the city was taking its first steps toward freeways as early as 1912, when autos and auto travel were primitive to say the least.  My goodness, the question of transportation in Southern California gets complicated quickly, doesn’t it?

Stay tuned.

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Mystery photo

 

2007_1231_mystery_photo_2Los Angeles Times file photo

Here’s a vintage photo of our mystery guest. Some artist at The Times
cut it down years ago, but left part of the autograph intact. And yes,
I cropped out the signature. No point in making this too easy.

  • Mary Pickford? (Interesting guess. But no).
  • Julian Eltinge? (Carol Gwenn). Absolutely right! Bravo

This is Julian Eltinge, the leading female impersonator of his day.

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Dec. 31, 1957

 

1957_1231_mirror

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Company town III

Robert Birchard writes:

    Saw your blog on Francis Boggs and early filmmaking in Los
Angeles
.

 
    Perhaps one of the reasons you’ve never found the laundry except in the
earlier fire reference is that it is nearly always misidentified as the "Sing
Loo" laundry, when in fact it was the "Sing Kee" laundry and it shows up in city
directories of the time. 
 
    The laundry, of course, was not part of the 1907 expedition, but was a
temporary Selig studio active in April and May of 1909.  Boggs left Los Angeles
for location work in Yosemite, the Hood River Valley and Oakland before
returning to set up a permanent studio in Los Angeles in Edendale in October
1909.
 
    The "rooftop" studio is somewhat problematic.  "Monte Cristo" has
recently been found and restored.  All of the film, except for the emergence of
Dantes from the sea, is shot on interior sets.  There is no Selig "Carmen," or
anything that might resemble it for that matter, in the release records of the
Selig Polyscope Company, and it is highly unlikely that Lillian Haywrd would
have worked with Boggs ca. 1906-1907 (although she certainly worked for Selig
after Boggs’s death) because they were just recently divorced and Boggs was
remarried to May Hosmer.  Hayward was also a new mother, having given birth to
an illegitimate daughter in Dec. 1906 and only returning to work on stage in San
Francisco later in 1907 after "a lengthy illness."
 
    The fellow who gave the photo of the rooftop studio to Hobart Bosworth
claimed it had been taken in 1906 when he was appearing in a show in Los
Angeles.  I need to do additional research on this to confirm the show (if
possible) and its play dates, but I suspect that the rooftop studio does indeed
date from 1906, but that Francis Boggs wasn’t involved at that time.  It is my
suspicion that Thomas Persons blurred the rooftop studio and the Monte Cristo
shoot in his memory many years later. 
 
    The first account I’ve found of the Monte Cristo shoot is in a 1916
article by Charles E. Van Loan that quotes Persons, but which may have been
slightly embellished for effect. 
 
Best,
 
Bob Birchard
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The 110 revisited

 

1939_0723_grand

Photograph by the Los Angeles Times, July 23, 1939

He looks out from the bridge as if he is gazing toward the future. Not
that this is what the photographer intended. Like The Times "Scout
Car," a new 1939 Oldsmobile, the unidentified fellow in the suit and
two-toned shoes was added as visual interest to an otherwise static
shot of Southern California’s first six-lane "superhighway" being built
from Los Angeles to Pasadena.

But what did our friend see when he looked away from the camera and
faced Orange Grove Avenue? The future of transportation? The
ultimate solution to the region’s intractable problems with congested
streets? Did he, or anyone, ever envision long lines of cars backed up
on the Orange Grove off-ramp at the evening rush hour? How about
freeway signs, shrouded in an attempt to protect them from graffiti?

 

1940_1230_sally_stanton_lat

Photograph by the Los Angeles Times

The year after that picture was taken, 1940 Rose Queen Sally Stanton,
aided by Gov. Culbert L. Olson, cut a ribbon just east of Fair Oaks in
South Pasadena, opening six "glass-smooth miles" of the Arroyo Seco
Parkway from the Figueroa tunnels to Glenarm Avenue. The era of the
Southern California freeway had begun.

 

1938_0323_cheryl_walker_lat02

Photograph by the Los Angeles Times

Cheryl Walker at the 1938 groundbreaking for the Arroyo Seco Parkway.

But our story doesn’t
begin with our friend on the bridge, nor with the Dec. 30, 1940,
ribbon-cutting. Nor does it open two years earlier, when 1938 Rose
Queen Cheryl Walker started a tractor at Sterling Place and Arroyo
Boulevard in South Pasadena to move the first mound of dirt for the
"speedway between Pasadena and Los Angeles."

As The Times noted
in March 1938, the groundbreaking was the culmination of a 20-year
effort. Indeed, even a little research reveals plans for a landscaped
route along the Arroyo Seco as early as 1907.

With the 70th anniversary of the groundbreaking a few months away,
and a large folder of Times archival photos on my desk, I’ve decided to
use the Pasadena Freeway as an instrument to examine the larger
question of traffic and transportation in the Los Angeles region. Is
traffic a new problem that can be easily fixed with a few more buses or
a couple of toll roads? Or, like the line from "Alice in Wonderland,"
has it taken all the running we can manage to stay in the same place
over the last century?

Like most Southern Californians, I have a personal relationship with
this subject. The Pasadena Freeway is literally my backyard and my
house was moved from Sterling Place to make way for the project. (And
yes, although I personally oppose the 710 extension, I’ll make every
attempt to write about it impartially).

More than that, with the exception of a few years when I lived in the
San Fernando Valley, I’ve used the Pasadena Freeway nearly every day
since 1988. As I tell my fellow commuters, driving a freeway is like
running a river; you learn where the rapids are and where you are
likely to get caught in an eddy. After seeing dozens of three-car
pileups in the same sharp curve, I have learned to slow down and say a
little prayer for people who speed on by.

Today, despite years of tinkering, the freeway is as outdated as our
friend’s two-toned shoes and his 1939 Oldsmobile, which had a
230-cubic-inch, six-cylinder engine, a 120-inch wheelbase and weighed a
bit more than 3,000 pounds. The builders could have never imagined a
dressed-out Hummer H2 with a 133-inch wheelbase and a 393-horsepower
V-8 that weighs as much as pair of 1939 Oldsmobiles. And yet the
highway continues to serve its intended function: moving cars between
Pasadena and downtown Los Angeles.

One might say that the freeway was conceived the first time someone
mounted a horse and rode to town. I don’t plan to go back quite that
far. Nor do I intend this to be a linear history of the Pasadena
Freeway. For that, I’ll post Patt Morrison’s marvelous 1990 nondupe on
the freeway’s 50th anniversary. Instead, over the next few months I’ll
be revisiting some of the locations in the old photos to see what
lessons we have learned–and perhaps what lessons have eluded us. (Note the absence of a center guardrail in the 1939 photo. A bloody lesson to be sure).

 

1939_0723_grand_3

 

2007_1229_grand_orange02

Photograph by Larry Harnisch / Los Angeles Times

And like the Pasadena Freeway, this will be built in chunks and strung
together, then modified as I see what works and what doesn’t.

Hope you enjoy the ride.

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Dec. 30, 1957

 

1957_1230_cover

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Van Nuys Boulevard

Dec. 29, 1957
Los Angeles

1957_1229_van_nuys

Isn’t this building cool, in its weird 1950s Space Age way? This is a wonderful detail from a Times ad for the opening of a Van Nuys Savings and Loan office at 8201 Van Nuys Blvd. The building is still there, but unfortunately, it doesn’t look anything like this anymore. I’ll try to get out to Panorama City for a shot in the near future. And here’s a shout-out to the Van Nuys Boomers blog. Thanks for reading!

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Update: It’s unclear to me just how much the building has changed since 1957. Before I wrote the post, I found one online image that indicated the building had been fairly compromised by later remodeling. Richard Hultman sent me some satellite images that make it appear to be more intact. A field is definitely in order. Stay tuned!

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