From the Vaults — ‘While the City Sleeps,’ Part III

While the City Sleeps

The previous two posts gave a brief production history and plot summary of the 1928 Lon Chaney film “While the City Sleeps” and a sample of the reviews.

Today, we’ll look at some of the more unusual aspects of this print, which was provided by a longtime reader. (I have no idea as to the source of the print used to make the DVD.)

From the Vaults: While the City Sleeps
Part I | Part II |

The big question is how much of the film is missing. The short answer is: quite a bit.

Motion Picture News reported on Dec. 8, 1928, that “While the City Sleeps” had a synchronized score and sound effects and was 7,231 feet long.  I’ve had a bit of trouble determining the precise speed of silent projectors to calculate the running time of the film. The standard for sound projectors was 90 feet per minute, with slower speeds for silents. So depending on projection speed, that makes the running time of “While the City Sleeps” 90 minutes at 80 feet per minute and 85 minutes at 85 feet per minute.  This print times out to a fraction over 66 minutes, which means 19 to 24 minutes of the film is missing. No wonder that it’s plot is hard to follow.

Warning: Spoilers ahead.

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1944 in Print — Hollywood Gossip by Louella Parsons, May 2, 1944

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May 2, 1944

THE MANY AND ASSORTED RUMORS that James Cagney has signed with this or that studio are all denied by his brother Bill, who says five stories are lined up to star Jimmy for his independent company. Says Bill: “If we get an outside offer that is terrific. I won’t say that Jimmy won’t be interested, but we are committed to United Artists to turn over ‘Bugles in the Afternoon,’ a historical novel by Ernest Hayeux. Then there is ‘Blood on the Sun,’ ‘Only the Valiant’ ‘Port Royal’ and an untitled murder mystery. Also, we’ll make ‘The Stray Lamb,’ the Thornton Smith comedy, without Jimmy. Altogether, these pictures represent an outlay of about $10 million.”

From the Milwaukee Sentinel.

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Union Station Opens in Los Angeles, May 1939

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June 29, 1938: Nuestro Pueblo, by artist Charles Owens and writer Joe Seewerker,  depicts the construction of Union Station.

Here are some posts that I wrote years ago, including several when Union Station turned 70.

Grand Design for Los Angeles Proposes Union Station at 5th and Central.

Memories of Union Station, by Keith Thursby.

Chinatown to Make Way for Union Station.

Los Angeles Prepares for Opening of Union Station.

Union Station Turns 70.

Union Station Preview.

Union Station Opens, May 4, 1939.

Union Station Opens, May 5, 1939.

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From the Vaults — ‘While the City Sleeps,’ Part II

While the City Sleeps

In yesterday’s post, I gave a brief production history of the 1928 Lon Chaney film “While the City Sleeps,” and a summary of the rather complex plot, rendered even more convoluted because substantial portions of the print are missing, either due to content, damaged nitrate or some other reason. Based on The Times clips, the movie had a one-week run in Los Angeles after opening Sept. 21, 1928, and two brief showings (less than a week) in November, and was never mentioned in the paper again except for Chaney’s obituary.

Warning: Spoilers ahead

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1944 in Print — Life Magazine, May 1, 1944

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Navy Lt. Harold Vita shows young Richard Kovacks how to shoot down an enemy plane in this week’s cover story.


May 1, 1944

Life magazine looks at the travails of George Yamamoto, who keeps getting running out of town because he is —

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Oklahoma’s Executioner: Rich Owens

Oklahoma City
Feb. 27, 1948


Note: This 2006 post is worth revisiting after last night’s botched execution of Clayton Lockett in Oklahoma.

Ray Parr’s story about Rich Owens, the longtime executioner at McAlester State Penitentiary, has been knocking around my home office for ages, passed along by a former co-worker many years ago. Writing for the Daily Oklahoman, Parr painted a long, vivid portrait of the man who killed 75 human beings: 65 by electrocution, one by the gallows, two with a knife, six with a gun and one with a shovel. And there could have been more: “I never count peckerwoods,” he said.

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From the Vaults: ‘While the City Sleeps’ — Part I

While the City Sleeps

It’s worth spending a bit more time on our recent mystery movie “While the City Sleeps” for several reasons. It’s not widely available and most copies seem to be missing large chunks of the film, making the complex narrative even more convoluted. And there are some shots of Los Angeles City Hall that are worth exploring.

Warning: Spoilers ahead.

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A Salute to Forgotten Heroism, April 30, 1944

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April 30, 1944

Here’s a story of forgotten heroism. I stumbled across it in the Miami News while digging out a Sidney Skolsky column.

Lt. Newell Putnam Wyman waves off rescuers trying to save him and the crew of his Catalina patrol bomber, which had crashed in the ocean 90 miles of Attu in a storm. Wyman knew that a rescue attempt was too dangerous for the planes that had found them.

The victims include co-pilot Ensign Anthony Mannix Moriarty, navigator Ensign Raymond Edwin Rozuk, flight engineer Arvo Arthur Ranta, gunner Charles Leroy Olson Jr., flight engineer Lavere Marvin Ryther, radioman George Leo Huschka and radioman Armestead Sigrest Hardee

From the Miami News.

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1944 in Print — Hollywood by Sidney Skolsky, April 30, 1944

April 30, 1944, Carole Landis

Note: This is the last of the Sidney Skolsky columns for a while. There are no online issues of the Miami News for May 1944, so that’s it until June. What do you think of Skolsky? Is he a keeper?

April 30, 1944

HOLLYWOOD, April 29 — The movies have aided the war in many ways. American Cinematographer explains that Wallace Beery’s picture “Hell Divers” “is more responsible than any other factor for the design and principles of the present aerial machine gun movie camera.”

From the Miami News.

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1944 in Print — Hollywood Gossip by Louella Parsons, April 30, 1944

April 30, 1944, Daylight Bombing of Berlin

April 30, 1944

The U.S. loses 63 bombers and 14 fighters in a daylight raid on Berlin. The Nazis lost 88 aircraft. Meanwhile, the RAF made its 16th consecutive nighttime raid on Germany.

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Louella Parsons interviews Irving Cummings, who received the Thomas A. Edison award for achievement after directing “Alexander Graham Bell.”

He says his favorite film was “The White Parade.” “We wrote that on the set and it developed into an unexpected hit,” he said. “You know, I did eight straight musicals and I told Darryl Zanuck I just wouldn’t make another one. I was beginning to get typed. Darryl agreed with me.

From the Milwaukee Sentinel.

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LAPD Parker Center Cop Shop Files: The Freeway Rapist

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I was given a box of material that was cleaned out of the old press room at the LAPD’s Parker Center headquarters, sometimes called “the cop shop.” The box was a jumble of press releases, photographs, artists’ sketches and other items dating from the late 1960s to the early 1980s.

This fellow is DR-66-543-860, otherwise known as the Freeway Rapist.

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1944 in Print — Hollywood by Sidney Skolsky, April 29, 1944

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April 29, 1944

HOLLYWOOD, April 29 — Irene Dunne is the latest actress to be offered the lead in “Olympia,” but she is waiting until she can read the script … Brenda Marshall doesn’t want to do “Something for the Boys” at 20th Century-Fox … The Veronica Lake-Andre de Toth romance is strictly for laughs, and they are having them.

From the Miami News.

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1944 in Print — Hollywood Gossip by Louella Parsons, April 29, 1944

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April 29, 1944

We have a deeply embedded notion that the “Greatest Generation” dutifully paid their taxes because it was the patriotic thing to do. This editorial cartoon, by Edmund Waller “Ted” Gale of the Los Angeles Examiner, illustrates the reality.

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Louella Parsons says: Steve Crane denied today he is bringing sensational charges in his divorce suit against Lana Turner for the custody of their baby. “I wouldn’t do such a thing to my daughter, nor to Lana. My only allegation is mental cruelty, the same charge my wife made against me. I am bringing the counter suit because I want to be sure of seeing Cherryl Christine at least half the time,” he said.

From the Milwaukee Sentinel.

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Movieland Mystery Photo ( Updated + + + +)

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Our mystery movie is the 1941 MGM film “Unholy Partners,” which curiously enough has apparently never been released on DVD or even VHS.

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Mary Mallory / Hollywood Heights: Alberto Vargas Glorifies 1940s Young American Woman

 

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Vargas poses with Kay Aldridge in a photo published in Cine-Mundial.


“One day I will paint a Vargas girl so beautiful, so perfect, so typical of the American Girl, that I shall be able to show it to people anywhere in the world, without my signature on it and they’ll say, that’s a Vargas girl!” — Alberto Vargas quoted in “Vargas” by Taschen.


A
lthough some people might not know his name, many recognize the curvy, overly endowed model drawings designed by illustrator Alberto Vargas in the latter half of his career. Drawn for Esquire and Playboy magazines, these luscious line drawings of sexy yet innocent young women attracted great attention, and cemented his name in the national conscience.

Born Joaquin Alberto Vargas y Chavez in Arequipa, Peru, to wealthy parents, young Vargas showed deep interest in art from an early age. Drawing caricatures from the age of 7, before moving on to landscapes and portraits in his teens, Vargas was inspired by his famous photographer father to follow his dreams. His mother sent him and his brother to Zurich, Switzerland, in 1914 for a quality education in photography and languages, but Vargas soon traveled Europe after taking up painting. A natural autodidact, the young artist studiously visited galleries and museums, learning technique and form.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

 

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The L.A. Daily Mirror Is Dropping Its Ads

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I have been using a wonderful plug-in for Firefox called Adblock Plus, which I recommend for everyone. It does a terrific job of block annoying ads. (There are also versions for Google Chrome and for Internet Explorer, for those of you who are still using it. And there is apparently a beta version for Safari.)

As a result, I haven’t been seeing the ads on the Daily Mirror and wasn’t aware of them until recently, when I received a complaint from a longtime reader.

This morning, however, I pulled up the website on my phone and discovered that it was impossible to navigate because of the ads. So as of now, I have switched off the ads. The modest revenue that they provide isn’t worth the hassle to me or my readers.

Posted in History | Tagged | 12 Comments

Imagining the Future


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Note: This is a post I wrote in 2006. The subject came up today when I was having lunch with Ed Fuentes, so I thought I would repost it. Notice that in this plan, Union Station was to have been built at Central Avenue and Fifth Street instead of the final location. If Union Station had been built here, the old Chinatown area would have been left intact.

Nov. 15, 1907
Los Angeles

Architect Charles Mulford Robinson has drafted a proposal for downtown Los Angeles that is stunning in its ambition. One portion calls for broad boulevard leading from a proposed Union Station at Central and 5th Street toward Grand, ending at a new public library and art gallery. The other, equally elaborate, calls for a grouping of civic buildings and terraced gardens around North Spring Street, including a new City Hall.

“First of all, and most important in his mind because Los Angeles is a leading tourist center and should strive to make a good impression at the very start, the architect suggests an immense union railroad station with an approach a mile long—a wide thoroughfare lined with beautiful buildings, with spacious parkways, rows of flowering trees and ornamental lamp posts, and with driveways for all classes of traffic,” The Times says.

 

1907_1115D

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And the area as seen from Google Earth.

Robinson’s report is lengthy and detailed, so it’s difficult to deal with in a blog. But it is fascinating to see how early the city was grappling with inventing its future. The library on 5th Street and City Hall on Spring (although on the Temple Block rather than the Bullard Block as Robinson suggested) are quite familiar.

Interestingly enough, Robinson also envisions a network of broad boulevards, including a picturesque drive with elaborate landscaping to Pasadena along the Arroyo Seco.

Search for a copy of “The Improvement of Towns and Cities.

Lmharnisch.com
Lmharnisch.blogspot.com

e-mail lmharnisch (AT) gmail.com

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Black Dahlia: Fixing a Small Error Before It Becomes a Big One

Black Dahlia Crime Scene

KPCC recently did a story about the LAPD’s archive of crime photos. And whoever wrote the caption took a logical – but incorrect – guess about the people in this photo of the Black Dahlia crime scene.

Let’s do a little detective work. I’m sure I have seen this photo before. But where?

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City of Chester Sinks After Collision With Oceanic, Aug. 22, 1888

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A photo of the City of Chester, courtesy of the National Oceanographic and Atmospheric Administration.


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Headlines in the Sacramento Daily Record-Union, left, and the Daily Alta California, above.

 

The rediscovery of the City of Chester, which sank in 1888 after a collision with the Oceanic, prompted me to go into the California Digital Newspaper Collection to dig up the original stories. The Daily Alta California devoted an enormous amount of coverage to this incident, as you will see on the jump.

 

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1944 in Print — Hollywood by Sidney Skolsky, April 25, 1944

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April 25, 1944

HOLLYWOOD, Calif. April 25 — Greer Garson and Walter Pidgeon have just finished doing a scene for “Mrs. Parkington,” and watching them on the set with me is Robert Thoeren, who co-authored the screenplay with Polly James. Pidgeon walks over and says, “Robert I have a T.L. for you.”

And Pidgeon goes on: “I have been in this business of making faces for some time, and most of the scenarios that are handed to me give me a great feeling of security.”

“How’s that?” asked Thoeren.

“Well,” continued Pidgeon, “most of the scripts are junk. And I have decided that when I get too old to be a lover in pictures, I’ll become a screenwriter.”

Thoeren merely smiled.

“Before reading a scenario,” continued Pidgeon, “I always give it to Mrs. Pidge to read first. I like to hear what she has to say. Well, I gave her your script and after reading it, she returned it to me, saying ‘Read this, and then tell me if you feel secure for your old age.’ ”

From the Miami News.

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