May 2, 1907: New Restaurant Inspector Strikes Fear in L.A.’s Dirty Kitchens

Note: This is an encore post from 2006.

Nicholas “Nick” Schwegel (sometimes misspelled Schwegal), the city’s new restaurant inspector, issued a report to the Board of Health that left officials sick to their stomachs—so ill, in fact, that one board member asked that the report be tabled until they were feeling better. However, Mayor Harper insisted in pursuing the matter, having recently returned to work from a bout of food poisoning.

Schwegel said he inspected 424 restaurants in April and imposed $200 in fines, ordered 62 restaurants to clean up their kitchens, and seized and destroyed 70 pounds of meat, six chickens, 30 pounds of sausage, 9 pounds of cheese, a half-box of lemons and canned fruit.

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Black L.A., 1947: ‘Behold a Cry’ and an Exploration of the ‘Estate of James Crow’

May 1, 1947, Behold a Cry
May 1, 1947: The Sentinel publishes an ad for Alden Bland’s “Behold a Cry.” (Available on 14-day loan from Archive.org).

The New York Times said:

ALDEN BLAND, the Negro author of this short novel, has none of the power of a Richard Wright. His style is jerky, sometimes making it as difficult to follow his story as it is to discern what he is getting at. There is bitterness from the Negro viewpoint, and there is wisdom, too, when at the end one of the characters says, “Maybe it just happened.”

Juanita Washington Goodman explores the “estate of James Crow.”

At every public gathering place such as railroad stations, bus stations, etc., there are huge signs which say “White Waiting Room” and “Colored Waiting Room.” Such places are better kept than we had expected, and in some instances accommodations for colored people are better than we have seen for the general public in some small southern communities. Nevertheless, one does not forget one’s racial identity here.

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Mary Mallory / Hollywood Heights: 2018 TCM Classic Film Festival Salutes the Written Word With Unique Programs

Martin Scorsese is presented with the first Robert Osborne Award for film preservation.


In its ninth year of celebrating classic film, the 2018 TCM Classic Film Festival highlighted the written word and how film speaks to audiences through a wide variety of programs offering a little something for everyone. While some come looking for rarities, others search out socializing and dressing up, others look for celebrity appearances, and some seek another viewing of a favorite film. For those of us looking for diverse and rare presentations, the TCM Classic Film Festival goes beyond just screening films to offer unique programming not available anywhere else. It’s not just a film festival, but a rich symposium of ideas into the history and development of motion pictures.

I’m always looking to view something I’ve never seen before, so I normally attend Club TCM or other special events offering something that is often unique even for Los Angeles filmgoers. The Club TCM programs primarily offer informative, in-depth looks at subjects through PowerPoint presentations or lectures, while some screenings feature unique technological instruments like Fotoplayers, hand-cranked projectors, and the like, items that are very rare anywhere in the world.

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Time Clock

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May 1, 1907: Runaway Horses and a Fleeing Motorcyclist on the Dangerous Streets of L.A.

Motorcycle Hits Her

Miss Gertrude Young, who lives at No. 525 Wall St., was knocked down by a motorcycle yesterday as she stepped from a streetcar at 7th and Hope streets. The rider of the machine hastened away. Miss Young was taken to the Clara Barton Hospital.

No Milk Spilled

The horses attached to a Eureka Dairy wagon became frightened on South Main Street yesterday by an approaching streetcar and ran. A passenger on the streetcar leaped to the street, seized the bridles of the animals and stopped them. Not a drop of milk was spilled.

Paid for Collision

J. Hall of No. 655 S. Hill St., was hurled from a bicycle in a collision with an automobile driven by D. G. McMasters of 1010 W. 38th St. yesterday. The accident happened on Broadway between 3rd and 4th streets. Hall sustained slight bruises and his wheel [bicycle] was demolished. McMasters paid the lad for his wheel.

May Be Insane

Seizing James Harper by the throat and hurling him to the floor of the office of a lodging house at 127 Wilmington St., George May struck him violently several times last night, it is said. May was arrested on a charge of insanity. He is a miner who has been in an insane asylum, his friends say. He will be examined today by police surgeons.

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Movieland Mystery Photo (Updated + + + +)

image

This week’s mystery movie has been the 1932 MGM picture “Polly of the Circus,” with Marion Davies, Clark Gable, C. Aubrey Smith, Raymond Hatton, David Landau, Ruth Selwyn, Maude Eburne, Little Billy, Guinn Williams, Clark Marshall and Lillian Elliott. From a play by Margaret Mayo with a score by Dr. William Axt, adapted by Carey Wilson, dialogue by Laurence E. Johnson, art direction by Cedric Gibbons, gowns by Adrian, photography by George Barnes. Directed by Alfred Santell.

“Polly of the Circus” is available on DVD from Warner Archive.

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Mary Mallory: Hollywood Heights – ‘Letty Lynton’

 May 18, 1932, Letty Lyndon

Image: May 18, 1932, “Letty Lynton” is opening in Los Angeles. Credit: Los Angeles Times

May 22, 1932, Loose Morals!

Note: This is an encore post from 2011.

In the novel “Letty Lynton” and the play “Dishonored Lady,” the heroine gets away with murder, thanks to lies of friends. In the cinema world, however, Metro-Goldwyn-Mayer earned major punishment for plagiarizing the play. It was assessed huge monetary damages and saw its film “Letty Lynton” forever removed from circulation. It didn’t have to end that way.

Playwrights Edward Sheldon and Margaret Ayer Barnes wrote the play “Dishonored Lady,” based on the 1857 murder trial of Scottish Madeleine Smith, who murdered her lover. It opened 1930 in New York to tremendous success. MGM negotiated twice to acquire the play’s screen rights, but both times the Will Hays Production Code Office nixed production because of immorality. The studio instead bought the rights to novelist Marie Belloc Lowndes’ book “Letty Lynton,” also based on the same story as the play. Studio Creative Chief Irving Thalberg desired the story for Joan Crawford, who played coarser, tougher roles than most of the MGM starlets.

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 89 — The Two-Minute Executive Summary

Note: This is an encore post from 2006.

From Feb. 3, 2006, to April 28, 2006, I devoted a daily blog to Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” In dealing with the 1947 murder of Elizabeth Short, Wolfe uses the “Laura” format, as in the Vera Caspary novel and Gene Tierney movie, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.

In checking Wolfe’s book against its sources and against the historic record, we have found lies, errors, fraud and plagiarism. We have found a heavy reliance on other books, notably Will Fowler’s “Reporters” and John Gilmore’s “Severed”—both of them extremely problematic—and the Los Angeles Examiner. In a survey of the book up to Page 73, these three sources constituted half of Wolfe’s source material. The district attorney’s files accounted for a mere 8% of the book.

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April 29, 1907: Blanche Hall Draws Crowds to Burbank Theater in ‘When Knighthood Was in Flower’

Note: This is an encore post from 2006.

Los Angeles theatergoers are transfixed by the new production of “When Knighthood Was in Flower,” Paul Kester’s adaptation of Charles Major’s 1898 novel, forming a mile-long line to buy tickets at Morosco’s Burbank Theater at Main and 6th St.

One reason was the return of Blanche Hall, a longtime member of the Burbank’s stock company, after a stint on the New York stage.

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 88 — Request Line XXII

Large ImageNote: This is an encore post from 2006.

I have ceased blogging in real time as I read Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” Wolfe uses the “Laura” format, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.

Now, I am taking a few requests before wrapping up the project. Today, we’ll look at Pages 345-357 at the request of Regular Anonymous Correspondent. Say your prayers, because I hope to conclude the Wolfe project this week.

Yesterday I got derailed
on Wolfe’s purported photo of poor old Maurice Clement (actually Salvadore Torres Vara) and excerpts of “Severed” author John Gilmore’s interview with Arnold Smith/Jack Anderson/Jack Wilson.

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 87 — Request Line XXI

Note: This is an encore post from 2006.

I have ceased blogging in real time as I read Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” Wolfe uses the “Laura” format, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.

Now, I am taking a few requests before wrapping up the project. Today, we’ll look at Pages 345-357 at the request of Regular Anonymous Correspondent. Say your prayers, because I hope to conclude the Wolfe project this week.

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April 27, 1907: Man Badly Injured in Attack by Mule


Note: This is an encore post from 2006.

W.S. Stanton of N. 117½ E. First St. was attacked by a vicious mule at the California Truck Company’s stables, No. 337 Aliso St., last night and seriously injured. When he attempted to take the harness off the animal it leaped to one side and kicked him on the thigh, knocking him down. Before he could regain his feet, the mule walked over him, cutting and lacerating the calves of his legs. Stanton was treated at the Receiving Hospital and later taken to his room.

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 86 — Request Line XX

Large ImageNote: This is an encore post from 2006.

I have ceased blogging in real time as I read Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” Wolfe uses the “Laura” format, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.

Now, I am taking a few requests before wrapping up the project. Today, we’ll look at Pages 293-296 at the request of Mary Pacios and Regular Anonymous Correspondent. Say your prayers, because I hope to conclude the Wolfe project this week.

Let’s recap for a minute.

So far that we have seen that:

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April 26, 1907: Runaway Rail Cars Make Fast Trip to L.A. Train Yard


Note: This is an encore post from 2006.

Water is not the only thing that flows downhill, as switchmen at the downtown Southern Pacific freight yard discovered when two runaway flatcars made a 13-mile trip from the San Fernando Valley in 10 minutes.

Although the runaway cars sent people scrambling as they crossed the tracks, there were no trains running at the time, so a serious accident was avoided.

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Mary Mallory / Hollywood Heights: ‘None Shall Escape’ Is a Powerful Look at Justice

image
“None Shall Escape” in The Film Daily, 1944.


On Friday, April 27, the TCM Classic Film Festival presents the rarely screened 1944 film “None Shall Escape,” a thoughtful film ahead of its time, as relevant today as when it was produced. The first film to depict the Holocaust as well as to examine post World War II and the punishment of Nazis for their war crimes, it features an appearance by its legendary star Marsha Hunt, who has fought for justice and honor for all for decades. Sadly, it depicts many of the same hateful attitudes once again on the rise.

In 1943, Columbia Studios hired German exile writer Alfred Neumann, author of historical novels and the 1928 silent “The Patriot,” as a scriptwriter. Neumann’s writings had been banned in Germany by the Nazis, forcing him to flee to America, where he arrived in 1941. Following the maxim of writing what you know, Neumann created a story detailing the Nazis mistreatment of those it overpowered, and their ultimate punishment for it, the first to predict American victory and the triumph of good over evil. Screenwriter Lester Cole, one of the Hollywood Nine blacklisted for his beliefs, adapted the story for the screen.

Mary Mallory’s latest book, “Living With Grace: Life Lessons from America’s Princess,” will be released June 1.

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 85 — Request Line XIX

Large ImageNote: This is an encore post from 2006.

I have ceased blogging in real time as I read Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” Wolfe uses the “Laura” format, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.

Now, I am taking a few requests before wrapping up the project. Today, we’ll look at Pages 277-281 at the request of Mary Pacios and then finish off Page 284. Say your prayers, because I hope to conclude the Wolfe project this week.

First: Note that the Los Angeles Police Department summary of the case, included in the district attorney’s files (recall, this book is titled “The Black Dahlia Files” rather than “What I Pasted Together From the Black Dahlia Files” or the more appropriate “Severed: 2006”) states that Elizabeth Short was:


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April 25, 1907: Man Kicks Pregnant Wife Out of House for Not Cooking Pigs’ Feet

Note: This is an encore post from 2006.

Anthony Kallan likes pigs’ feet more than he cares for his wife and proved it by kicking her out of the house because she refused to cook his favorite meal for dinner—a day before their baby was to be born.

Kallan, who lives at 66th St. and Figueroa, was charged with failing to provide for his family


PENALTY PAID
BY MOTORMAN


FLOURISHES REVOLVER AND
THREATENS CHAUFFEUR


Charles M. Fleming, a motorman in the employ of the Los Angeles Railway Company, was convicted of battery yesterday in Justice Rose’s court. Fleming was at the controller of a streetcar which collided with the automobile of W.H. Carlson at First Street and Broadway. Carlson’s three children were in the auto, which was driven by Fred Seigert.

 

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Black Dahlia: Blogging ‘Black Dahlia Files’ Part 84 — Request Line XVIII

Note: This is an encore post from 2006.

I have ceased blogging in real time as I read Donald H. Wolfe’s “The Black Dahlia Files: The Mob, the Mogul and the Murder That Transfixed Los Angeles.” Wolfe uses the “Laura” format, in which the anonymous, butchered body is found and the narrative proceeds in flashbacks.Now, I am taking a few requests before wrapping up the project. Today, we’ll look at Pages 277-281 at the request of Mary Pacios.

The two-minute executive summary:

 

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Alexa Foreman and ‘Scandal: The Trial of Mary Astor’ Premieres at the TCM Classic Film Festival

mary_astor

Alexa Foreman Alexa Foreman, who was TCM’s head researcher for many years, will be featured in a Q&A session on her new movie, “Scandal: The Trial of Mary Astor,” at Larry Edmunds Bookshop, 6644 Hollywood Blvd., on Wednesday at 11 a.m.

The movie deals with Astor’s sensational 1936 trial to regain custody of her 5-year-old daughter, Marilyn, following Astor’s divorce from Dr. Franklyn Thorpe. Seeking to show that Astor was an unfit mother, Thorpe’s attorneys released portions of the actress’ diary containing hundreds of pages of what the Los Angeles Times called  “intimate secrets concerning Miss Astor’s private life, written painstakingly in lavender ink.”

In 1952, the diary was burned page by page in a county-owned incinerator under the observation of Los Angeles County Superior Court Judge Stanley N. Barnes, who ordered its destruction. Astor later claimed that the diary was a forgery.

The film is narrated by Lee Grant. It features interviews with Astor’s daughter, Marilyn; David Wyler, son of William Wyler, who was directing the actress in “Dodsworth” at the time of the trial; former Los Angeles Times film critic Kevin Thomas; and film historians Molly Haskell and Leonard Maltin.

It will be premiered during the TCM Classic Film Festival at 8 p.m. Friday at Club TCM at the Hollywood Roosevelt.

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Movieland Mystery Photo (Updated + + + +)

April 28, 2018, The Connection
This week’s mystery movie has been Shirley Clarke’s 1961 film “The Connection.” It features Freddie Redd on piano, Jackie McLean on saxophone, Michael Mattos on bass, Larry Richie on drums, Warren Finnerty, Jerome Raphael, Garry Goodrow, Jim Anderson, Carl Lee, Barbara Winchester, Henry Proach, Roscoe Lee Browne and William Redfield.  It was adapted from a play by Jack Gelber.

The film was denied a license by New York’s censorship board because of a brief shot of a nude woman in a magazine and word used to refer to heroin. It was briefly shown without a license (and reviewed by Bosley Crowther) and then shut down, but eventually the ruling was overturned by a court of appeals.

It has been released on DVD and Blu-ray by Milestone Films.

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