Mystery photo

OK, this should be easy. This is not a "who" question or a "what" question (both fairly obvious). Why is this happening and why is it significant?

 

Mystery_photo_071022

Photograph by Andrew H. Arnott / Los Angeles Times
Marlene Dietrich is fingerprinted by Jean Armand at the Hollywood Canteen, Oct. 1, 1942.

  • "Marlene Dietrich is being fingerprinted as part of the process of finally,
    after long delay, applying for American citizenship in 1939." No. This has nothing to do with her citizenship status.
  • Is it because she was a German national and we were at war with Germany? No.
  • She’s being fingerprinted in preparation for her first USO tour during the early days of WWII? No, but you’re on the right track. The photograph was taken in 1942 and was for something involving servicemen.
  • So she could work at the Hollywood Canteen?

Exactly right. Marlene Dietrich is being fingerprinted for a photo ID issued to everyone who worked at the Hollywood Canteen. A closeup shows her signature and her card.

 

Marlene_dietrich_closeup

Here’s what the photo IDs looked like. They occasionally show up on EBay and are quite expensive.

Front

Hollywood_canteen_ida_2

Back

Hollywood_canteen_idb

The significance? Here’s the Hollywood Canteen’s photo ID of murder victim Georgette Bauerdorf, published after she was killed in 1944.

Georgette_bauerdorf_id

What’s important is that although some crime books claim Elizabeth Short, the Black Dahlia, worked at the Hollywood Canteen, no similar photo, fingerprints or ID card were ever found for her.  Even more evidence, along with the list of her movements prepared by the district attorney’s office, that she was only in Los Angeles for a brief time with her father from December 1942 to January 1943, and after the war, when the Hollywood Canteen had closed.

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ps. How about those eyebrows?

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Chinese Massacre, 1871

Oct. 27, 1883

Today is the 136th anniversary of the Chinese Massacre. [Note: This article uses names for ethnic minorities that were common in the 19th century–lrh].

1883_1027_chinese_massacre

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October 23, 1957: Matt Weinstock

Oct. 23, 1957

Matt WeinstockThe lady, an Ay–Ayer, is sober again, and philosophic.

Not long ago, she slipped, as A-Ayers sometimes do. Finding herself well-soused, with no money left for a cab and little sense of direction, she decided the clink was the place for her.

She hailed the first LAPD black and white free taxi she saw and the officers agreed she should not be loose on the streets.

The judge read the report stating she had voluntarily surrendered and said, “Well, this is a switch!”–and dismissed her. Continue reading →

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A dose of skepticism

 

1957_1022_beckham_hed

Oct. 22, 1957

Los Angeles

1957_1014_beckham
And here’s where storytelling trumped skepticism.

Recall the death of Theodore Roosevelt Beckham, who killed Juvenile Officer Robert R. Christensen at 1524 Ingraham St. during
an attempted arrest. The first news accounts said officers killed
Beckham, who was trying to escape. Now, the papers say that according
to the inquest, Beckham shot himself.

Accidentally.

In the heart. 

To recap news accounts: Christensen suspected Beckham (note that he was African American, although the papers didn’t say so) of being a
peeping Tom. Wearing civilian clothes and using his personal
vehicle, Christensen stopped in the neighborhood on his way to work. Acting alone,
Christensen detained Beckham and put him in the car without using
handcuffs, which were found on the front seat. As Christensen was
getting into his vehicle, Beckham grabbed the officer’s .38 Colt
Detective Special and shot him. Beckham ran away, then came back and
shot Christensen three more times.

About five hours later, police found Beckham’s car at 99th and Grape
streets and began searching for him. According to The Times, Beckham
ran out of the house at 2049 E. 99th St. The Times account said
Officers J.O. Worden and K.E. Gourley shot him when he failed to halt.
"We hollered at him to stop, Worden said, "but he kept
running," according to The Times.

Colt_detective_special_2series
Now the autopsy, however, finds that Beckham had been shot once with
Christensen’s Colt (photo of a Colt Detective Special, second series, at right, from gunbroker.com). According to The Times, Beckham "apparently
attempted to pull the snub-nosed revolver from his waistband. The
hammer caught in his shirt and he was shot."

Noting that police were 40 to 50 feet away, The Times said: "The
autopsy revealed that the bullet went through his heart from a range
close enough to leave powder burns on the wound."

Unfortunately, neither The Times nor the Mirror examined how this could
occur. The Times, in fact, merely stressed the ironic justice of
Beckham being slain with the murdered officer’s gun.

There’s only one problem.

According to the Mirror’s first story, Beckham was wearing green overalls.

No waistband.

1957_1015_beckham_pix_2

I do believe that Theodore Roosevelt Beckham was shot in the heart. I
do believe the gun was fired close enough to leave powder burns. I may
even believe that he was shot with Christensen’s gun.

The rest of the story as told in the papers? I’m sorry, I don’t buy it.
For the sake of argument, let’s say he changed out of his overalls. The
Colt Detective Special is a double-action revolver and snagging the
hammer on a
shirt should have had no effect, certainly not in the uncocked
position, and shouldn’t have made the gun fire even in the cocked
position
unless Beckham had his finger on the trigger. It cannot be as simple as the papers made it sound. 

Above, a Mirror photo of the late Theodore Roosevelt Beckham. I
apologize for the poor reproduction. It’s the only one I have found
so far.

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Bel-Air jewel theft

Oct. 23, 1957

1957_1023_cover

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October 22, 1957: Matt Weinstock

October 22, 1957

Matt WeinstockThe men of the copy desk gloomily agreed the other day that another hallowed city room custom is just about gone–reporters and editors bellowing “Boy!” and getting an instant and spirited response.

Time was when this strident call created panic and havoc among the copy boys and they raced like genies to the point of origin, stood at attention and meekly awaited orders, no matter what.

Furthermore, it was the dream of these copy boys that some day they would reach the status of reporter or editor and yell “Boy!” at a succeeding generation of willing slaves. Continue reading →

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October 22, 1957: Paul V. Coates–Confidential File

October 22, 1957

Paul Coates, in coat and tieA man once made the comment about Tijuana:

“Pleasures are cheap there, but pain is cheaper.”

And, for a long time, I felt the statement didn’t leave much to be disputed. Especially, as far as United States tourists were concerned.

In fact, 15 months ago, I checked quite thoroughly into some of the pain reported by visitors from the U.S.

Most of the reports were borne out with substantial evidence.

And nearly all centered around a discrepancy in the traffic accident laws of this country and Mexico. Plus, I should add, a common Latin American practice called the “mordida” system. Continue reading →

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Flashback

Oct. 15, 1957
Los Angeles

I missed this story the first time around, but somehow I don’t think it matters too much. The best ones are timeless.

 

1957_1015_body

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Meet my boss, Walter Lantz

 

1957_1018_lantz

Oct. 18, 1957
BY HAL MORRIS
Mirror-News Staff Writer

1957_1018_bazoom_girl
There may be no production of cartoon shorts for theaters within five years, warns Walter Lantz, veteran cartoonist-producer.

The creator of Woody Woodpecker blames the possible end of a theater
cartoon era on skyrocketing costs and the lack of extra funds from
exhibitors.

"But there’ll always be a market for cartoons," he hastens to point
out. "Even if no more cartoons are made, old ones will continue to be
screened on a periodic basis."

In 28 years, Lantz has produced 600 cartoons released through Universal
Pictures Co. Thirteen cartoons are slated for production next year.

Seven cartoon producers turned out 175 shorts in 1947, Lantz mentions.
Now, he adds, only 75 cartoons are scheduled this year by five
producers.

He says in 1941 seven- to eight-minute cartoons were made for $15,000
($208,367.01 USD 2006). If produced the same way today, he figures, the
same cartoon would cost $75,000 ($537,396.28 USD 2006). However,
average cost now is $35,000 ($250,784.93 USD 2006) and some of the
quality is lost.

Cartoons are one or two minutes shorter now than in 1941, Lantz
reveals. A 45-piece orchestra for background music in 1941 has been
scaled down to a dozen men. Animators were paid $70 a week in 1941
compared with a minimum of $225 ($1,612.19 USD 2006) now, Lantz
explains.

Meanwhile, exhibitors are paying only 15% more now for cartoons than in the prewar days, he stresses.

"Exhibitors still won’t pay 25 cents extra for a booking," Lantz
emphasizes. "We’re lucky to get $100 a week for a cartoon at a
first-run theater. But the fee goes as low as $4 a week at second-run
small-town houses."

Despite the glum outlook for the cartoon industry, Lantz expects his
Walter Lantz Productions (of which he is sole owner) to increase
business next year. He started his firm with $20,000 in 1937, now
values it at $6 million.

Sensing the downward trend in cartoons, Lantz has expanded to
television, where he shows older cartoons on ABC-TV (Thursdays, 5
p.m.). "If TV hadn’t come along, there would be a very sad picture in
the cartoon industry," he says.

"I’m aiming for the biggest teenage and adult audience of any cartoon
show on TV," Lantz declares. On the TV show, he includes short segments
on how cartoons are made. He also makes TV commercials, using Woody
Woodpecker.

Lantz sees no additional producing firms entering the field. "To start
out today it would cost a firm $40,000 for each six-minute short and
there are many obstacles in the way." The figure does not include rent,
camera equipment, etc.

"It takes four years of showings to break even," he explains. "And if
it weren’t for reissues (about every seven years) I’d be out of
business today."

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Bombing in Viet-Nam

Oct. 22, 1957

1957_1022_cover

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October 21, 1957: Matt Weinstock

October 21, 1957

Matt WeinstockLast Friday, a Hollywood hillsider named George was unable to start his car–the battery was dead.

A neighbor obligingly drove him down the hill to a gas station, where George asked if he could get a rental battery for a couple of days.

“Rental battery?” echoed the attendant. “There’s no such thing any more.”

However, he said he would be glad to install a new one.

George declined. He explained he needed rental battery only for a couple of days to run some errands preparatory to leaving today for New York for a couple of months. He didn’t want to buy a new battery because it would go dead during his absence. Continue reading →

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October 21, 1957: Paul V. Coates–Confidential File

October 21, 1957

Paul Coates, in coat and tieWhen a funnyman tries to be serious, he doesn’t always come across.

In fact, sometimes his sincerity is rewarded with laughs that approach guffaws. And, much as he hates it, the guy is downright hilarious.

And maybe that was Sy Miller’s trouble.

For years Sy had been known around Hollywood as a solid comedy writer, a man who could knock out a funny script for television or a good act for nightclubs with equal ease.

Occasionally, with his wife, Jill, he’d punch out a song, too. Novelty numbers–the kind that have to hit the market at the right time with the right voice or they fall harder than a bad joke. Continue reading →

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Rock Hudson’s wedding album

I went down to The Times’ archives and pulled Rock Hudson‘s wedding pictures because I’m the kind of person who would want to see Rock Hudson’s wedding pictures. Please note: All captions are from original information provided when the photos were taken.

Really.

 

1955_1109_rock_hudson_cake
Times file photo, Nov. 9, 1955
Film actor Rock Hudson, 29, and Phyllis Gates, 25, former executive assistant to actor’s business manager, cut wedding cake after their surprise marriage Wednesday night in Santa Barbara.

For more pictures, click below:

Continue reading →

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Death in Arcadia

 

1957_1021_strangle

Oct. 21, 1957

Arcadia

1957_1021_albert_tracy
OK, we got another strangled woman. You want to go? Fine, get in.

Not much traffic at 2 a.m., is there? We’ll cruise along Sierra Madre
Boulevard through the little town of Sierra Madre and out to Arcadia.
Right on Santa Anita, left on Virginia and another left on Highland
Oaks. Nice big homes out here, aren’t there? All these ranch houses
they’re putting in.

This is the place, 1821 Alta Oaks Drive. Cost $50,000.* 2,900 square feet. That’s big where I come from.

Be quiet, don’t move anything and keep your hands in your pockets.
Notice how they don’t lock the doors. I guess they figure nothing ever
happens in Arcadia. Let’s go in.

This is the home of Albert W. Tracy and his wife, Marion. He’s an
executive with Anaconda Wire and Cable Co.  They’re both 48 and have
been married 26 years, with a married daughter who lives in Denver and
a son at USC who drove up to Berkeley this weekend to see the Trojans
play Cal.

Earlier this evening the Tracys had some friends over, Edward McGlone
and his wife. After they left, Albert went to bed about 11 p.m.
The last time he saw Marion alive she was in the living room. He just woke up a little while ago,
went into the bathroom and took an aspirin. He wondered why she hadn’t
come to bed and called to her but went back to sleep when she didn’t
answer.

Ready? Let’s go into the son’s bedroom. Notice the French doors aren’t locked.

That’s Marion on the bed. She’s wearing a blue nylon nightgown and a
white terrycloth robe. Later on when Albert finds her, he’s going to
put her feet on the bed and cover her with a blanket, but that’s not
how she looks now. She has a man’s blue, silk necktie wound around her
neck. The sheriff’s investigators will say that it isn’t knotted very
tightly. And there’s some blood hemorrhaged out of her left ear.

Notice that nothing is out of place anywhere in the house and that she’s still wearing her wedding and engagement ring.

Your old friend Dr. Frederick Newbarr is going to find that she has an
abnormal amount of aspirin in her body–but the papers don’t say how
much. He’s going to say was strangled. 

At the inquest, Tracy will testify that everything was fine between him
and Marion. The children will say their mother often threatened to kill
herself, but they don’t say why. Her 49th birthday would have been Nov.
13. The jury will rule the death a suicide.

Well, we better get going. Albert’s going to wake up and come looking for Marion. He’ll call the doctor, who will
tell him to phone the Fire Department. But she’s already gone.

He’s going to tell the police: "I can’t understand it. Somebody must have come into the house in the night and done this."

 

1821_alta_oaks
Photograph by Larry Harnisch / Los Angeles Times
1821 Alta Oaks Ave., Arcadia, Calif., Oct. 14, 2007

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*$358264.19 USD 2006. 

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Storm drenches Southland

Oct. 21, 1957

1957_1021_cover

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In which some in-jokes get outed

 

1961_1126_phlange
Above, the birth of Phlange Welder, Nov. 26, 1961.

Comes now the time to divulge two of the deeper secrets of L.A newspaper lore, which I had forgotten until dinner recently with Carolyn Strickler, former head of The Times History Center.

Their names are Victor Frisbie and Phlange Welder. Mark them well, for although they were not brothers, they were truly kindred spirits. Hidden though they may have been, there is no escape from Proquest.

In deference to age and seniority, I'll take Victor first.

Victor did not emerge from the forehead of Zeus, but rather from the fertile imagination of Los Angeles Examiner reporter Maury Godchaux, assigned to provide color for the paper's coverage of the 1950 Rose Parade, according to a 1962 story by Paul Coates. (And yes, there really was a Maury Godchaux. He even wrote for The Times in the 1940s).

According to Coates, instead of prowling chilly Colorado Boulevard, Godchaux "sat huddled in a telephone booth. At reasonable intervals, he dialed his city desk with a series of 'exclusives.' He never left the booth, pausing between calls only long enough to invent another imaginary person and set of 'facts.' "

1985_frisbie_quote "One of Godchaux's inventions, a man named Victor Fristbie, was given Page 1 play by the reporter's unwary editors."

On May 25, 1950, Godchaux died after being hit by a car. His wife, Miriam, had just dropped him off at Victory Boulevard and Bellaire and he was struck while crossing the street to the bus stop for the ride downtown to the Examiner.

1965_0702_welderIn a tribute, Godchaux's fellow reporters decided to resurrect Victor Frisbie in their annual stories about the Rose Parade, Coates said. Mostly he was described as a visitor from Bakersfield, although he also put in appearances as a Cumberland, Md., dentist, a Minneapolis mortician and was once Brig. Sir Victor Frisbie of the Royal Australian Artillery.

According to Coates, in January 1962, the front page of the Examiner's final edition carried a boxed item: "BAKERSFIELD–Victor Frisbie, well-known sportsman  and traveler, died here today. He was 58."

Victor's career went on hiatus for 15 years before he resurfaced in a 1977 Times story on a Laguna Beach landslide. As far as I can determine, his second and final appearance was in a 1985 Calendar story   (above, right) in what was then the section's single-minded obsession with Bruce Springsteen, who was ending a world tour in a concert at the Coliseum.

1962_0311_phlange_welder_2In contrast, Phlange Welder had a far more illustrious career at The Times. Lore has it that Phlange debuted in a society column listing guests at a party given by Dorothy "Buff" Chandler. But, as is often the case, the lore is wrong. Phlange Welder first appeared in a Nov. 26, 1961, column by Joan Winchell titled "Around Town."

According to Proquest, Phlange was in the paper 32 more times, most recently in 1980. Phlange mostly turns up at the end of a long list of names, sometimes in the society pages, other times in coverage of the broadcasting industry (reporter Don Page was a regular offender).

He also appeared in the TV and radio listings (Phlange Welder was apparently a classical music figure, having composed a waltz, and served as conductor of the New Symphony Orchestra of London).

It was Page, in fact, who concluded a year-end wrap-up for 1961 by saying: Name to watch in '62: Phlange Welder.

And indeed, it was a year to flourish. In 1962, Phlange showed up skiing at Mammoth (Mary Matthew), sending letters to the editor (music critic Albert Goldberg on Stravinsky), writing from his summer home in "Viet-Nam" and spending Thanksgiving with friends in Hyannis Port, Mass., (Virginia Horn).

My favorite find: A bylined Phlange Welder story from 1962 (at right).

A 1964 staff report informs us that Phlange Welder was a UC Berkeley alumnus and he appears in a year-end poem by TV writer Cecil Smith, who rhymed  his name (sort of) with Tuesday Weld.

A far more interesting reference appears in 1965 when Phlange attended the Bachelors Ball accompanied by Mary Greene, who became his regular consort. Society Editor Anne Sonne noted that Phlange was in costume as Agent 007 while Greene was dressed as Mata Hari. He also visited Palm Springs before jetting back to Brussels, according to another Sonne column.

Apparently the wags in the features section decided that Phlange needed a trip, because they reported that he left Brussels (where he visited consort Mary Greene) for a golf tour including St. Andrews in Scotland after a stop in England.

After a 10-year hiatus (more about that later), Phlange returned in a column by Pulitzer winner Martin Bernheimer in a satiric piece full of fake names.

And except for occasional memorial donations to The Times Summer Camp Fund, that was it.

Almost.

According to Times lore (and a privately printed book by Evelyn De Wolfe), one of Phlange's main patrons was Pentagon reporter and columnist Ted Sell. The legend (note: legend) says Otis Chandler eventually learned of the prank and ordered that anyone putting Phlange Welder into a story would be fired.

Sell's Dec. 27, 1967, column, written in response to Chandler's purported order (again, we are dealing with myth), appears below. Pay particular attention to the first letter of every paragraph.

 

1967_1227_sell

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Ps. Michael Connelly's "City of Bones" includes a minor character named Victor Frizbe.

 

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Honor Rancho to open

Oct. 20, 1957

UCLA defeats Oregon State, Purdue beats Michigan and Stanford beats Washington. USC loses to Cal, 12-0.

Society for News Design members please note the eight-column grid: 16 stories, plus the weather and the index. And one picture.

 

1957_1020_cover

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October 19, 1957: Matt Weinstock

October 19, 1957

Matt WeinstockEdwin Anthony Browne, playboy newspaperman of another day, is revisiting L.A. after 20 years and he is aghast.

Perhaps aghast is too strong a word. Let’s say amused or mildly interested.

Brownie, an innocent-looking cherub but a deadly man in his day in running down a story or a bottle, is not given to emotional expression. In fact, his indifference to what most people consider important is colossal. Continue reading →

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October 19, 1957: Paul V. Coates–Confidential File

October 19, 1957

Paul Coates, in coat and tieMost good writers are also good listeners.

And Hollywood scenarist Jack Wagner isn’t an exception to the rule.

In fact, Jack often goes it one better by listening in the right places at the right times.

Forty-seven years ago, Jack sat in the plaza of the north Mexico town of Gomez Palacio and listened.

He heard storekeepers grumble softly about the soldiers of Presidente
Porfirio Diaz. The soldiers, they complained, had an ugly habit of
grabbing merchandise off the shelves and laughing:

“Charge it to Porfirio.” Continue reading →

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Flashback to 1955

Rock Hudson’s wedding, Nov. 8, 1955.

 

1955_1111_hudson_2

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