Carlos Valdez Lozano: L.A., Friday Night

Paramount Ballroom, 2708 E. Cesar Chavez
Paramount Ballroom, 2708 E. Cesar Chavez Ave., via Google Street View.

 



Note: Here’s a post from my Times colleague Carlos Valdez Lozano about an adventure he had with the late George Ramos and former Times reporter Robert J. Lopez.
Here’s a piece he wrote in 2011 on Norm’s.

I pulled up to the Paramount Ballroom around 5:30 p.m. and already the line snaked around the building and down the block. We had bought our $40 tickets in advance but now I was beginning to wonder if we were going to get in at all. From the looks of the line — hundreds deep, it was clear that they had oversold the place.

Not to mention, there were 10 police cars parked out front alongside two ladder trucks. The fire marshal couldn’t be far behind.

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Mary Mallory / Hollywood Heights: Buster Keaton’s ‘The Italian Villa’

buster_keaton_home
Note: As many of you know, Mary Mallory’s father passed away, so in her absence we’re running one of her most popular posts, from 2012. 

Buster Keaton seemed to have it all in the mid-1920s. His career was riding high, as the public loved his film comedies, making him one of America’s top film personalities. He had a beautiful wife, Natalie Talmadge, and two lovely boys, though the public didn’t know that behind the scenes, the marriage was shaky. All he needed was a grand house to complete the image of the successful gentleman.

The Keatons first built a nice though average size home that Natalie considered too small for the family and staff once completed. After selling it off, Buster began planning an elaborate estate for his wife, one to rival that of her more successful sisters Norma and  Constance, as well as top stars Harold Lloyd and Douglas Fairbanks and Mary Pickford.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Movieland Mystery Photo (Updated + + +)

We Live Again
This week’s mystery movie was the 1934 film “We Live Again,” directed by Rouben Mamoulian, starring Anna Sten and Fredric March.

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Mary Mallory / Hollywood Heights: Cinecon Film Festival Screens Forgotten and Historic Films

Paths to Paradise
“Paths to Paradise,” Photoplay, July – December 1925.


Another year and another Cinecon Film Festival has come and gone. Started 50 years ago as an opportunity for classic film lovers and collectors to come together to view long unseen films, Cinecon still follows its mission of screening forgotten or difficult to see silent and sound films every Labor Day Weekend. For five days, film afcionados sit spellbound in the historic 1922 Egyptian Theatre in Hollywood viewing hard to see sound and silent films. Here’s a review of the 2014 Festival.

Thursday, August 28 opened at 7 pm with a screening of a “Vitaphone Frolics,” presenting some of the odd and obscure acts that trolled the vaudeville circuits. This reel featured three acts: a hillbilly group singing western songs, two men doing odd tumbling tricks, and “The Golliwog,” which showed a somewhat racist looking but completely double-jointed figure doing the most amazing folding and bending body skills.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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1944 in Print — Hollywood News and Gossip by Louella Parsons, September 5, 1944

Sept. 5, 1944, Comics

September 5, 1944

Dear Martha Foster: I am a constant reader of your column and I have noticed that many of your letters are from women who are losing their husbands to younger girls. I think I may be able to help them. I am 42 and have been married 24 years. I have very little trouble with my husband’s running around and leaving me at home alone. Why? It’s very simple. Stay sweet, stay young and flatter him!

Wives always blame the man or the other woman when they themselves are to blame. How do you correct this? Easy! How did you win him in the beginning? Well stay that way.

Men are hard to handle but if you know how, you can get anything you want.

Louella Parsons says; “One Touch of Venus” has been sold to the movies, according to word from New York. Mary Pickford has bought it through Victor Orsatti, who represents John Wildberg and Cheryl Crawford, the producers, as well as Ogden Nash and the other authors. Every company in Hollywood has been bidding for it. Mary, who finally obtained the rights, goes East Tuesday to sign the papers.

It is possible that Mary Martin, who created the role on the New York stage, will be brought here for the part.

VIRGO: Financial, economic and important social issues greatly favored; exercise utmost care and scrutiny in money matters. Aggressive tactics, carelessness is out. Be calm, gentle.

From the Philadelphia Inquirer via Fultonhistory.com.

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1943 on the Radio – The New York Philharmonic

Radio Dial 1944

Sept. 5, 1943: The New York Philharmonic with pianist Claudio Arrau, conducted by Dimitri Mitropoulos, performs Darius Milhaud’s (pronounced  “Mil-low”)  “Suite Provencale,” Lizst’s Piano Concerto No. 2 and a Ravel’s orchestration of  Mussorgsky’s “Pictures at an Exhibition.”  Courtesy of otronmp3.com.

I realize we’re doing 1944, but it’s difficult to find New York Philharmonic broadcasts from this era, so I’m cheating a bit.

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Left in Car While Mother Goes Dancing, Boy, 6, Drinks Fatal Shot of Whiskey

Sept. 5, 1944, Comics

image

Harry Truman, friend of libraries!


Sept. 5, 1944

Maria Fierro of 879 1/2 Lookout Drive decided to go dancing with Robert Fierro (apparently her brother) and Robert Gomez at a cafe in the 4600 block of Brooklyn Avenue (now Cesar Chavez).

Because children weren’t allowed in the cafe, Stella Barrios, 13, and Maria’s 6-year-old son, Rudolfo, were left to wait outside in the car. Stella went to get a bottle of soda pop, but Rudolfo found a half-full bottle of whiskey in the car and drank enough to send him into convulsions. He died of alcohol poisoning, with a blood-alcohol content of 0.38%, The Times said.

All three adults were arrested on suspicion of manslaughter, but the charges were dropped.

The Gallup Poll reports that Republican presidential candidate Thomas E. Dewey has a slight edge, 51% to 49%, over President Roosevelt among registered voters who are certain that they will cast a ballot. Roosevelt, however, has a substantial lead among voters who are “fairly certain” or “not certain” of casting a ballot.

In the theaters: “Gypsy Wildcat.”

 

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‘Most Books Are Never Fact-Checked’

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We are shocked! Shocked! That books aren’t fact-checked! Yes, I mean you, “Hollywood Babylon” and “Severed,” who live on the lowest rungs of the literary ladder. But that goes for you too, “The Fixers,” “Full Service” and “City of Nets.”

In the Atlantic, writer Kate Newman says: “Most books are never fact-checked.”

Scott Rosenberg of MediaBugs says: “I just think you’d have to rip up the publishing industry as it exists and start over if you really wanted publishers to fact-check books.”

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Sept. 4, 1781: Los Angeles Is Founded

 Sept. 4, 1926, Birthday

Sept. 4, 1926:The Times publishes a map showing the streets of the day, noting the changes made since Ord’s survey.


Sept. 5, 1981, Birthday
Sept. 4, 1981: Mayor Tom Bradley and actress Bernadette Peters cut the cake for Los Angeles’ 200th birthday


Jan. 1, 1892: To retell the founding of Los Angeles, The Times reprints an account from Juan Jose Warner’s “Historical Sketch of Los Angeles County” (1876). This account also appears in the Thompson and West’s “History of Los Angeles County, California” (1880).

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LAPD Parker Center Cop Shop Files DR 73-402-191

73_402_191_wickert_harvey

In case you just tuned in, I was given a box of material that was cleaned out of the old press room after Parker Center closed. The items consist of photos, press releases and random bits of ephemera. There is very little information about the photos – many of them are unidentified – so the material has taken quite a bit of time to organize and then research.

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1944 in Print — Life Magazine, Sept. 4, 1944

Life Magazine, Sept. 4, 1944

The U.S. Secretary of State, who is offstage director for the Dumbarton Oaks conference on postwar security is shown in this excellent portrait by Karsh. Secretary Hull welcomed the delegates to Washington. Last week, Mr. Hull talked with John Foster Dulles, Dewey’s foreign affairs adviser. The two agreed on many points but Mr. Dulles came away insisting that a “nonpartisan discussion” of foreign policy was a proper part of the coming campaign.


Sept. 4, 1944

Cordell Hull is the cover feature of this week’s Life magazine.

Alfred Eisenstaedt celebrates 15 years as a photojournalist.

In a feature on which city has the most pretty girls, a photographer snaps photos at Hollywood and Vine.

This week’s Hollywood feature is Jeanne Crain, 19, a graduate of Inglewood High School.

Scanned by Google Books.

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 4, 1944

Sept. 4, 1944, Comics

Sept. 4, 1944

Danton Walter says: Brazil and Colombia plan to cut coffee exports to the U.S. if the OPA price ceiling isn’t lifted … FDR has requested James Byrnes to hold up his resignation until after election day … Major radio stations have already made up their V-Day programs.

Louella Parsons says: “Kiss and Tell” is certainly launched in fine style with Shirley Temple as the star. Yes, that’s the news today. David O. Selznick has loaned her to the new independent production company headed by George Abbott, Sol C. Siegel and F. Hugh Herbert for their first picture. The release is through Columbia.

The controversial “Mildred Pearce” is again the center of controversy. Jack Warner is refusing to bring it to the screen until he is satisfied with the script, so it has been temporarily shelved. It’s so censorable it takes a bit of doing to adopt. Well this means Joan Crawford is again out of a picture, so she is taking a trip to New York until such time as there is a play ready. Jack has said he wants Joan to have a screenplay that is right for her and apparently he thinks “Mildred Pearce” isn’t.

From the Philadelphia Inquirer via Fultonhistory.com.

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‘Laura’ — The Making of a Film Noir Classic, Part 27

 

'Laura'

Laura Hunt (Gene Tierney) and Shelby Carpenter (Vincent Price) in “Laura.”


In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944. Previous posts have examined the writing career of “Laura” novelist Vera Caspary and the state of the detective story in 1941, when she was writing the novel. We also explored some of the locations Caspary used in the book.

In the next few posts I’m going to look at the characters as portrayed in the novel, starting with the smaller roles and working up to Waldo Lydecker (played by Clifton Webb in the film). Although the book and film are titled “Laura,” Waldo is the most important character and the one who required the most work, as Caspary noted in her autobiography, “The Secrets of Grown-Ups.”

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26

James Ellroy to script remake of ‘Laura’
Spoilers ahead

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 3, 1944

Sept. 3, 1944, MGM Novel Award

“Green Dolphin Street” wins MGM’s annual novel award. The movie was released in 1947, starring Lana Turner and Van Heflin, directed by Victor Saville with a script by Samson Raphaelson.


Sept. 3, 1944

Louella Parsons is pushed off Page 1 of the Entertainment section by a review of Eugene Ormandy on a three-month conducting tour of Australia. Ormandy is the longtime conductor in Philadelphia, so it makes perfect sense.

Parsons says: Phil Terry, the tall bespectacled young man whose career took a terrific nose dive just before and after his marriage to Joan Crawford, is on the beam again. For no good reason, after Phil made “The Parson of Panamint” a success, he was never able again to get on his starring feet. He was put in “Sweater Girl,” a B picture and almost crowded out of “Wake Island,” an “AA.” In fact, you couldn’t see him unless you looked quickly.

From the Philadelphia Inquirer via Fultonhistory.com.

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‘Laura’ — The Making of a Film Noir Classic, Part 26

 

'Laura'

An unidentified actress appears as Diane Redfern in “Laura.”


In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944. Previous posts have examined the writing career of “Laura” novelist Vera Caspary and the state of the detective story in 1941, when she was writing the novel. We also explored some of the locations Caspary used in the book.

In the next few posts I’m going to look at the characters as portrayed in the novel, starting with the smaller roles and working up to Waldo Lydecker (played by Clifton Webb in the film). Although the book and film are titled “Laura,” Waldo is the most important character and the one who required the most work, as Caspary noted in her autobiography, “The Secrets of Grown-Ups.”

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26

James Ellroy to script remake of ‘Laura’

Spoilers ahead

 

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1944 in Print — Hollywood News and Gossip by Louella Parsons, September 2, 1944

Sept. 2, 1944, comics

September 2, 1944

Danton Walker (who turns out to have been Alexander Woollcott’s secretary for a couple of years), says: Several magazines are racing to put out German editions which would be the first published works to give occupied Germany the truth in the news …

Louella Parsons says: The dynamic and resourceful Mike Todd unearthed an unpublished score by Victor Herbert and kept it under wraps for over a year. He refused $350,000 for it because he believed he had something special. And this is what happens. He has signed Jeannette MacDonald to star in the operetta, which he says will be his greatest producing venture.

She reports for rehearsals in New York Jan. 1, and opens in Boston early in February. That gives Jeanette a very full schedule, with her three grand opera programs in Chicago and her 10 concert and solo appearances with the Cincinnati Symphony.

[I am unable to find any trace of this production being staged — lrh].

From the Philadelphia Inquirer via Fultonhistory.com.

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Mary Mallory / Hollywood Heights: The Masquers Laugh to Win, Part Three: Support From Others

masquers_radiotelevisio00macf_0540
T
he fraternal organization, the Masquers Club, founded in Hollywood in 1925 by eight actors, prided itself on love, loyalty, and support. They lived by the motto: “We Laugh to Win,” a rallying cry whenever a brother was in need. They made two-reel films in the 1930s featuring dozens of members to raise money for paying off the mortgage on their new clubhouse as well as helping those in financial difficulties. During World War II, they organized the Servicemen Morale Corps, providing service people free meals and entertainment, along with recognition of their military service through presentation of certificates and war decorations. As time went on, however, the club would eventually require the financial help and support of others.

Allowing actors to learn their craft was an important part of the Masquers. Besides putting on skits at the club for members, the group offered performances around town as well as holding acting workshops. In December 1949, the group held classes and then graduation for Hollywood’s School for Santa Clauses, teaching men how to portray the lovable St. Nicholas when appearing in stores, parades, and the like. Walter Catlett, Ralph Murphy, Wallace Ford, James Kirkwood, and Percy Helton took part in the ceremony.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.
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Movieland Mystery Photo (Updated + + + +)

Sept. 6, 2014, Mystery Film
This week’s movie has been the 1935 RKO film “Roberta,” with Irene Dunne, Fred Astaire, Ginger Rogers and  Randolph Scott. It was directed by William A. Seiter. “ Roberta” was based on Alice Duer Miller’s novel “Gowns by Roberta,” which was adapted for the stage by Jerome Kern and Otto Harbach with a screenplay by Jane Murfin, Sam Mintz and Allan Scott. Musical direction was by Max Steiner.

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RIP Chuck Bowden

Sad to read that Chuck Bowden died Saturday in Las Cruces, N.M. We overlapped at the local newspapers in Tucson in the early 1980s and for a few years he lived around the corner from me, between Broadway and Sixth Street just west of Tucson Boulevard. He had only one or two books to his credit at that point and I knew him as Chuck rather than Charles.

We weren’t close but because we were neighbors, we sometimes ran into one another at the supermarket or at one of the local restaurants. We usually traded stories about trying to write on the primitive personal computers of the day.

I remember one time particularly when I ran into him at Austin’s, a Tucson landmark on Broadway, where he was having lunch after dropping out of sight for a couple of weeks.

He explained that to research a story on immigrants, he had made the desert trek across the border from Mexico — on foot — and as it was summertime in Arizona, he had nearly died and had to take some time off work to recover. I’m fairly certain he wrote a story about it, but I savor having heard him tell it to me personally with all the details that were left out of the newspaper version. I remember him talking about crawling under a truck at one point to get some shade because it was so hot.

At least I’m pretty sure he wrote about it.

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James Ellroy and ‘Perfidia’: A First Look

 

Hollywood Reporter, "Perfidia"

Following on its exclusive that James Ellroy was scripting a remake of “Laura,” The Hollywood Reporter posted an excerpt of Chapter 2 from Ellroy’s upcoming novel “Perfidia.” It’s a brief selection, and it may not reflect the entire book, but I suspect it’s enough to show once again that that Ellroy long ago crossed over from writer into self-parody.

I can’t claim to be intimately familiar with all of Ellroy’s works. I thought “My Dark Places” was probably the best of what I have read because his notorious excesses were mostly restrained. My friend Miles Corwin is a big fan of “The Hilliker Curse,” but having been friends with Ellroy during some of that period in his life, I have no desire to read about it.

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