Mary Mallory / Hollywood Heights: San Francisco Silent Film Festival’s Inaugural Autumn Fest Big Success

Posted on September 23, 2014 by lmharnisch

'Son of the Sheik"
Vilma Banky and Rudolph Valentino in “Son of the Sheik,” courtesy of the San Francisco Silent Film Festival.

Earning enthusiastic praise and reception from thrilled audiences, the San Francisco Silent Film Festival’s inaugural Autumn Fest Saturday, Sept. 20, 2014, introduced newly restored prints, treasured classics and an intriguing compiled program on the giant screen at the glorious Art Deco Castro Theatre in San Francisco. The new event replaces the Festival’s Winter Fest, but continues the group’s mission of screening silent motion pictures highlighting the artistic nature of the medium, accompanied by talented accompanists who give voice to proceedings. Besides presenting silent films old and new, the Autumn Fest aims to educate veteran and new fans alike through informative PowerPoint slide shows featuring fascinating factoids and visually arresting images between screenings, as well as thoughtful program notes and excerpted articles from period trade journals.

Another Fine Mess: Silent Laurel and Hardy Shorts kicked off proceedings with the screening of three landmark Laurel and Hardy short films perfect for introducing young and new audiences alike to the wonder and joy of silent films. “Should Married Men Go Home?,” “Two Tars,” and “Big Business” present hilarious examples of misbehaving husbands, road rage and selling a Christmas tree, brought magically to life through the nimble fingers of accompanist Donald Sosin.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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‘Laura’ — The Making of a Film Noir Classic, Part 33

Posted on September 23, 2014 by lmharnisch

Clifton Webb "Laura"
Waldo Lydecker, played by Clifton Webb in the film version of “Laura.”  In the novel, Waldo is considerably taller and much heavier.

In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944.

The first 30 posts were devoted to the writing career of “Laura” novelist Vera Caspary, the state of the detective story in 1941, when she was writing the novel, the New York locations Caspary used in the book and an examination of the major and minor characters.

This series of posts will break down the novel to study the challenges of adapting it for the screen.

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 | Part 31 | Part 32

James Ellroy to script remake of ‘Laura’

Spoilers ahead

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 23, 1944

Posted on September 23, 2014 by lmharnisch

Sept. 23, 1944, Comics

Sept. 23, 1944

Dear Martha Foster: I’m not such an old-fashioned biddy as to believe that the standards of our Puritan forebears can be held up as a way of life in this hardboiled age, but it frightens me sometimes to see the cynical disregard for morals and discipline that marks the attitude of our young people today.

Dear Martha: Surely you can’t be talking about what we now call the Greatest Generation. Sincerely, Mr. Baby Boomer.

Louella Parsons says: I don’t wonder William Goetz is eager to get Loretta Young started before the cameras. She looks so wonderful since the birth of her baby, and so radiant. He has decided to co-star her with Gary Cooper in Gary’s first independent production, a western, tentatively titled “The American Cowboy.” It’s laid in 1885 and will give Loretta a chance to wear the costumes of that period.

VIRGO: Improved conditions exist. Check carefully before you move to avoid errors, then proceed with assurance. Think and act logically.

From the Philadelphia Inquirer via Fultonhistory.com.

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Movieland Mystery Photo (Updated + + + +)

Posted on September 22, 2014 by lmharnisch

They Won't Believe Me
This week’s mystery movie was the 1947 film “They Won’t Believe Me,” starring Robert Young, Susan Hayward and Jane Greer. It was written by Jonathan Latimer, based on a story by Gordon McDonell, with cinematography by Harry J. Wild, music by Roy Webb, directed by Irving Pichel and produced by Joan Harrison.

 

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Mary Mallory / Hollywood Heights: Ernest Bachrach Defines RKO Glamour

Posted on September 22, 2014 by lmharnisch

Robert Ryan by Ernest Bachrach
Ernest Bachrach’s portrait of Robert Ryan is listed on EBay as Buy It Now for $94.95.


Hollywood’s motion picture still photography defined sophisticated style, shaped personas and created the iconic image of “a movie star” as we know it today. The photographers’ dramatic lighting, dynamic compositions, artful negative retouching and artistic eyes influenced the American public’s perceptions of celebrities and their personalities. Stars were defined as sexy, glamorous, thoughtful, foreboding, all through the scintillating camerawork of these often unsung and forgotten men.

While photographers such as George Hurrell, Ruth Harriet Louise, Clarence Sinclair Bull, Lazslo Willinger and Eugene Robert Richee came to be recognized for their style as well as their artistic sensibilities, RKO’s chief photographer, Ernest Bachrach, gained fame for taking quality portraits that fitted whatever style was requested by art directors or studio publicity chiefs. His discerning eye easily captured the personal essence of the stars he shot, the most important element of a first-rate photographic image. As John Kobal quotes him in his book, “The Art of the Great Hollywood Portrait Photographers,” “Portraiture is very closely akin to cinematography. The cinematographer has very little need for accessories in the making of close-ups; all he needs is a face and some lights and shadows. And that is all the portrait artist needs. Occasionally — but only occasionally — minor props are useful.”

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.
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Allies 310 Miles From Berlin! Sept. 19, 1944

Posted on September 19, 2014 by lmharnisch

 

image

image

Sept. 19, 1944

 

At a Town Hall luncheon at the Biltmore, RAF Wing Cmdr. Christopher Currant tells the audience that what we now know as the V-2 rocket is the greatest argument against isolationism.

“It can be dropped on New York without any difficulty. It is merely a matter of fuel,” he says.

Currant also says that the morale of German fliers is extremely low and added: “Both American and British fliers were disappointed when during the invasion of France they found no air resistance. We had expected the greatest air battle of all times.”

Times reporter and columnist Gene Sherman files a first-person report from Palau and describes fierce fighting against the Japanese.

“The waves lap at a naked Marine whose body was burned yesterday in a shell explosion. He lies with his arms upraised. Another Marine kneels with bowed head in prayer at an ammunition box.”

Opening today: “Kismet” at the Egyptian, Fox Ritz and Los Angeles theaters.

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 19, 1944

Posted on September 19, 2014 by lmharnisch

Sept. 19, 1944, Comics

Sept. 19, 1944

Walter Winchell says: FDR’s desk has four new miniatures of his sons in uniform. The Copacabana’s new revue starring Joe E. Lewis is the talk of the town. Before Pearl Harbor there were 3,000 Jap organizations in the U.S. The G-men have whittled them down to two.

Danton Walker says: The Pentagon Building personnel is in a dither over Gen. Lear’s determination to move out all officers and swivel chair strategists under the age of 45 who can be used in more active service…. Washington is hopped up over the persistent rumor that the Russians will join us in the war on Japan as soon as the Nazis are pushed off Russian territory.

Louella Parsons says: The much-sought after Academy Award winner, Jennifer Jones, who has had all the studios bidding for her, makes her next movie for Hal Wallis. Yes, indeed, over the weekend David Selznick read the script by Ayn Rand, liked it, and told Hal that Jennifer was free to start any time. So apparently the trouble with 20th is all settled…. I was interested to hear that Ayn Rand, author of “Fountainhead,” had prepared the script. Wonder what happened to “Fountainhead” if it is to be filmed?

From the Philadelphia Inquirer via Fultonhistory.com.
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‘Laura’ — The Making of a Film Noir Classic, Part 32

Posted on September 18, 2014 by lmharnisch

laura_cover

 

In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944.

The first 30 posts were devoted to the writing career of “Laura” novelist Vera Caspary, the state of the detective story in 1941, when she was writing the novel, the locations Caspary used in the book and an examination of the major and minor characters.

The next series of posts will break down the novel to study the challenges of adapting it for the screen.

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 | Part 31

James Ellroy to script remake of ‘Laura’

Spoilers ahead

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1944 in Print — Life Magazine, Sept. 18, 1944

Posted on September 18, 2014 by lmharnisch

Sept. 18, 1944, Thomas E. Dewey

Sept. 18, 1944

After spending Labor Day in Pawling, Republican nominee Thomas E. Dewey drove to New York for conferences with John Foster Dulles, his adviser on foreign affairs, and Herbert Brownell, Republican National Committee chairman. The next day, on an 11-car special train, accompanied by 65 reporters, he started on his 6,700-mile campaign trip to the Pacific coast. In Philadelphia, he delivered his opening campaign speech.

Ever wonder what would happen of Salvador Dali was a commercial artist?

Life features Ed Wynn’s whimsical “inventions.”

And after the war, get ready for television.

Scanned by Google Books.
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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 18, 1944

Posted on September 18, 2014 by lmharnisch

Sept. 18, 1944, Comics
Sept. 18, 1944

Walter Winchell and Danton Walker refer to the Aug. 5 fight between Jon Hall and Tommy Dorsey in the so-called Battle of the Balcony at Dorsey’s apartment on the Sunset Strip.

Walter Winchell says: Norma Shearer is trying to mend the L.B. Mayers’ split. Jack Marshall suggests a new theme song for slugger Tommy Dorsey: “Would You Like to Swing on a Star?”

Danton Walker says: The Xavier Cugat divorce papers were filed a month ago and the story leaked out only accidentally.

The Crown Prince of Nigeria has arranged with Barney Josephson, owner of the two Cafe Society nightclubs (Uptown and Downtown), to have prominent Negro talent visit his country after the war.

This week, Universal Pictures sent out beautiful invitations for the premiere of “San Diego, I Love You,” the covers of which bore pictures of Jon Hall fighting over a beautiful gal.

Louella Parsons says: I felt sure it would be only a question of time before the story of Mother Cabrini, who devoted her life to underprivileged children, would reach the screen.

VIRGO: Profits, returns from investments, collections no prominent but tasks will done will bring just reward in due time. Be guided by importance and urgency of duties.

From the Philadelphia Inquirer via Fultonhistory.com.

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‘Laura’ — The Making of a Film Noir Classic, Part 31

Posted on September 17, 2014 by lmharnisch

"Laura"

In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944.

The previous 30 posts have been devoted to the writing career of “Laura” novelist Vera Caspary, the state of the detective story in 1941, when she was writing the novel, the locations Caspary used in the book and examinations of the major and minor characters.

The all too obvious question in this exercise is “Why study ‘Laura?’ ” or more precisely “Why not ‘Double Indemnity?’ ” Both movies were released in 1944 and of the two, “Double Indemnity” is a better book – though still somewhat problematic – and the film is much darker and has more of a claim to film noir. James M. Cain, the author of “Double Indemnity,” was a far more skilled novelist than Caspary and the screenplay was adapted by Billy Wilder and Raymond Chandler, in contrast to the teams of writers brought in to beat the “Laura” script into shape.

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 | Part 31

James Ellroy to script remake of ‘Laura’

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 17, 1944

Posted on September 17, 2014 by lmharnisch

Sept. 17, 1944, Bloomer Girl

Sept. 17, 1944

Bestsellers: “Green Dolphin Street,” “Leave Her to Heaven,” “History of Rome Hanks,” “Strange Fruit,” “I Never Left Home,” “The Time for Decision,” “Yankee From Olympus,” “Anna and the King of Siam” and “Invasion!”

Louella Parsons says: All her life Vivian Blaine will be grateful to Victoria Elizabeth James and Phyllis Faye Harris for starring parts, for if these young ladies hadn’t elected to be born Vivian would still be just one of the bevy of pretty girls on the 20th lot.

From the Philadelphia Inquirer via Fultonhistory.com.
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‘Laura’ — The Making of a Film Noir Classic, Part 30

Posted on September 16, 2014 by lmharnisch

alexander_woollcott_Advertisement_Pullman_crop

New York critic, columnist and radio pundit Alexander Woollcott makes an endorsement for Pullman in 1940. Courtesy of the Illinois Digital Archives. In Vera Caspary’s novel “Laura,” New York columnist Waldo Lydecker endorses the Byron pen, renamed the “Wallace Flow-Rite pen” for the film.

In case you just tuned in, I’m using Louella Parsons’ May 15, 1944, item on Rouben Mamoulian being replaced as the director of “Laura” to take a meandering look at the making of the film, which was released in Los Angeles in November 1944. Previous posts have examined the writing career of “Laura” novelist Vera Caspary and the state of the detective story in 1941, when she was writing the novel. We also explored some of the locations Caspary used in the book.

At long last, after examining each of the characters in the novel, we’re going to look at Caspary’s portrayal of Waldo Lydecker (played by Clifton Webb in the film), the most important person in the novel and in the film, even though both are titled “Laura.”

The Making of “Laura” Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 

James Ellroy to script remake of ‘Laura’

Spoilers ahead

 

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 16, 1944

Posted on September 16, 2014 by lmharnisch

Sept. 16, 1944, Comics

Sept. 16, 1944

Danton Walker says: Frank Sinatra’s father has just been made chief of the Fire Department of Hoboken, N.J., in case you care.

Louella Parsons says: A scout in New York telegraphed that Sidney Kingsley, the playwright, has just signed a $100,000 deal with MGM to write an original. Kingsley is just out of the Army on a medical discharge and the Hollywood deal will be the first thing he has done since he donned uniform. With such plays as “Dead End,” “Men in White” and “The Patriots,” which were hits on Broadway, naturally he was in immediate demand.

Lucille Ball has gone to Las Vegas, but not for a hurried divorce as reported. She’ll get her freedom right here … The love scene Charlie Chaplin and Oona O’Neill put on at the Vine Street Derby had many fascinated onlookers … Greta Garbo, lunching at a Sunset Boulevard restaurant with Haylord Hauser, was absolutely unrecognized. She wore last year’s straw hat and a raincoat … Cheryl Crane paid her mother, Lana Turner, a visit on the set and for the first time Lana had to take a back seat. Her daughter stole the thunder.

VIRGO: Keen intuition and ingeniousness — both inborn in Virgo — can lead you successfully. In familiar matters, work, other activities for which you are trained you can especially advance.

From the Philadelphia Inquirer via Fultonhistory.com.
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Movieland Mystery Photo (Updated + + + +)

Posted on September 15, 2014 by lmharnisch

Case of the Velvet Claws
This is “The Case of the Velvet Claws,” a 1936 Warner Bros. film starring Warren William as Perry Mason and Claire Dodd as Della Street, adapted by Tom Reed from Erle Stanley Gardner’s novel and directed by William Clemens. It was remade in the sixth season of the Perry Mason TV show. I’ll have to rummage through my Perry Mason discs to see if I have that episode, but I don’t recall ever seeing William Hopper in drag as Eddie Acuff was in the role of Spudsy Drake.

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Mary Mallory / Hollywood Heights: ‘What Happened to Mary’ Introduces Cross-Promotions

Posted on September 15, 2014 by lmharnisch

 

What Happened to Mary sheet music

“What Happened to Mary” courtesy of Mary Mallory.


Distinct and beautiful advertising often sells products better than the actual item, its story or its usefulness. Early film, music and book publishing companies quickly realized the value of beautiful hand-drawn illustrations to attract consumer interest and purchase. Colorful lithographic posters, handbills, trade paper and sheet music enticed the public to attend mass entertainment, patronize restaurants or buy music. Finding ways to combine two or more industries in one medium would exponentially grow business as well.

In publicizing their new 1912 serialized film series, “What Happened to Mary,” the Edison Film Company introduced the idea of combining forces with other media or business companies to more efficiently and cheaply grow audiences for their products. This radical idea led the way to what is now an everyday practice for selling tent-pole films, major television series, blockbuster books, mega music albums or popular Broadway shows to American consumers.

Growing out of Thomas Edison’s early film experiments in the 1890s, the Edison Manufacturing Company ranked as one of the major moviemaking concerns in the late 1900s-early 1910s. Such stars as Charles Ogle, Marc McDermott, Viola Dana and Mary Fuller regularly appeared in their moving pictures.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Mary Mallory / Hollywood Heights: San Francisco Silent Film Festival Jazzes Up Fall

Posted on September 15, 2014 by lmharnisch

Laurel and Hardy

The San Francisco Silent Film Festival spices up the fall with a presentation of silent films Saturday, Sept. 20, 2014, at the glorious Art Deco Castro Theatre for its Autumn Film Festival. The one-day event highlights the glories of what film historian Kevin Brownlow calls “live cinema,” by screening new restorations and highlighting film anniversaries, accompanied by live music performed by top practitioners in the field. The eclectic lineup includes gentle slapstick humor, romantic adventure, historic intrigue, dark shadows and a day at the cinema.

The day opens at 11 a.m., with the screening of three Laurel and Hardy shorts to tickle any funny bone. Stan Laurel and Oliver Hardy, Hal Roach’s superb comedy duo who became film superstars and icons, continue to influence screen funny teams today with their superb sense of timing and reaction shots. They demonstrate their unique blend of character study and slapstick with two all-time great two-reelers, “Two Tars,” presenting an over-the-top example of road rage, and “ Big Business,” demonstrating how not to sell a Christmas tree. New Yorker Donald Sosin will provide the musical voice for the films.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.

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Wife Stabs Venice Man to Death, Sept. 12, 1944

Posted on September 12, 2014 by lmharnisch

Sept. 12, 1944, comics

Sept. 12, 1944, Killing

Sept. 12, 1944

Charles Holdren, 45, lived at 1515 Trolleyway, Venice, with his wife, Ellen, and daughters from a previous marriage: Virginia, 20, Peggy, 18, and Lois, 13. He worked as a fish cutter and after Charles and Ellen had spent Sunday drinking heavily, he decided to go to bed.

Where he found his wife, Ellen, 44.

The Times said he “objected to her presence in bed when he started to retire.”

At the Wilshire-Ebell Theatre: Rainbow Rhapsody with ‘Spectratone.’

 

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1944 in Print — Hollywood Gossip by Louella Parsons, Sept. 12, 1944

Posted on September 12, 2014 by lmharnisch

Sept. 12, 1944, Comics

Sept. 12, 1944

Danton Walker says: Huge orders for railroad cars, motors, trucks, etc., have already arrived here from France, first indication of U.S. industry’s bite of postwar business.

Louella Parsons says: Hunt Stromberg’s plan to make “Blood and Guts” is a natural. Of course, it’s the life story of Lt. Gen. George S. Patton Jr., and the way he took the American Army right through the German lines. Hunt has contacted Mrs. Patton and he hopes to be able to get some data from the general, if the war is over as soon as we all hope. Bob Considine has been contacted to write the script. Charles Bickford, rough and ready, will have the role of the great soldier. Gen. Patton, to whom war comes first, won the respect of his men, and their unanimous support, even after the much publicized “slap” episode.

Through the grapevine, ’tis whispered Capt. Ronald Reagan, who has been in the service since the beginning of the war, may be out the first of the year. He has a wife and child. If this is true, Ronnie will probably resume his movie career in “The Voice of the Turtle,” which is a natural for him.

VIRGO: No vestpocket effort or half-hearted try will accomplish a thing. Big business needs big action, anticipation and above average comprehension. All these and more you can deliver.

From the Philadelphia Inquirer via Fultonhistory.com.

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1944 in Print — Hollywood News and Gossip by Louella Parsons, Sept. 11, 1944

Posted on September 12, 2014 by lmharnisch

Sept. 11, 1944, Comics

Sept. 11, 1944

You needn’t be surprised if you find Mervyn LeRoy producing pictures in Bulgaria, setting up shop in Italy or moving into France. Mervyn has formed an independent producing company to be known as the Arrowhead Productions.

When Fred Allen faces the cameras come Monday, he’ll have Binnie Barnes, gifted actress, as his screen vis a vis.

VIRGO: The more you extend yourself and the less worry and doubt you engage, the fuller the response you receive. Industry, professions favored.

From the Philadelphia Inquirer via Fultonhistory.com

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