How I Almost Killed Garry Shandling

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This would be a much funnier story if Garry Shandling were still alive, but if he were, I wouldn’t be telling it.

I was partially responsible — in a roundabout way — for nearly killing Garry back in the 1970s.

No really. A friend knew Garry from a writing class at the University of Arizona. Garry by this point was living in L.A. and had done a couple of “Sanford and Son” and “Welcome Back, Kotter” episodes, but I’m not sure whether he had made his debut on the Carson show.

Anyway, my friend and I in far-off Tucson tried our hand at a “Kotter” script and sent it to Garry for feedback. We got a letter sometime later with the following note:

“This letter nearly killed me. I stopped to mail it and was walking between two cars to the mailbox when someone crashed into one of the cars and pinned me between them.” He went on to recount his recovery from broken bones (as I recall he was injured rather seriously) and then went on to critique our little script — which was terribly amateurish. (Fortunately, my friend and I each found a place in journalism, which was a much better fit with our talents).

Later on, in the early 1980s when I was a feature writer at the Arizona Daily Star, Garry’s mother used to call up Sherry Stern, the TV writer, whenever he was going to be on TV. It was, in retrospect, very sweet.

Farewell, Garry, and thanks for encouraging a young — and not very talented TV writer — who went on to find himself. Eventually.

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Garry Shandling: A Tour of L.A. Comedy Clubs in 1981

Garry Shandling, 1981

Garry Shandling, 1981
I rarely dig into my old clips, but here is my feature on Garry Shandling, who died today at the age of 66, from the Arizona Daily Star, Nov. 24, 1981.

The ending isn’t exactly mine; it was altered  by an editor who thought he was improving the story and has since gone to the great city room in the sky. I was still a pretty green reporter at this point, so I put up with it.

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Harry Houdini: An Interview by Marcet Haldeman-Julius, October 1925

October 1925, Interview with Houdini

Note: In honor of Harry Houdini’s birthday, we are reposting this interview from 1925.

We have been collecting issues of Haldeman-Julius Monthly for several years, but one issue was particularly elusive: The October 1925 number featuring an interview with Harry Houdini, written by Marcet Haldeman-Julius, which was published a year before his death and is apparently keenly desired by collectors.

A copy of this issue was recently added to the archives and we are pleased to present the interview, which appears nowhere else online, refuting the argument that “everything is on the Internet.”

The paper is old and brittle and would not stand up to a scanner, so I photographed the article (Pages 387-397) instead. The images are watermarked because of prevalent practice of swiping pictures on the Internet without attribution or acknowledgement of a source. Pinterest and  Skyscraperpage.com, this means you.

Haldeman-Julius Monthly was published by Emanuel Haldeman-Julius with the motto “Make the World Unsafe for Hypocrisy.” It changed names to “The Debunker” in 1928 and apparently ceased publication about 1931.

Emanuel Haldeman-Julius loved to debunk charismatic religious figures of the  day and Louis Adamic wrote a series of articles for the magazine about Los Angeles evangelist Aimee Semple McPherson’s mysterious disappearance and miraculous return in 1926. In this vein, the bulk of the Houdini interview is devoted to the charlatans of the day posing as mediums who could communicate with the dead and frequently duped grieving and gullible survivors.  There is also a detailed of description Houdini’s New York brownstone, which was crammed with books and memorabilia, and a cameo appearance by Mrs. Houdini.

Previously in the L.A. Daily Mirror
Aimee Semple McPherson’s Fight With Satan
C.B. DeMille: Movie Evangelist

Enjoy.

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Movieland Mystery Photo (Updated + + + + +)

Wings of Danger

This week’s mystery movie has been the 1952 Hammer Films picture “Wings of Danger” alias “Dead on Course,” with Zachary Scott, Robert Beatty, Naomi Chance, Kay Kendall, Colin Tapley, Arthur Lane, Harold Lang and Diane Cilento. The screenplay was by John Gilling, from the novel by Elleston Trevor and Packham Webb. Music was by Malcolm Arnold,  photography by Walter Harvey and art direction by Andrew Mazzei. The movie was directed by Terence Fisher.

It is available from VCI Entertainment on Volume 2 of the Hammer Film Noir Collector’s Set for $20.99.

What caught my interest in this movie is this gentleman.

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Mary Mallory / Hollywood Heights: H.N. Zahn Building Pushes L.A.’s Zoning Laws

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Ida Lupino promotes Easter in 1934, with the Zahn building in the background.


What was intended strictly as a publicity photo promoting young actress Ida Lupino celebrating the Easter season on a large rabbit outside Desmond’s Department Store leads to a fascinating history regarding the building seen in the background. Some buildings are remembered for their gorgeous architecture, others for the influential people that visited the structure, and some for life-changing events that occurred inside their doors. The H.N. Zahn building, still proudly standing at 5480 Wilshire Blvd., is remarkable for how its owners pushed what today is called spot zoning, a scourge on current development around Los Angeles.

Zahn’s father, Johann (J. C.) Zahn, was born in Prussia in 1822. He studied medicine and earned a fortune before immigrating to Australia and establishing a mission there, giving it to the state. After making another fortune, he and his wife immigrated to San Francisco and later came to Los Angeles, independently wealthy. He invested in real estate in California, Nevada, and Utah, and founded churches, such as the First German Methodist Episcopal Church downtown.

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is now available at Amazon and at local bookstores.

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Movieland Mystery Photo (Updated + + + +)

 

Marvh 19, 2016, Mystery Photo

This week’s mystery movie has been the 1932 Fox picture “Call Her Savage,” directed by John Francis Dillon, with a screenplay by Edwin Burke from the bestselling novel by Tiffany Thayer.  With Clara Bow, Gilbert Roland, Thelma Todd, Monroe Owsley, Estelle Taylor, Weldon Heyburn, Willard Robertson, Anthony Jowitt, Fred Kohler, Russell Simpson, Margaret Livingston, Carl Stockdale and Dorothy Peterson.

“Call Her Savage” was Bow’s first film with Fox after parting ways with Paramount and the movie was billed as her “comeback” after being absent from the screen since “Kick In.”  Bow made one more movie for Fox, “Hoopla,” before retiring from the screen.

One reviewer said of Thayer’s book: “Savage is too dignified a term. Nasa is a sadist, a neurotic, a scalper, a madwoman, or she is perhaps more fitly called the purple figment of nightmarish dreams, conceived by the author in a brainstorm and thenceforth rationalized by him for some three hundred pages.”

The film opened in Los Angeles on Nov. 30, 1932 at Loews State with the Pete Smith short “Football Footwork.”

Mordaunt Hall of the New York Times said (Nov. 25, 1932): “It is scarcely an offering that can be recommended for its plausibility, but who knows but that there may be a girl somewhere like Nasa Springer. Miss Bow does quite well by the rôle of this fiery-tempered impulsive Nasa, but whether the flow of incidents makes for satisfactory entertainment is a matter of opinion.”

In a review for the Los Angeles Times on Dec. 2, 1932,, John Scott noted that “her fans turned out in droves,” but said: ” ‘Call Her Savage,’ which the more discriminating theatergoers will undoubtedly deem tasteless and at times even unpleasant, gives the star opportunity to reveal her natural acting talents, but in so doing, requires her in one sequence to take to the street to provide medicine for her sick baby. A poignant note, but a questionable one.”

A restored print will be shown in New York on Wednesday as part of Film Forum’s “IT GIRLS, Flappers, Jazz Babies and Vamps” series, on Wednesday, March 23.

”Call Her Savage” is available from Fox Cinema Archives at various outlets such as Amazon, listing at $19.98.

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Mary Mallory / Hollywood Heights: 100-Year-Old Grocery Stores Still Serve the Public

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Las Palmas Market, 1259 N. Las Palmas Ave., via Google Street View.


While architectural styles have changed over the centuries, the use of buildings has remained virtually unchanged, meaning an older bank building can still function as a bank, a restaurant can remain a dining establishment, and so on. Most retail and commercial buildings can remain financially viable for centuries, operating as originally intended or by adaptive reuse into other businesses, thus revealing history at the same time. Grocery stores most often seem to continue operating for decades, serving the neighborhoods around which they were constructed. Two 100 year-old markets continue to serve their neighborhoods here in Los Angeles, just as they did when first opened.

Las Palmas Market, built in 1912 and located at 1259 N. Las Palmas Ave. in Hollywood as part of the Strong and Dickinson’s Hollywood High School Tract, still serves as a local market. When first constructed at the intersection of Las Palmas and Fountain Avenue two blocks east of Highland Avenue, it served the tiny community of citrus farmers which surrounded it known as Colegrove. More prosperous residents resided in the more upscale community of Hollywood, just a few blocks north. The approximate 1000 square foot wood frame structure was built at a cost of $1,500 per the Los Angeles County Tax Assessor’s site, with the store located on the first floor and a residence on the second. The original owner remains unknown. As with most small markets, the store sold meats, dry goods, home products, and produce to patrons.

 

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is now available at Amazon and at local bookstores.

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Movieland Mystery Photos

Nitrate Film Interest Group

It was a tough week for the mystery photos and here’s why: All of these mystery movies are unidentified films listed on the Nitrate Film Interest Group page – and if you ever feel like testing your mystery movie skills, this is the place to do it. These films were shown in the last few years at the Mostly Lost series presented at the Library of Congress National Audio-Visual Conservation Center, Packard Campus in Virginia.

Many of the movies are silents or are 16 millimeter versions of films intended for home use. Some are short fragments and have nothing but edge coding while some are longer.

Monday’s movie is most likely a chapter of the lost Jack Mulhall serial “Into the Net.”

Tuesday’s movie is unidentified, but probably shot on the East Coast.

Wednesday’s movie is an unidentified samurai movie – I’m fairly certain it aired on TCM in the last year.

Thursday’s movie is about a theft of a string of pearls with intertitles that are apparently in Dutch.

Friday’s movie appears to be an “Our Gang” knockoff with French intertitles and Pathe France edge coding.

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Movieland Mystery Photo

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And for Friday, we have a mystery comedy in which a billboard for Ben-Hur Coffee inspires some mystery young people to stage a chariot race.

This is the final entry in this week’s mystery movies and there haven’t been any easy ones. I still haven’t heard from a couple regulars in the Brain Trust, so I will wait until Monday to lift the veil of mystery to give them a little more time.

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Movieland Mystery Photo

March 10, 2016, Mystery Photo

Several members of the Brain Trust have noted that this week’s photos are unusually tough, which is quite true. The reason for their difficulty will become clear in good time.

For Thursday, we have a mystery movie starring a mystery little person.

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Movieland Mystery Photo

March 9, 2016, Mystery Photo
This week, I am running five mystery movies, one per day with multiple images. And today, we have a mystery samurai movie!

Update: This is indeed a toughie. Benito has identified the mystery gent in images No. 4 and 8.

Mystery image No. 1.

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Movieland Mystery Photo

March 8, 2016, Mystery Photo

As I noted yesterday, I’m doing the mystery movie posts a bit differently this week. For reasons that will become clear at a future date, I’m posting multiple images from a mystery movie each day, rather than stringing them out for a week.

Image No. 1 shows a rustic gent.

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Mary Mallory / Hollywood Heights: Little Brown Church in the Valley

Yates-Ralston Wedding
Photo: Republic Studios President Herbert Yates marries Vera Hruba Ralston in 1952. Courtesy of Mary Mallory.


Note: The death of former First Lady Nancy Reagan has renewed interest in the Little Brown Church, where she and Ronald Reagan were married in 1952. Here is Mary Mallory’s post from 2012.

Originally ranch land that helped support the city of Los Angeles, the San Fernando Valley sometimes seemed slower and a tad more old fashioned than the big city that soon subsumed it. Life revolved around work, family, and the church. With the construction of the Mack Sennett Studios in North Hollywood in 1927, First National Studios in Burbank in 1926, and finally Walt Disney Studios in Burbank in 1938, population exploded. Many churches were built to keep up with growing congregations, but with many plants establishing work shifts around the clock, those needing spiritual sustenance at odd hours seemed left out.

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Los Angeles Conservancy Announces Last Remaining Seats for 2016

The Los Angeles Conservancy has announced its lineup for the Last Remaining Seats film series, choosing movies from previous seasons to celebrate its 30th anniversary.

The movies are: “Top Gun” (June 4)
“To Kill a Mockingbird” (June 8)
“Some Like It Hot” (June 11)
“Dos Tipos de Cuidado” (June 15)
“Singin’ in the Rain” (June 18)
“Double Indemnity” (June 22)
“Safety Last!” (June 25)
I used to be a regular at Last Remaining Seats, but dropped it a few years ago as programming became increasingly unadventuresome and, indeed, stale. Yes, they are classic movies, but they are also terribly overexposed. Even TCM limits itself to showing certain movies (i.e. “Gone With the Wind”) no more than twice a year for just that reason.

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At the Follies Burlesque: Blaza Glory and Myrna Dean

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An EBay vendor has listed two undated articles on performers at the Follies Burlesque, 337 S. Main St. Blaza Glory (a name I hadn’t encountered before) seems to have been performing in the early 1950s. Myrna Dean (identified as Deane in the article), performed from about 1939, was quite active in the 1940s and performed as late as about 1951. She appeared at the Follies in Los Angeles in 1947 with Peaches Strange (one of the great stripteuse names).

Bidding on the articles begins at $7.98.

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Movieland Mystery Photo (Updated)

March 7, 2016, Mystery Photo

I’m going to try something different this week. Instead of posting one image per day and identifying the mystery movie at the end of the week, I am going to post several images per day from the same mystery movie, ending the week with five puzzlers instead of one.  Let’s see how this works.

Update: The Brain Trust did excellent work on these photos — but one distinguished member is away from his computer, so we will await further posting until Mike Hawks can offer his insights.  Thanks to Mary Mallory, Don Danard and Sheila.

In Photo No. 1, we have two mystery chaps.

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Mary Mallory / Hollywood Heights: ‘Take Your Girlie to the Movies’ Promotes Film and Romance

   “Take Your Girlie to the Movies,” as recorded by Billy Murray, 1919.


Popular songs often speak to issues of the period in which they are written, providing commentary on political, social, and cultural issues. Most of the songs in the early twentieth century focused on themes in the zeitgeist: the Great War (World War I), Hawaii, Egypt, communication, transportation, entertainment, and even suffrage. Some combined these topics, often in humorous ways.

In the summer of 1919, people had much to celebrate. The Great War had finally ended on November 11, 1918 and the world was slowly adjusting to a hard fought peace. After more than a year, the Great Influenza Epidemic had run its course after killing more people worldwide than all those lost in battle over the previous four years. On June 4, 1919, the United States Senate passed the Suffrage Act, better known as the Anthony Amendment following the House of Representatives’ action a few weeks earlier. The Amendment passed on to state legislatures, finally ratified a year later.

“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is now available at Amazon and at local bookstores.

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Movieland Mystery Photo (Updated + + + +)

March 5, 2016, Baroness and the Butler
This week’s mystery movie has been the 1938 Twentieth Century-Fox picture “The Baroness and the Butler,” with William Powell, Annabella (in her American screen debut), Helen Westley, Henry Stephenson, Joseph Schildkraut, J. Edward Bromberg, Nigel Bruce and Lynn Bari.  The movie was directed by Walter Lang, with a screenplay by Sam Hellman, Lamar Trotti and Kathryn Scola from  a play by Ladislaus Bus-Fekete (often Bush-Fekete), “The Lady Has a Heart.”

“The Baroness and the Butler” is available on DVD from Amazon for $18.39.

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Mary Mallory / Hollywood Heights: Maurine Watkins — Chicago Murder Reporter to Screenwriter

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Maurine Watkins, in an ad promoting Fox studios’ writers in the Motion Picture Herald


Journalism and screenwriting have one thing in common: telling a good story in order to get the audience hooked. Both depend on excellent observation, character development, and a telling phrase to really keep readers’ and viewers’ interest. Maurine Watkins learned a lifetime of storytelling skills in her six months as a crime reporter for The Chicago Tribune in 1924, talents she would employ as screenwriter for various Hollywood studios in the 1930s and 1940s after writing one of the most important plays of the 1920s, “Chicago.”

Born July 27, 1896 in Louisville, Kentucky, prim, pretty Maurine Watkins, the daughter of a preacher for the Christian Church, excelled in her schoolwork. Disciplined and precocious, she wrote her first play, “The Heart of God,” at 15, and co-founded her high school newspaper. She entered Transylvania University, affiliated with the Disciples of Christ to study Greek and Latin languages and the Bible, before graduating from Butler University. Watkins next entered Radcliffe for graduate work in the classics before switching to playwriting under long time professor George Pierce Baker.

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Movieland Mystery Photo (Updated + + + +)

Feb. 27, 2016, Mystery Photo

This week’s mystery movie has been the 1945 MGM picture “Yolanda and the Thief,” starring Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick, Mary Nash, Leon Ames and Ludwig Stossel. The screenplay was by Irvin Brecher based on a story by Jacques Thery and Ludwig Bemelmans (the author of the Madeline books), with songs by Arthur Freed and Harry Warren and choreography by Eugene Loring.    The picture was photographed in Technicolor by Charles Rosher, produced by Arthur Freed and directed by  Vincente Minnelli.

“Yolanda and the Thief” springs from the fad during World War II for movies with a Latin American atmosphere. It was based on a story by Bemelmans published in Town and Country in 1943, according to Emanuel Levy’s biography of Minnelli. Listing E.Y. Harburg as the producer, the Los Angeles Times (July 26, 1943) explained that “MGM entered the fray [in making Latin American pictures] with a planned musical that promises the height of novelty” with a plot was a fantasy based on Latin American sources. Early casting for the film included Victor Moore in the role ultimately taken by Frank Morgan as Fred Astaire’s slightly disreputable sidekick and Lucille Ball co-starring with Lucille Bremer in an unspecified role. Hume Cronin was also mentioned for a part in the film.

“Yolanda” is available on DVD from Warner Archive for $16.59.

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