This week’s mystery movie was the 1934 RKO picture The Age of Innocence, with Irene Dunne, John Boles, Lionel Atwill, Helen Westley, Laura Hope Crews, Julie Haydon, Herbert Yost, Theresa Maxwell Conover, Edith Van Cleve and Leonard Carey.
Screenplay by Sarah Y. Mason and Victor Heerman.
From the novel by Edith Wharton and the play by Margaret Ayer Barnes.
Musical direction by Max Steiner.
Photographed by James Van Trees.
Associate director Jane Loring.
Art direction by Van Nest Polglase and Al Herman.
Costumes by Walter Plunkett.
Recorded by John L. Cass.
Edited by George Hively.
Directed by Philip Moeller.
A Pandro S. Berman production.
More on the history of the film is available from the AFI Catalog.
The Age of Innocence is available on DVD from Amazon.
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I picked The Age of Innocence because it got good reviews in the trades. I thought it was a bit maudlin and campy, and the constant use of Tchaikovsky’s None but the Lonely Heart reminded me of the Spike Jones recording.
I’m guessing this will be a Mordaunt Hall review and that he liked it. Let’s see!
Wrong. It’s Andre Sennwald (New York Times, Oct. 19, 1934):
If this were an ideal world, Mrs. Wharton’s distinguished novel would fill the screen with tragic emotion as it filled the stage six years ago in the impassioned acting of Katharine Cornell. For Philip Moeller’s screen drama of The Age of Innocence has been managed with all possible dignity and sincerity. The players stagnate expertly against the suffocating background of fashionable New York in the solemn Seventies. The age of wax flowers and horse cars, of conservatories, paper collars, plush ladies and codified amour, of cotillions and silk-stockinged footmen, lives again on the screen. It provides a technically skillful setting for Mrs. Wharton’s gallant drama of the lovers who were crushed by the cruel and artificial standards of the day.
Yet the photoplay at the Music Hall leaves the spectator curiously cold and detached from the raging emotions of the story. It seems to have everything but the ability to quicken the pulse and mist the eye.
In Mr. Moeller’s garrulous and faintly ponderous production the tragedy touches you cerebrally rather than emotionally. Nor do the principals succeed in charging it with the stuff of high despair. Mr. Boles is such a handsome and facile actor that it is difficult for him to convey a sense of interior drama. Miss Dunne is more effective, possibly, but it requires a more profoundly moving skill than hers to etch the tragedy brilliantly against the background.
For Monday, we have a mystery mummy. Yes, this is a first. And yes, it’s a plot point in the mystery movie. I’m not giving away too much to say that the title does not include the words “Aztec,” “dawn,” “Kolchak,” “mummy,” “return,” “revenge” or “Scooby-Doo.” Update: Or “Meets the Three Stooges.”
Label copy on the artifact. Really.
For “tricky Tuesday,” we have our leading man in heavy age makeup.
Update: This is John Boles.
For “Hm Wednesday,” we have a mystery woman.
Update: This is Inez Palange.
Brain Trust roll call: Sheila (mystery movie and Tuesday’s mystery gent).
Sylvia: Yes, this is a mystery movie, not a mysterious TV show.
For “Aha Thursday,” we have this mystery woman.
Update: This is Julie Haydon.
We also have this mystery woman.
Update: This is Helen Westley.
And finally, a couple of mystery fellows.
Update: This is Lionel Atwill, left, and Barry O’Moore / Herbert Yost.
Brain Trust roll call: Sheila (Wednesday’s mystery woman).
For Friday, first we have the mystery museum setting. Notice the Egyptian statuary.
And here are our leads. Our mysterious leading lady is speculating about the love life of the mummy in the display case.
Update: This is Irene Dunne and John Boles.
Brain Trust roll call: Benito (Thursday’s mystery man No. 1), Mary Mallory (mystery movie and all mystery guests), Anne Papineau (mystery movie and all mystery guests), Howard Mandelbaum (mystery movie and all mystery guests), Mike Hawks (mystery movie, Tuesday’s and Wednesday’s mystery guests, Thursday’s mystery woman No. 1 and mystery gent No. 1), Sheila (Thursday’s mystery women and mystery gent No. 1), Dan Nather (mystery movie) and L.C. (mystery movie and mysterious cast).
THE PLOT THICKENS.
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I’m guessing either Cleopatra, Hatshepsut or Nefertiti.
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It is definitely not CHARLIE CHAN IN EGYPT – which featured a young Rita Hayworth (billed as Rita Cansino) playing at Egyptian maid. Very curious…
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Curly Howard as our mummy.
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John Boles in ‘The Age of Innocence’?
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No guess about who’s who, yet.
Is this week’s mystery from a TV episode and not a movie?
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Monroe Owsley?
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Inez Palange for Wednesday?
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Could the movie be “Die Augen Mumie Ma” with Emil Jannings and Margarette Kupfer?
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Hi… It’s an American movie in English.
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Way to go, Sheila!
I have no idea yet.
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I spy Lionel “no-neck” Atwill. Is this THE SPHINX?
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I thought the Tuesday guy was who it ended up being, but I never thought of this film for him. THE AGE OF INNOCENCE. John Boles Tuesday, Inez Palange Wednesday, Julie Haydon, Helen Westley, Lionel Atwill, and Henry O’Moore today.
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“A woman who lived in Egypt” in “The Age of Innocence,” featuring John Boles, Inez Palange, Julie Haydon, Helen Westley, Lionel Atwill and Herbert Yost.
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Tuesday: John Boles in THE AGE OF INNOCENCE (1934)
Wednesday: Inez Palange
Thursday: Julie Haydon; Helen Westley; Lionel Atwell; Barry O’Moore.
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Barry O’Moore = Herbert Yost
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John Boles, Julie Haydon, Helen Westley and Lionel Atwill in THE AGE OF INNOCENCE.
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Julie Haydon, Helen Westley, Lionel Atwill?
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I gotta guess: THE AGE OF INNOCENCE (1934)?
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The Age of Innocence (1934) John Boles, Irene Dunne, Helen Westley,Lionel Atwill, Julie Hayden, Laura Hope Crews, Barry O’Moore…
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Irene Dunne and John Boles.
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John Boles and Irene Dunne.
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Irene Dunne and John Boles.
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