Movieland Mystery Photo (Updated + + + +)

2020_0215_credits_04
This week’s mystery movie was the 1960 MGM film “Home From the Hill,” with Robert Mitchum, Eleanor Parker, George Peppard, George Hamilton, Everett Sloane, Luana Patten, Anne Seymour, Constance Force, Ken Renard and Ray Teal.

Screenplay by Harriet Frank Jr. and Irving Ravetch from the novel by William Humphrey. Music by Bronislau Kaper, orchestra conducted by Charles Wolcott. Photography by Milton Krasner, in CinemaScope and Metrocolor.

Art direction by George W. Davis and Preston Ames, set decorations by Henry Grace and Robert Priestley, special effects by Robert R. Hoag, color consultant Charles K. Hagedon, assistant director William McGarry. Edited by Harold F. Kress, recording supervisor Franklin Milton, costumes by Walter Plunkett, hairstyles by Sydney Guilaroff, makeup by William Tuttle.

Photographic lenses by Panavision.

Produced by Edmund Grainger. Directed by Vincente Minnelli. A Sol. C. Siegel production.

“Home From the Hill” is available on DVD and Blu-ray from Warner Archive.

The mystery movies are a process of discovery for me. I only do films I don’t know and “Home From the Hill” was an especially rewarding find in the Daily Mirror vault. I recorded it from TCM yeas ago and in introducing the movie, the late Robert Osborne calls it one of Robert Mitchum’s most underrated films. And he was right. (Osborne says that the film was intended for Clark Gable, who refused to work for MGM after the unceremonious end to his career there).

The action unfolds in a small Texas town that is a blend of the South and the West, and the movie has elements of both, like “Giant” meets “Cat on a Hot Tin Roof.”

The plot starts simmering in the opening scene as wealthy, handsome Captain Wade Hunnicutt (Robert Mitchum) gets shot by a jealous husband, setting the theme for picture. Hunnicutt has been poaching on lots of married women in town (cheating on Eleanor Parker? Really?), giving him unacknowledged son Rafe Copley (George Peppard) who takes after his father, and his “mama’s boy” offspring, Theron (George Hamilton), whom Hunnicutt wants to make into a man by giving him a rifle, a hunting dog and sending him into the wild to kill animals. Theron also starts courting one of the local ladies (Luana Patten), with advice from his half brother Rafe. George Hamilton as a man who’s awkward, shy and uncomfortable around women? Well, it is a stretch.

And no, it does not end well for the philandering Captain Hunnicutt.

The credits are heavy with old, experienced pros, starting with director Vincente Minnelli. Then there’s the script by the husband and wife team of Harriet Frank Jr. and Irving Ravetch, who had previously written “The Long, Hot Summer” and “The Sound and the Fury” and would go on to write “Hud,” “Hombre” and “Norma Rae.”  Bronislau Kaper doesn’t have the name recognition of film composers such as Elmer Bernstein or Miklos Rozsa or Franz Waxman, but he does a fine job here. Also worthy of note is the art direction by George W. Davis and Preston Ames and set decorations by Henry Grace and Robert Priestley, who give Hunnicutt what may be the best mancave in film: rifles, dead animals, red leather and hunting dogs.

My biggest complaint about the film is that everyone in the cast has their own version of a Southern/Texas accent. Hollywood’s Southern accents drive me crazy and Hollywood’s Texas accents aren’t much better. If you are a stickler for that sort of accuracy, then “Home From the Hill” will grate on your ears for its entire 150 minutes. It is a long movie.

ps. Google image search made this a difficult mystery movie because there are screen caps all over the Internet.

I picked this movie based on its reviews in Motion Picture Daily and Film Bulletin.

Motion Picture Daily (Feb. 10, 1960) said:

Stories about life in a typical small town in America have a strong and continuing fascination for audiences, which should be thoroughly pleased with this new one called “Home From the Hill.” It comes like many others of the genre from a best-selling book; William Humphrey was the author, and the novel, his first, was widely praised by literary critics.

Unlike other films examining small town existence, “Home From the Hill” does not attempt to present a cross-section picture of all the inhabitants, but concentrates instead on one family. Also, unlike some others, (illegible) not for a welcome change emphasize sex and scandal. There are (illegible) lapses on the part of the protagonists to be sure, but they are never depicted for merely sensational effect.

Film Bulletin (Feb. 15, 1960) said:

Sprawling, overlong tale of Texas family has strong dramatic points. Mitchum heads cast. C’Scope, color.

William Humphrey’s critically acclaimed best-seller about the public and private tragedies surrounding members of a Texas dynasty comes to the screen a colorful, sprawling, overlong tale boasting among its many assets, a collection of topnotch performances, mood-catching, on-location backgrounds and a number of highly effective dramatic moments. Unfortunately, the overall product never quite becomes the emotional powerhouse its talented creators had in mind. It is definitely not another “Giant.” The plot of the MGM Metrocolor, CinemaScope release is a complex one and the characters fascinating people, but director Vincente Minnelli fails to bring off its cumulative effect. The tempo is erratic, shifting from scenes of power to languid, drawn-out sequences, and there are moments when the central characters struggle to make high tragedy out of unjustifiable situations. Much of the blame must fall on scripters Harriet Frank Jr. and Irving Ravetch, who failed to create flesh-and-blood characters, and Minnelli would have helped the pace by trimming some of the film’s excessive 150 minutes.

Bosley Crowther, writing in the New York Times (March 4, 1960) did not approve of such goings-on:

There must be a point lurking somewhere in MGM’s “Home From the Hill,” a giant film in CinemaScope and color that came to the Music Hall yesterday. But where it is centered precisely in the long, rambling tale that is told, or what thought it is meant to focus, entirely eludes this reviewer.

At the start, it appears that the drama is going to turn around a big, bruising brute of a Texan who shocks his wife and his 17-year-old son and maintains a lurid reputation as the mightiest hunter and Lothario in town. A young husband tries, indeed, to shoot him in the first few minutes of the film and a companion remarks with what seems foresight, “It’s gonna be open season on you as long as you go poaching on the preserves of love.”

But soon attention is shifted to the confusions of the son and the old man’s endeavors to train him to be a mighty hunter too — of game….

… Characters, motivations and even the lines of the plot are thoroughly loose and apparently set down without purpose other than to make for some sordid, violent sequences. A few of these are striking such as the boar hunt. But for the most part, the whole thing is aimless, tedious and in conspicuously doubtful taste. Under Vincente Minnelli’s direction, it is garishly overplayed.

 Feb. 10, 2020, Mystery Photo

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For Monday, we have a mystery gentleman. And, as usual, he does not approve of such goings-on. Our leading lady has been cropped out due to her total lack of mysteriousness. She will appear Friday.

Update: This is Ken Renard in the uncropped image with Eleanor Parker.

Feb. 11, 2020, Mystery Photo

For Tuesday, we have a mystery woman. And for a change, she approves of such goings-on.

Update: This is Hilda Haynes.

Brain Trust roll call: Jenny M. (mystery movie, Monday’s mystery guest and mystery leading lady’s arm).

Feb. 12, 2020, Mystery Photo

Feb. 12, 2020, Mystery Photo

For “Hm Wednesday,” we have this mystery woman. And would you believe it? She does not approve of such goings-on. Her companion has been cropped out due to insufficient mysteriousness. He will appear on Friday.

Update: This is uncropped image of Luana Patten and George Peppard.

Brain Trust roll call: Howard Mandelbaum (mystery movie and both mystery guests), Jenny M. (Tuesday’s mystery woman) and  Sylvia E. (mystery movie’s location).

Feb. 13, 2020, Mystery Photo

For “Aha Thursday,” we have this somewhat mysterious gent, and of all the people in our mystery movie who do not approve of such goings-on, he disapproves the most. He absolutely disapproves of these goings-on.

Update: This is Everett Sloane.

Feb. 13, 2020, Mystery Photo

No, this mystery doctor doesn’t approve of such goings-on either.

Update: This is Ray Teal.

Feb. 13, 2020, Mystery Photo
These mystery fellows have just the right amount of “Aha” for a Thursday.

Update: From the left – Denver Pyle, Stuart Randall, Dan Sheridan, Orville Sherman and Guinn “Big Boy” Williams.

Brain Trust roll call: Howard Mandelbaum (Wednesday’s mystery woman) and Mary Mallory (mystery movie, Tuesday’s and Wednesday’s mystery women and both mystery arms).

Feb. 14, 2020, Mystery Photo

For Friday, we have two mystery men.

Update: George Peppard, who wears an unbuttoned shirt for most of the film, and George Hamilton.

Feb. 14, 2020, Mystery Photo

Here’s a better look at mystery guest No. 2.

Update: This is George Hamilton.

Feb. 14, 2020, Mystery Photo

And we have our mystery leading lady.

Update: This is Eleanor Parker in the closing scenes of the film with the Texas-sized tombstone of Wade Hunnicutt.

Feb. 14, 2020, Mystery Photo

And here is our mystery star in what may be the best mancave on film: rifles, red leather and animal heads on the walls. The horseshoe brackets are a particularly good touch.

Update: And Robert Mitchum in Wade Hunnicutt’s mancave.

Brain Trust roll call: Floyd Thursby (mystery movie, Thursday’s mysterious angry father, mystery doctor and mystery cowboy No. 5), Howard Mandelbaum (Wednesday’s mystery hand and all of Thursday’s mystery guests), Michael Ryerson (mystery movie and all mystery guests), Mary Mallory (all of Thursday’s mystery guests), David Inman (mystery movie and Thursday’s mystery angry father), B.J. Merholz (mystery movie), Benito (Thursday’s mysterious angry father), Sylvia E. (mystery movie and Monday’s Tuesday’s and Wednesday’s mystery guests, various mystery hands, Thursday’s mysterious angry father, mystery doctor and mystery cowboy No. 1), L.C. (mystery movie and mystery cast), Thom and Megan (mystery movie and Monday’s and Wednesday’s mystery guests, Thursday’s mysterious angry father, mystery doctor and mystery cowboy No. 1) and Tucson Barbara (mystery movie and Monday’s, Tuesday’s and Wednesday’s mystery guests, Thursday’s mysterious angry father and mystery doctor and mystery cowboy No. 1).

About lmharnisch

I am retired from the Los Angeles Times
This entry was posted in 1960, Film, Hollywood, Mystery Photo and tagged , , , , , , , , . Bookmark the permalink.

38 Responses to Movieland Mystery Photo (Updated + + + +)

  1. I believe this is Napoleon Whiting, making the unseen actress either Lana Turner or, more likely, Sandra Dee and the film Imitation of Life (1959).

    Like

  2. Jenny M says:

    Ken Reynard in Home from the Hill. Also Eleanor Parker’s arm.

    Like

  3. Howard Mandelbaum says:

    Monday: Ken Renard in HOME FROM THE HILL (1959)
    Tuesday: Hilda Haynes

    Like

  4. Jenny M says:

    Hilda Haynes

    Like

  5. Gar y says:

    Based on her elbow and the party scene wardrobe Im going to make an obvious, even if incorrect, guess that this is The Parent Trap starring Haley Mills and Haley Mills.

    Like

  6. Sylvia E. says:

    Is this story set in post-civil war Texas?

    Like

  7. Sylvia E. says:

    Is this story set in post-civil war Texas? A lot of Stetson hats in view.

    Like

  8. Howard Mandelbaum says:

    Luanna Patten.

    Like

  9. Howard Mandelbaum says:

    Wrong spelling: Luana Patten.

    Like

  10. David Inman says:

    What the heck — “Written on the Wind”?

    Like

  11. B.J. Merholz says:

    A hesitant…Martha Vickers?

    Like

  12. Charles Kjelland says:

    The Long Hot Summer, with Paul Newman, Orson Welles, Lee Remick etal?

    Like

  13. Mary Mallory says:

    HOME FROM THE HILL. Hilda Haynes Tuesday, Eleanor Parker arm on Monday, Luana Patten and George Peppard’s arm on Wednesday.

    Like

  14. Floyd Thursby says:

    The ones I can identify on Thursday are Everett Sloane, Ray Teal, and Guinn ‘Big Boy’ Williams. The movie is “Home from the Hill.”

    Like

  15. Howard Mandelbaum says:

    Wednesday’s hand: George Peppard.
    Thursday: Everett Sloan; Ray Teal; Denver Pyle, Stuart Randall, Dan Sheridan, Orville Sheridan, Guinn ‘Big Boy” Williams.

    Like

  16. Well today I see Guinn ‘Big Boy’ Williams (an all time favorite) and Denver Pyle making this Home from the Hill (1960) hence Ken Renard, Hilda Haynes, Luana Patten, Everett Sloane, Ray Teal, Denver Pyle, Stuart Randall, Orville Sherman and Guinn Williams.

    Like

  17. Mary Mallory says:

    Everett Sloane, Ray Teal, Stuart Randall, Tom Gillen, Orville Sherman, and Guinn “Big Boy” Williams.

    Like

  18. David Inman says:

    Everett Sloane today, making this “Home from the Hill.”

    Like

  19. B.J. Merholz says:

    On Tuesday I sort of felt Home From the Hill, but I didn’t recognize your Mystery Guests.

    Like

  20. Benito says:

    Crusty ol’ Everett Sloane today. Izzat Fred Clark in the cowboy crowd?

    Like

  21. Sylvia E. says:

    This was fun, but a challenge (thank goodness for Ray Teal and Denver Pyle on ‘aha Thursday’)

    Home from the Hill 1960
    Mon – Ken Renard and the arm of Eleanor Powell (found one photo of her in that blouse)
    Tues – Hilda Haynes (and behind her, for the barbecue dinner, the boar killed earlier by Mr. Hamilton)
    Weds – Luana Patten holding a sponge and speaking to the O.S. George Peppard
    Thurs – Everett Slone (doomed to the same fate as the boar – and by the hand of the same person)
    Doctor Ray Teal. Of the guys in the group shot – the only one I recognize is Denver Pyle.
    Friday will probably bring Robert Mitchum, Eleanor Powell, George Peppard, George Hamilton and Luana Patten. Maybe Constance Ford and Anne Seymour, too.

    Looking forward to Saturday’s breakdown. Interesting story.

    Like

  22. LC says:

    Home from the Hill (1960) w/Ken Renard, Robert Mitchum, George Peppard, Eleanor Parker, George Hamilton, Luana Patten, Everett Sloane, …

    Like

  23. Thom and Megan says:

    Home from the Hill with Ken Renard on Monday, Luana Patten for Wednesday, Everett Sloane, Ray Teal, and Denver Pyle for today.

    Like

  24. tucsonbarbara says:

    Well I think it’s “Home from the Hill,” with Ken Renard, Hilda Haynes, Luana Patten Everett Sloane, Ray Teal and Fred Clark. Maybe also Denver Pyle, but I’m not sure.

    Like

  25. Mary Mallory says:

    George Peppard, George Hamitlon, Eleanor Parker, and Robert Mitchum.

    Like

  26. tucsonbarbara says:

    George Peppard, George Hamilton, Eleanor Parker, and Robert Mitchum

    Like

  27. And Friday finale, with the two Georges, Peppard and Hamilton and Hamilton again, the Eleanor Parker and Robert Mitchum as Captain Hunnicutt surrounded by guns, red leather and dead animals in his man cave. Ah, what a life.

    Like

  28. ‘the Eleanor Parker’? Ha! Sounds like a ship.

    Like

  29. Charles Kjelland says:

    Home From the Hill, Robert Mitchum, Everett Sloane, et al

    Like

  30. Gar y says:

    This would be Home from the Hills.

    Like

  31. Mary Mallory says:

    Ken Renard Monday.

    Like

  32. Sylvia E. says:

    Friday – George Peppard, George Hamilton, Eleanor Parker and Robert Mitchum.

    Like

  33. Howard Mandelbaum says:

    George Peppard, George Hamilton; Eleanor Parker, Robert Mitchum.

    Like

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