Black Dahlia: Ask Me Anything, May 2024

In the May 2024 Ask Me Anything on the Black Dahlia case, I talk about the whether the LAPD of the 1940s was as corrupt as some people claim, citing the Police Commission minutes from the 1940s. As a bonus, there’s a link to the Liberty magazine article The Lid Off Los Angeles, which chronicles civic corruption in the 1930s under Mayor Frank Shaw, who was recalled, leading to a reform movement at City Hall. Continue reading

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Movieland Mystery Photo

Girl asleep, holding doll
For Monday, we have a mysterious child.

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Mary Mallory: Hollywood Heights – Max Davidson

Max Davidson "Call of the Cuckoo"

Photo: Lillian Elliott and Max Davidson in “Call of the Cuckoo.”


Note: This is an encore post from 2012.

America has always been the land of immigrants. From when this part of the world was a mere colony to other countries, this nation has been a haven for the oppressed, weak, and dreamers, and grew mightily with this influx of people. The largest years of immigration occurred from the late 1800s into the early decades of the twentieth century. New forms of entertainment like vaudeville arose, catering to many of these immigrants, and employing ethnic humor. Many ethnic groups such as Italians, “Dutch” or German, and Jews,were stereotyped or parodied through dialect, expression, or movement in a way that revealed the common foibles of each group, how alike each were. Most of these stereotypes were carried over into film, with people like Weber and Fields excelling as “Dutch” comedians and George Beban as Italian.

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Mary Mallory / Hollywood Heights: Yutaka Abe, ‘DeMille of Japan,’ Started in U.S. Silent Films

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Jack (Yutaka) Abe in an ad for Mystic Faces in Film Daily, Sept. 1, 1918.


Note: This is an encore post from 2022.

Virtually unknown today, young Yutaka Abe gained fame in the American silent film industry after immigrating to the United States in 1912. While not as successful as fellow Japanese immigrant Sessue Hayakawa, Abe received excellent reviews for his film work, even writing for the screen. When the country became increasingly intolerant in the early 1920s and added Japanese immigrants to the harsh dictates of the Exclusion Act, originally written to handcuff the Chinese in the United States, Abe returned to his home country, becoming a successful director.

Born February 2, 1895, in Yamato, Miyagi, district, Abe and his younger brother, Toshinaka, immigrated to the United States with their father from Japan’s Sensai district, arriving in San Francisco on June 3, 1912. Later newspapers would claim that he was the son of the renowned Japanese ship builder. They arrived the year before California passed an alien land bill against the Japanese in 1913, preventing them from purchasing land or working certain professions.

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Movieland Mystery Photo (Updated + + + +)

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This week’s mystery movie was the 1936 Republic picture The Lawless Nineties, with John Wayne, Ann Rutherford, Harry Woods, George Hayes, Al Bridge, Snowflake, Etta McDaniel, Tom Brower, Cliff Lyons, Jack Rockwell, Al Taylor, Charles King, George Chesebro, Tracy Layne, Chuck Baldra, Sam Flint and Tom London. Continue reading

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Sam ‘FU’ Zell’s Tacky, Trashy Memorabilia Up for Sale

Miniature figure of Sam Zell up for auction
Sam “FU” Zell portrait in an automaton titled Zell 2012.
Bidding starts at $500.


Sam “FU” Zell was man of unusual tastes. That is, if he had any taste, which he didn’t, based on my experience during the debacle of the Zell years at the Los Angeles Times.

“Crude, gaudy and tacky,” seem to sum up Mr. “FU” Zell (as The New York Times would refer to him) and that’s an apt description of a collection of his weird automata (I would add “malfunctioning”) that’s coming up for auction later this month. They span the years 1995 to 2015 with a gap at 2008, perhaps because Mr. “FU” Zell was too busy telling his newly acquired Tribune employees “FU.” Continue reading

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Reminder – My Next ‘Ask Me Anything’ on the Black Dahlia Case Is May 7

Reminder: Boxie (formerly Boxy) and I will be doing a live “Ask Me Anything” on the Black Dahlia case Tuesday, May 7, at 10 a.m. Pacific time, on YouTube and on Instagram.

I’ll give an update on the book and discuss reality vs. myth in portrayals of the LAPD in the 1940s. Then open the discussion for a Q&A.

Can’t make the live session? Email me your questions and I’ll answer them! I’ll also get to the backlog of questions from previous sessions. The video will be posted once the session ends so you can watch it later.

Remember, this is only Black Dahlia questions. I have a separate Ask Me Anything on George Hodel on May 21, at 10 a.m. Pacific time.

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Mary Mallory / Hollywood Heights: TCM Festival Salutes Hollywood’s Golden Age

The recently concluded 15th Annual TCM Classic Film Festival brought together film fans from around the world to Hollywood to celebrate films, friends, and fun. Filled with diverse programming offering something for everyone, the Festival brings together archivists, academics, and celebrities to explain and discuss the making of movies to film fans, presenting newly restored or struck prints in lush vintage movie palaces. The weekend truly does acknowledge the wonder and joy of going to the movies.

I spent the weekend attending a wide variety of programming which informed and entertained, ranging from documentaries to silent film to presentations, among excited and contented film fans. While programming, presenters, and projection were top notch, supervision of queues was lax, leading to congestion, disorganization, and sometimes discontented patrons. Continue reading

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Movieland Mystery Photo (Updated + + + +)

Main Title, lettering in the style of an antique sampler.
This week’s mystery movie was the 1938 MGM film Of Human Hearts, with Walter Huston, James Stewart, Gene Reynolds, Beulah Bondi, Guy Kibbee, Charles Coburn, John Carradine, Ann Rutherford, Leatrice Joy Gilbert, Charley Grapewin, Leona Roberts, Gene Lockhart, Clem Bevans, Arthur Aylesworth, Sterling Holloway, Charles Peck, Robert McWade and Minor Watson. Continue reading

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George Hodel: Ask Me Anything, April 2024

Here’s Boxie (formerly Boxy) and I with this month’s “Ask Me Anything” on George Hodel.

The first subject was where was George Hodel in December 1945 and why does it matter?

And the second, somewhat related subject was one of Steve Hodel’s chief enablers, a fellow who calls himself Luigi Warren.
Continue reading

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Mary Mallory / Hollywood Heights: Clara Bow’s 1920s Home for Sale, a Cozy Cottage for Star of Silent Films

Clara Bow's 1920s house, with a brick sidewalk and palm tree in front.
Clara Bow’s former rental at 7576 Hollywood Blvd. is on the market for $1.3 million.


Hollywood homes can show a star’s character just as much as any candid portrait. Ostentatious or understated, hip or homey, residences serve as a snapshot in time and place for their owners and society as well. Vivacious flapper Clara Bow remained a vulnerable little girl at heart, always seeking out a comfortable nest to create the safe, happy home life denied her growing up. For a short time she rented 7576 Hollywood Blvd., a small, lovely Spanish Colonial abode now up for sale and under threat.

Born into poverty and degradation July 29, 1905, Clara Bow endured hunger, misery, and abuse in a Dickensian childhood bereft of normal family pleasures. Looking for a chance of escape, she entered Brewster Publication’s Fame and Fortune Contest announced in Motion Picture magazine in January 1921. Her instinctive talent and energetic personality overwhelmed the judges, who awarded her first prize after a series of contests. Bubbly and effervescent in front of the cameras, her piercing, sensitive eyes revealed the true sadness underneath. Continue reading

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Movieland Mystery Photo (Updated + + + +)

Main Title: Lettering over shot of trees and clouds
This week’s mystery movie was the 1944 Universal picture Can’t Help Singing, with Deanna Durbin, Robert Paige, Akim Tamiroff, David Bruce, Leonid Kinskey, June Vincent, Ray Collins, Andrew Tombes, Thomas Gomez, Clara Blandick, Olin Howlin and George Cleveland. Continue reading

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Mary Mallory / Hollywood Heights: Silent Films’ Broad Range on Display at San Francisco Festival

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While the recently concluded 27th SFSFF moved from the beautiful vintage Castro Theatre to a new barnlike structure adjacent to the remaining structure from the 1915 Panama Pacific Intl. Exposition, it once again featured diverse programming offering an emotional, humanistic punch. Covering such themes as pirates, alienation and anxiety, damaged individuals, the end of life, and glimpses of the shadow self, movies provided an intimate look to the troubles and problems we still face today. Stylistic flourishes such as silhouettes and shadows capturing the darker side of life, avant-garde touches like dissolves and wipes, and even tight, isolationist framing played up separateness and aloneness.

The Festival kicked off with a beautifully restored two-strip Technicolor print of Douglas Fairbanks’ rousing “The Black Pirate,” a joyous celebration of action and derring do. Featuring great stunts like sliding down giant sails while slicing them in half, navy seal-like soldiers flying ala the “Wizard of Oz” monkeys but through water, and a celebratory climb by Doug via raised hands, the film saw a strong, athletic Fairbanks overcome a rogue band of pirates and save the lovely Billie Dove’s honor. The restored print highlighted the gold and brownish hues intended to represent woodcuts. Donald Sosin provided a lilting score but this film calls for a rousing, Erich Korngold-like composition.

Continue reading

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Movieland Mystery Photo (Updated + + + +)

Main title: Lettering over silhouette of prison cells.
This week’s mystery movie was the 1954 film Black Tuesday, with Edward G. Robinson, Jean Parker, Peter Graves, Milburn Stone, Warren Stevens, Sylvia Findley, Jack Kelly, Hal Baylor, James Bell, Victor Perrin and Russell Johnson. Continue reading

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Mary Mallory / Hollywood Heights: The Flapper Speaks to American Women

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The Flapper – via Wikipedia.


image Note: This is an encore post from 2013.

Life changed quickly in the United States post-World War I. Nowhere was this more evident than in the role and actions of young women emancipating themselves from the corseted way of life to more boldly act in self-expression. The war gave more opportunities for them to come and go as they pleased, work in new jobs, experience nightlife. Women gained the right to vote in 1920, and along with it, began bobbing their hair, smoking, rolling stockings, shortening hemlines, drinking, dancing the Black Bottom, partying, and romancing.

A new term was coined to refer to these mainly young women; the flapper. Webster’s Collegiate Dictionary at the time defined a flapper as, “A young girl, esp. one somewhat daring in conduct, speech and dress.” In February 1922, The Los Angeles Times quoted “Bath-house John,” a Chicago First Ward Alderman, describing these young women in somewhat more disparaging terms. “A flapper is a youthful female, beauteous externally, blasé internally, superficially intelligent, imitative to a high degree. Her natural habitat is the ballroom, the boulevard and the fast motor car. She browses about the trough of learning, picking as her tidbits smart phrases which she glibly repeats without sensing their meanings. She comes from all walks of life and has for her main requirement nerve, a face and figure, either actually beautiful or susceptible to artistic effort.”

Popular culture spoke to these young women and helped shape a new consumer culture. Illustrators and movies evoked their sometimes wild and flashy style, and helped launch new idioms of speech. These flappers would help create America’s first sexual revolution, celebrity culture, and what it meant to be hip in the Roaring Twenties.

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‘Ask Me Anything’ on George Hodel – April 16

Reminder: Boxie (formerly Boxy) and I will be doing a live “Ask Me Anything” on George Hodel and Steve Hodel on Tuesday, April 16, at 10 a.m. Pacific time on YouTube and Instagram.

In this session, I’ll look where George Hodel was in December 1945, and why it matters (because it does). Also a look at one of Steve Hodel’s main enablers, because Steve doesn’t do it alone these days. He has “help.”

Can’t make the live session? Email me your questions and I’ll answer them! The video will be posted once the session ends so you can watch it later.

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Movieland Mystery Photo (Updated + + +)

Man in white coat
For Monday, we have a mystery fellow. His slumbering mystery companion has been cropped out because even asleep he lacks sufficient mysteriousness. Continue reading

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Mary Mallory / Hollywood Heights: Darkness Has No Borders at Noir City Hollywood

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Never Open That Door (1952), shown at Noir City Hollywood.


Wonderful programming choices highlighted the 25th Anniversary of Noir City at Hollywood’s Netflix Egyptian Theatre displayed depravity, darkness, and deceit across the world, truly demonstrating that “darkness has no borders.”. Spot on pairings of United States noirs and international classics presented themes and stylistic flourishes which revealed similar influences and passions but covered in different angles.

The Festival kicked off March 22 with the newly restored, suspenseful Argentinian feature “Never Open That Door,” a powerful blending of two Cornell Woolrich short stories with darkly ironic plot twists a la “The Twilight Zone” or “Alfred Hitchcock Presents.” Masterful lighting captured and foreshadowed the duplicitous nature of characters, often highlighted through the use of mirrors and masks. The theme of both could be things don’t always turn out the way you think, be it siblings disagreeing over gambling or a blind mother seeing the duplicity and ugliness of her son. “The Window” followed, also based on a Woolrich short story suggesting don’t always believe what you see. Continue reading

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Black Dahlia: Ask Me Anything, April 2024

In the April 2024 Ask Me Anything on the Black Dahlia case, I talk about the recent article in… Popular Mechanics?
Continue reading

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Mary Mallory / Hollywood Heights: 15th TCM Classic Film Festival Returns to Hollywood

tcm_classic_film_festival
For its 15th Anniversary, the TCM Classic Film Festival returns to Hollywood April 18-21 to examine crime in all its permutations with the theme “Most Wanted: Crime and Justice in Film.” A diverse group of archivists, musicians, and presenters will highlight new discoveries, restorations, and fan favorites that reveal the ongoing conflict between good and evil and the eternal struggle of justice for all over a century of filmmaking.

The Festival kicks off April 18 with a 30th Anniversary screening of Quentin Tarantino’s “Pulp Fiction” at the magnificent TCM Chinese Theatre highlighted by star John Travolta’s attendance and other guests walking the red carpet. While praised for its salute to cinema history, the film also has received criticism for its focus on nihilistic violence.

Festival passes are $399 to $2,549. Individual tickets are $20, $30 to the closing night feature of Spaceballs.
Thursday’s schedule | Friday’s schedule | Saturday’s schedule | Sunday’s schedule  Continue reading

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