This week’s mystery movie was the 1940 Republic film “Dark Command,” with Claire Trevor, John Wayne, Walter Pidgeon, Roy Rogers, George Hayes, Porter Hall, Marjorie Main, Raymond Walburn, Joseph Sawyer, Helen MacKellar, J. Farrell MacDonald and Trevor Bardette.
Screenplay by Grover Jones, Lionel Houser and F. Hugh Herbert, based on the novel by W.R. Burnett. Adaptation by Jan Fortune. Production manager Al Wilson, photography by Jack Marta, supervising editor Murray Seldeen, edited by William Morgan, art direction by John Victor MacKay and costumes by Adele Palmer.
Associate Producer Sol C. Siegel, musical score by Victor Young. Directed by Raoul Walsh.
“Dark Command” is available on DVD from TCM. The film is in public domain and readily available online, though quality may be awful. The 1947 John Wayne-Gail Russell movie “The Angel and the Badman,” another Republic film in public domain, was on TCM recently and I was shocked the lousy quality of the print.
This week’s mystery movie was suggested by Bosley Crowther. Really! Just for fun (your idea of fun may be different from mine. In fact it probably is) I thought I would go through the New York Times archives to see if there was any movie that Crowther actually liked. One of the 1940 movies he praised (and no, there weren’t many of them) was “Dark Command.” I am not a huge John Wayne fan. I’ve seen the “Cavalry Trilogy,” “Stagecoach,” “The Searchers,” and the other usual suspects, but not “Dark Command.”
And I was happily surprised. “Dark Command” is much better than I expected. The script is strong, the cast is generally pretty good, and John Wayne had yet to develop the annoyed-at-the-world macho swagger of his later films. George “Gabby” Hayes isn’t a frontier coot, Roy Rogers is stronger than I expected. Porter Hall, usually relegated to comical character roles, turns in a strong performance. In contrast to her role as a floozy in “Stagecoach,” Claire Trevor plays a wealthy member of the upper crust (such as one might find in the wilds of frontier Kansas, anyway). But the real surprise is Marjorie Main. In her role as Walter Pidgeon’s mother passing as his housekeeper, Main shows she was far better than you might expect from seeing her in humorous, eccentric character roles as Ma Kettle and Tugboat Annie. It’s good to be reminded that she appeared on Broadway in the 1920s and ‘30s.
At this point, I’m feeling better about my experiment in going through the trades to pick mystery movies. One unfortunate discovery is how many movies are unavailable, and reinforces the knowledge of how repetitive TCM’s programming can be. And I’m always open to suggestions for mystery movies, depending on what’s available.
The movie was based on W.R. Burnett’s “The Dark Command: A Kansas Iliad,” which I have requested from the L.A. Public Library.
Writing in the New York Times (May 11, 1940), Bosley Crowther heartily approved of such goings-on:
A lot of experience and talent has gone into the manufacture of Republic’s “Dark Command,” now showing at the Roxy, and the consequence is the most rousing and colorful horse-opera that has gone thundering past this way since “Stagecoach.” Grover Jones, Lionel Houser and F. Hugh Herbert, three old hands in the action-fiction field, prepared the crackling screenplay; Raoul Walsh, a grizzled veteran of the outdoor wars, directed it with an artist’s eye for flavor and dramatic movement, and John Wayne, Claire Trevor, Walter Pidgeon and a company of character experts have filled it with brimming life and gusto. If it’s excitement you’re looking for, you can go farther and do a lot worse.
For Monday, we have a mystery gent.
Update: This is Edward Hearn.
For Tuesday, we have a mystery gent. And, as usual, he does not approve of such goings on. This may come as a surprise, but Back of the Head Guy doesn’t approve of such goings-on either. You’ll see him on Friday.
Update: This is Trevor Bardette, with Roy Rogers as BOTHG.
Also for Tuesday, we have a mystery actress playing our mystery gent’s widow. And, as incredible as it may seem, she also doesn’t approve of such goings-on.
Update: This is Helen MacKellar.
For “hmm Wednesday,” we have this distinguished looking gent. He generally approves of such goings-on.
Update: This is Raymond Walburn.
And we have this less-than-mysterious mystery gent. And at the moment, he strongly disapproves of such goings-on.
Update: This is Porter Hall.
Brain Trust roll call: Howard Mandelbaum (mystery movie and all mystery guests) and Sheila (Tuesday’s mystery gent).
For “Aha Thursday,” we have this rather unmysterious mystery woman. She doesn’t approve of such goings-on. In fact, she spends most of the movie not approving of anything.
Update: This is Marjorie Main.
This mystery gent is more of a Friday than a Thursday, but Friday is so crowded that he’s going to be one of the “Aha Thursday” crew. As usual, he approves of such goings-on.
Update: This is George “Gabby” Hayes.
Brain Trust roll call: Mary Mallory (mystery movie and all mystery guests), Floyd Thursby (Wednesday’s mystery gent No. 1), Howard Mandelbaum (Wednesday’s mystery gents), Michael Ryerson (Tuesday’s mystery gent), Chrisbo (Wednesday’s mystery gent No. 2), David Inman (Wednesday’s mystery gent No. 2), Anne Papineau (Wednesday’s mystery gent No. 1), Thom and Megan (mystery movie and Tuesday’s and Wednesday’s mystery guests), Sylvia E. (mystery movie and all mystery guests) and Sheila (mystery movie and Wednesday’s mystery gents).
For Friday, we have this unmysterious gent. Also BOTHG.
Update: This is Walter Pidgeon with John Wayne as BOTHG.
And this unmysterious gent, with Wednesday’s mystery guest.
Update: This is Roy Rogers and Porter Hall.
Our mysterious leading lady.
Update: This is Claire Trevor.
Update: This is George “Gabby Hayes” and John Wayne.
Brain Trust roll call: Mary Mallory (Thursday’s mystery guests), Tucson Barbara (mystery movie and Tuesday’s, Wednesday’s and Thursday’s mystery guests), Howard Mandelbaum (Thursday’s mystery guests), Chrisbo (mystery movie and Thursday’s mystery guests), Benito (Thursday’s mystery guests), Megan and Thom (Thursday’s mystery guests), Sue Slutzky (mystery movie and all mystery guests), Michael Ryerson (mystery movie and Thursday’s mystery guests), Sylvia E. (Thursday’s mystery guests), Gary Martin (Wednesday’s mystery guest No. 1 and Thursday’s mystery guests) and Anne Papineau (mystery movie and Thursday’s mystery woman).
The mystery movie is way before Colbert’s time.
Monday’s guy looks a little bit like Hardie Albright (a new name for me.)
You’re right, he does! But alas, that’s not him.
WILD BILL HICKOK RIDES (1942)
Monday: Howard M. Mitchell.
Tuesday: Trevor Bardette, Bruce Cabot (Back of the Head Guy); Sarah Padden.
A very interesting guess! Right era and right genre. But it’s another studio.
“Dark Command” (1940)
Monday: Edward Hearn
Tuesday: Trevor Bardette, Roy Rogers; Helen MacKellar
Trevor Bardette for Tuesday.
DAR COMMAND. Edward Hearn Monday, Roy Rogers BOTH Guy Tuesday, Helen MacKellar Tuesday, Raymond Walburn and Porter Hall today.
Actually John Wayne as BOTH guy Tuesday.
Trevor Bardette on Tuesday and it is RR as BOTH.
My guess is Raymond Walburn in “Plainsman and the Lady” for Wednesday.
Raymond Walburn; Porter Hall.
Always a pleasure to see Trevor Bardette.
Here’s a wild guess for Wednesday’s second gent: Porter Hall in Arizona.
The Hall brothers (not really), Porter and Thurston, today.
Raymond Walburn Wednesday.
Our movie is Dark Command, with Trevor Bardette and Helen MacKellar for Tuesday, and Porter Hall and Raymond Walburn for today.
Hmmm Wednesday worked!
Dark Command 1940
Mon. – Edwards Hearn
Tues. – the doomed Trevor Bardette (my guess on the BOTHG is Roy Rogers because of the wavy hairdo and sideburns.)
Trevor’s wife/widow Helen MacKeller
Weds. – Raymond Walburn as the judge. Still working on the teller.
Will guess more as I go.
Weds. – the doomed (banker) Porter Hall
Raymond Walburn and Porter Hall for Wednesday, ‘Dark Command’.
Marjorie Main and Gabby Hayes.
Tuesday – Trevor Bardette, Helen MacKellar
Wednesday – Raymond Walburn, Porter Hall
Thursday – Marjorie Main, Gabby Hayes
Marjorie Main; George “Gabby” Hayes.
Wed: Raymond Walburn I don’t recognize the second man.
Marjorie Main and Gabby Hayes in Dark Command
Marjorie Main! Gabby Hayes or reasonable facsimile! It’s Old Coot Week
Today’s mystery gusts are Marjorie Main and George “Gabby” Hays.
Adding to my previous post… The movie is “Dark Command.” Mon: Edward Hearn; Tues: Trevor Bardette and Helen MacKellar; Wed: Raymond Wilburn and Porter Hall; Thurs: Marjorie Main and Gabby Hayes; Friday will probably be Claire Trevor, John Wayne, Walter Pidgeon, and Roy Rogers.
Marjorie Main and George ‘Gabby’ Hayes (what a pair!) makes this Dark Command (1940)
Thursday – Marjorie Main (mother of Pidgeon disguised as his housekeeper – though I missed why that is,) and George ‘Gabby’ Hayes (the here-to-fore, retired surgeon who saves Roy’s life.)
I watched the film on line – nice little story that starts in pre-Civil War America then moves into early Civil War America. A shout out to the African American actors who played servants in the movie: Mildred Gover and Clinton Rosemond. I’m glad that Walsh included their characters and gave them lines to say.
Raymond Walburn and George Gabby Hayes. And the gal looks like Majorie Main but as she is Wednesday I suspect she isnt. Best regards.
On Thursday, Marjorie Main in “Dark Command”
Walter Pidgeon with BOTH guy Roy, Roy Rogers and Porter Hall, Claire Trevor, and Gabby Hayes John Wayne.
Walter Pidgeon, Porter Hall, Claire Trevor, Gabby Hayes, John Wayne
Walter Pidgeon; Roy Rogers, Porter Hall; Claire Trevor; George “Gabby” Hayes, John Wayne.
Walter Pidgeon, Roy Rogers, Claire Trevor and the Duke. Whatta line up.
DARK COMMAND. Intense movie about The Matter with Kansas
Fri. – Walter Pidgeon and BOTHG John Wayne
Roy Rogers and Porter Hall
Mr. Hayes again with John Wayne
Looking forward to the breakdown.
Part of the reason That TCM Shows only certain movies is that Universal nor Fox have licensed very few of their films to the channels, the vast majority are not available to see. Universal also only releases a select few of the Paramount titles the control. Paramount owns the Republic catalog and is preserving and/or restoring most if not all, but so far they have’t released any, because the vintage market is shrinking due to less and less millenials and even older people not wanting to watch black and white movies. Sony has only licensed some of their Columbia titles, the same with Goldwyn and United Artists titles. Now even very little disney will be out there because they are holding mostly everything for Disney+ subscribers. The other studios might decide the same as well.