BY JACK SMITH
Actress Maureen O’Hara’s alleged love scene with a Latin in three rear
seats of Grauman’s Chinese Theater was re-enacted before a spellbound
audience here yesterday at the Confidential libel trial.
A witness and a buxom newspaperwoman, who volunteered her services,
entwined themselves in three courtroom seats while judge, jury and
spectators watched in fascination.
Opposing counsel hovered beside the players, giving conflicting directions.
"Her feet are on the floor!" protested one.
"We never said her feet were off the floor!" exclaimed the other.
Miss Lee Belser (at right in 1958 photo with Otto the clown), a blond reporter for a wire service, played the part
of the flaming-haired actress, cuddling into the arms of the witness,
James Craig, a former assistant manager of the Chinese Theater.
Superior Judge Herbert V. Walker glowered sternly over the courtroom,
his ears attuned to the titters, ready to rap down with his gavel. He
had warned that he would let the show go on, but let no one think it
was a comedy.
Charges of blackmail, an emotional outburst by a defendant, and an
eyewitness account of Miss O’Hara’s alleged night of skylarking in the
theater brought the slow-starting trial to a racy pitch earlier
As the conflict shifted from the prosecution to the defense, the
multiple conspiracy trial was enlivened by a series of surprises.
Craig, flown here from London to testify for the defense, admitted he
told the O’Hara story to a Confidential agent for a mere 70 pounds
(about $200) [$1,433.06 USD 2006].
Hollywood producer Paul Gregory, appearing as a final and surprise
witness for the state, leveled a charge of blackmail against one of the
defendants, Mrs. Marjorie Meade, alleged queen of Confidential
magazine’s Hollywood scandal mill.
Red-haired Mrs. Meade broke up the proceedings with a convulsion of
tears and sobbing, but after a two-hour rest swept serenely back to
take the stand as first witness for the defense.
"I have never seen Mr. Paul Gregory before in my life," she testified.
"I have never had a conversation with Mr. Paul Gregory in my life," she concluded and then stepped down.
This attempt to impeach the producer’s testimony out of the way,
defense attorney Arthur J. Crowley showed his pattern of strategy by
setting about to prove the truth of one of Confidential magazine’s most
The witness was Craig, neat and crisp of manner after a long air trip
from London. Craig left Hollywood in 1954 to return to his native
Craig said he was on duty at the Chinese Theater on a November night in
1953 when the green-eyed Miss O’Hara, according to Confidential,
"heated up the rear of the theater" with a Latino whose name remains
Craig said he was twice summoned from the foyer into the black
auditorium of the plush theater by an usher because of the scene in Row
Craig said he investigated and found Miss O’Hara "leaning across three seats" in the Latin’s arms.
"She looked to be very disheveled, very untidy. I didn’t want to be
indiscreet," Craig recalled, so he got his flashlight and walked up and
down the aisle. Miss O’Hara then "took her own seat" he said, and he
assumed the incident was over.
At the usher’s second appeal, Craig said, he went forth again and found
"the gentleman sitting in a seat and Miss O’Hara sitting in his lap."
"I told them I thought it was best if they left the theater. The gentleman said they were leaving anyway."
Miss O’Hara soon came out alone to the foyer, Craig said, and asked to
borrow his flashlight, explaining that her friend had lost a cuff link.
Craig said he returned and found the missing article.
"It was definitely a diamond cuff link," he recalled.
Craig said he told the story to an old friend, Michael M. Smith,
Confidential’s London agent, and after its publication, received a
check for 70 pounds.
On cross-examination, Deputy Dist. Atty. William Ritzi assaulted
Craig’s version of the O’Hara story piecemeal. Perhaps never has a bout
of spooning been so thoroughly dissected four years after its
Ritzi even asked the witness to take chalk and draw a diagram of the
part of the theater which allegedly was the arena of the episode and
prosecutor and witness jousted back and forth in effort to place each
arm, leg, trunk and foot in its proper place according to Craig’s
At one point, the exasperated prosecutor–a Sunday school teacher–blurted out:
"To put it bluntly, sir, where was her rear end?"
"Her rear end," the solemn witness answered, "was on the edge of Seat No. 2."
Also present as a witness for the defense was Smith, to whom Craig gave his story. Smith was flown in from London with Craig.
Until Craig entered with his recitation of the O’Hara incident, Mrs.
Meade and Gregory had played front and center in the trial, the
producer naming her as the woman who kept a rendezvous with him two
years ago and offered to kill a scandalous story for $800 to $1,000.
He said she told him the proposed story was "scandalously injurious"
and could be ruinous to him and his associates, including Charles
Laughton and Laughton’s wife, Elsa Lanchester.
The prominent producer was brought forth at the last moment as a
surprise witness of the state in the jury trial of Confidential and
Whisper magazines and Mrs. Meade and her husband, Fred.
Shortly after Gregory stepped down from the witness stand in the courtroom, the state rested.
Then Mrs. Meade collapsed. Tears gushed from her wide eyes and sobs
filled the courtroom as Judge Walker left the bench and strode to his
The red-haired defendant stood, stumbled and fell back into her chair
as her strapping husband rushed forward to her aid. Her weeping
apparently uncontrollable, she was led into an anteroom by her husband
and a bailiff.
A medical attendant, summoned from the County Jail Hospital in the Hall
of Justice, examined Mrs. Meade and said she was "emotionally upset."
When the 15-minute recess ended, defense attorney Crowley advised Judge
Walker his client was unable to appear. Judge Walker then recessed the
Mrs. Meade earlier had expressed outrage and disbelief when Gregory
gazed at her and said he was "absolutely positive" she was the woman
who called herself "Mrs. Dee" and offered to stop publication of a
Confidential story if he would pay the "author’s commitment" of $800 to
Gregory said he told "Mrs. Dee" he regarded it as "character
assassination and blackmail" she was up to and refused to go along with
her. Nevertheless, he testified, the threatened story never appeared.
The producer said the woman known to him as Mrs. Dee first made contact
with him, by telephone on Aug. 22, 1955. He flipped the pages of a
large red leather date book for a page that had a note of the date.
He said the woman proposed a meeting with him which could help him
"avoid injurious scandal to me and my associates." He was then
associated in a producing venture with Laughton, he added.
Asked by prosecutor Ritzi if he later met the woman whose voice he
heard on the telephone, Gregory answered that he had, and that woman,
he said evenly, "was Mrs. Meade."
At this Mrs. Meade whipped off her horn-rimmed spectacles and registered horror.
Gregory went on to testify that Mrs. Dee telephoned again on Sept. 16
and he agreed to meet her in a Beverly Hills cafe at 2:15 p.m. that day.
When he entered the cafe he saw a man and two women sitting in a booth, Gregory testified.
"A woman approached me and said, ‘Are you Paul Gregory?’ I said I was and she said, ‘I’m Miss Dee.’ "
"Now," asked the prosecutor, "do you recognize here in this court the woman who introduced herself to you as Miss Dee?"
Gregory fixed steely eyes on the red-haired woman at the counsel table.
"Absolutely," he said.
"Mrs. Meade?" asked the prosecutor.
"It is indeed," said Gregory.
He and the woman then sat apart from her friends in another booth, the
producer said, and after he declined a drink he asked her to get on
with her business.
"She said she could stop this story if I would pay the author’s
commitment. I asked how much that involved and she said $800 to $1,000.
"I asked her what the story was about. She said it was scandalously
injurious and could very well put me out of business if it were allowed
to be published."
It was then, Gregory said, that he accused Mrs. Meade of character assassination and blackmail and terminated the interview.
Gregory also testified that before his contact with Mrs. Dee his
secretary was harassed by numerous telephone calls from a "Miss Ann
Smith" who warned that "something terrible was going to happen to my
business associates if I didn’t do certain things."
Gregory said he finally had a recorder plugged into his telephone and
made a recording of one of Miss Smith’s calls. It was placed in the
hands of the court yesterday. Gregory said he was certain, however,
that Miss Smith was not the same woman as Miss Dee.
Attorney Crowley struck back bitingly when he took the producer on
cross-examination, trying to shake his identification of Mrs. Meade and
impeach his testimony as a product of bias.
Pointing to Mrs. Meade, the attorney asked Gregory if he were
"positive" she was the same woman he met in the restaurant Sept. 16.
"I am most assuredly positive," said the witness.
"You don’t like Confidential magazine, do you?" the lawyer demanded in an earlier attack.
"Oh," answered Gregory, "I don’t dislike it."
Crowley took up a copy of the magazine, opened it to a splashy spread
titled "The Lowdown on Paul Gregory," Yes, Gregory said, he had read
"Is one of the reasons you are testifying here because of this article?" demanded Crowley.
"Not at all, sir."
Under cross-examination, Gregory also explained that the story
mentioned by Miss Dee was not one already listed in the trial record as
"The Robert Mitchum Story."
It was in this Confidential tale that Mitchum allegedly masqueraded as
a hamburger–naked and catsup drenched–at a dinner party given by
Gregory. Laughton also was among those present.
The story had already been published, he explained, when he met Mrs.
Dee. Outside the courtroom, however, Gregory took the opportunity to
brand the earlier story a complete fiction.
"No such thing ever happened," he said. "There were 10 guests who will come down here and testify to that."
The trial resumes at 9:30 a.m. Monday.
Paul Gregory was a producer on Night of The Hunter, Charles Laughton’s directorial debut starring Robert Mitchum. An excellent film that unfortunately performed poorly at the box office when first released prompting a disappointed Laughton to declare “I’ll never direct again!” This film was eventually recognized as a timeless classic, making the top ten list of several influential critics.
Wow, practicing law used to be a lot more interesting. Thanks for posting such a great article.
You’re posting up old Jack Smith stories. This is so great. I’m a BIG fan of Jack Smith. Wow what a treat.
A very happy.