Mary Mallory / Hollywood Heights: ‘White Christmas’ Soothes the Home Front in 1942

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Bing Crosby, Fred Astaire, Marjorie Reynolds and Virginia Dale in “Holiday Inn.”


Note: This is an encore post from 2015.

Recognized today as one of the top selling singles and pieces of sheet music of all time, Irving Berlin’s “White Christmas” was just one of eleven songs in the 1942 holiday classic, “Holiday Inn.” First put to paper by Berlin in 1940, the tune evolved over time before becoming the beloved hit sung by the dulcet tones of baritone Bing Crosby.

Jody Rosen, in his book, “White Christmas: The Story of an American Song,” reveals that on Monday, January 8, 1940, Berlin composed forty-eight bars which his secretary Helmy Kresa transcribed to manuscript paper, after the composer flew into the office claiming he had written his greatest song. Nearly fully formed as the song we know today, the most famous sixty-seven notes never changed from the first time they hit the page. These emotion-filled lyrics touched hearts during America’s first year in World War II, nostalgic for better and happier times.“Hollywood Celebrates the Holidays” by Karie Bible and Mary Mallory is now available at Amazon and at local bookstores.

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Movieland Mystery Photo (Updated + + + +)

Main title. Illustration of a traffic light with lettering.

This week’s mystery movie was the 1937 Warner Bros. film Green Light, with Errol Flynn, Anita Louise, Margaret Lindsay, Sir Cedric Hardwicke and Walter Abel. Continue reading

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L.A. Daily Mirror Retro Holiday Shopping Guide

Sept. 16, 1957, Parker T-Ball Jotter

Note: This is a repost from 2013. True style never goes out of date, after all.

We are being bombarded by stories about Black Friday and Cyber Monday, with videos of long lines at stores and the attendant consumer frenzy.

The L.A. Daily Mirror prefers a more subdued approach to buying gifts during the holiday season. Here’s proof that an ideal retro gift can be practical and inexpensive. It’s the Parker T-Ball jotter, which has changed very little since this 1957 ad.

You can pick one up at Staples (2024 update) for about $19.19 or Office Depot. We like ours with the gel refill, medium point. Perfect for doing the New York Times crossword puzzle.

What’s on your shopping list? If you have a good gift idea, share it with us.

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Reminder – My Next ‘Ask Me Anything’ on the Black Dahlia Case Is December 3

Boxie and I will be doing a live “Ask Me Anything” on the Black Dahlia case Tuesday, December 3, at 10 a.m. Pacific time, on YouTube and on Instagram. Continue reading

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Mary Mallory / Hollywood Heights: Tote DuCrow–Character Actor of the Silent Screen

Portrait of Tote DuCrow in coat and tie.Tote DuCrow in Camera, 1922.


The early decades of cinema brought many enterprising, colorful character actors to the screen, those looking and appearing real on film. Not as physically attractive or full of charisma, they brought striking personas and authenticity to their small but important parts. One such character actor, Tote Du Crow, endowed his small roles with dignity and grace, often playing Native Americans though not one in real life. Often misidentified as Native, the actor added gentle touches that brought honor and respect to his characters.

Little is known of the actor’s early life, as conflicting reports differ on his upbringing. Some stories claim he was born George Skyrock in Watsonville, California in 1858; a 1921 Boston newspaper states he was born as Du Crow, but the 1920 census reveals he was born in Barcelona, Spain to a Spanish father and French mother, with him listing himself in the record as Tote Du Crow. Other records show him brought to the US as a very small child. Perhaps he was raised as Skyrock in the United States, as the performer married actress Florence Ashbrooke in Pittsburgh, Pennsylvania in 1898 under that name after meeting her on the stage circuit. The San Francisco Daily Review also identified the jokester as Skyrock in a blurb mentioning his divorce from Ashbrooke. Continue reading

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Movieland Mystery Photo (Updated + + + +)

Main title: Lettering over painting of a fence.This week’s mystery movie was the 1937 Warner Bros. film Penrod and Sam, with Billy Mauch, Frank Craven, Spring Byington, Craig Reynolds, Jackie Morrow, Philip Hurlick, Charles Halton, Bernice Pilot and Kenneth Harlan. Continue reading

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George Hodel: Ask Me Anything, November 2024

Here’s Boxie and I with this month’s “Ask Me Anything” on George Hodel.

In this session, I discussed Steve Hodel’s dismal attempt at handwriting analysis and bizarre claims that a woman named Romayne Goldsmith sold the Sowden House to George Hodel.

1940_1016_draft_registration_43995_04_00117-00333 Continue reading

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Movieland Mystery Photo (Updated + + + +)

Lobby card from Unknown Blonde, showing Edward Arnold, Dorothy Revier and Arletta Duncan. Duncan is wearing a frilly dress while Arnold wears a dark suit. Revier wears a glittery dress.

Lobby card for Unknown Blonde listed on EBay.


This week’s mystery movie was the 1934 film Unknown Blonde, with Edward Arnold, Barbara Barondess, Barry Norton, John Miljan, Dorothy Revier, Leila Bennett, Walter Catlett, Helen Jerome Eddy, Claude Gillingwater and Arletta Duncan. Continue reading

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Mary Mallory / Hollywood Heights: Lillian St. Cyr, ‘Indian Princess’ of Early Films

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Lillian St. Cyr, who took the name Princess Red Wing (frequently rendered as Redwing), Moving Picture World, 1912.


Note: This is an encore post from 2021.

Throughout much of her life, Lillian Margaret St. Cyr felt caught between two worlds as she tried to bridge Native American and white cultures, often feeling out of place in both groups. The daughter of a Native American mother and a father of mixed ancestry, she attended Indian schools that attempted to drain Native American beliefs, spirituality, and attitudes from their students rather than honoring and respecting their culture, leaving the young people feeling disrespected, lost, never fully succeeding in either culture.

Though St. Cyr was light-skinned, most whites considered her a Native American, while many indigenous peoples found her too white in her attitudes, dress, and way of talking. Not long after moving into the entertainment field, St. Cyr adopted the new persona and name Princess Red Wing to more easily “pass” and be cast in better, larger roles where she could provide positive role models of Native Americans to general culture. Continue reading

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‘Ask Me Anything’ on George Hodel – November 19

Reminder: Boxie and I will be doing a live “Ask Me Anything” on George Hodel and Steve Hodel on Tuesday, November 19, at 10 a.m. Pacific time on YouTube and Instagram.

Can’t make the live session? Email me your questions and I’ll answer them! The video will be posted once the session ends so you can watch it later.

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Movieland Mystery Photo (Updated + + + +)

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This week’s mystery movie was the 1953 Warner Bros. film Blowing Wild, with Gary Cooper, Barbara Stanwyck, Ruth Roman, Anthony Quinn, Ward Bond, Ian MacDonald, Richard Karlan and Juan Garcia. Continue reading

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Mary Mallory / Hollywood Heights: Samuel Fuller’s ‘Power of the Press’

Main Title: Lettering over newspaper press

In an age when most of the mainstream media shills for ratings, spectacle, and train wrecks, taking a look back at vintage films can often provide a sad window into how little history changes unless a determined, freedom-loving press like that which existed decades ago boldly acknowledges manipulative subversion and sedition when they see it. The 1943 B-movie “Power of the Press,” based on an original story by future legendary writer-director Sam Fuller, must decide how to confront fake news, isolationism, and win, as the country fought dictatorship and depravity in World War II, with timely echoes to today.

Like much of Fuller’s work, the film considers the role of the individual in overcoming adversity and treachery in fighting for freedom, conflicted if the fight is even worth it. Torn between cynicism and morality, the hero must weigh his independent values and the dream of an evenhanded society to overcome injustice and the threat of totalitarianism. While at this time Fuller mostly produced stories for B-unit films, he worked to introduce timely, hard hitting subjects into his work, giving viewers a kernel for thought in a swift 60-70 minute film.
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Black Dahlia: Ask Me Anything, November 2024

In the November 2024 Ask Me Anything on the Black Dahlia case, I talk about my work in progress, Heaven Is HERE! and my current focus on the coroner’s office.

SPOILER ALERT: I devoted a fair amount of time to discussing fiction vs. nonfiction, and the treatment of the Black Dahlia case in Michael Connelly’s latest novel, The Waiting.
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Mary Mallory / Hollywood Heights: ‘Your Girl and Mine’ Promotes Women’s Suffrage

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“Your Girl and Mine,” Moving Picture World.


Note: This is an encore post from 2015.

From the 1840s on, many women in the United States fought to vote. Considered merely chattel, like slaves, women were forced to endure horrible marriages, see their children taken away, and forbidden to work in most professions, the property either of their fathers or their husbands.

Women like Susan B. Anthony and Elizabeth Cady Stanton began fighting for woman’s suffrage, believing if women had the right to vote, not only would their rights and conditions improve, but so would that of those less fortunate: the factory worker, the slave, the foreign laborer. The states and country would be forced to look at conditions like economics, schooling, and social issues, rather than focusing on military and industrial issues. As Anthony stated, “Women, we might as well be great Newfoundland dogs baying to the moon as to be petitioning for the passage of bills without the right to vote.”

Mary Mallory is giving a virtual presentation on “Your Girl and Mine” on Aug. 19 at 7:30 p.m. PDT. Tickets are $7.50 for Hollywood Heritage members and $15 for nonmembers.

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Movieland Mystery Photo (Updated + + + +)

Main title: Lettering on woven fiber background and shadows of palm trees

This week’s mystery movie was the 1940 Warner Bros. picture Torrid Zone, with James Cagney, Ann Sheridan, Pat O’Brien, Andy Devine, Helen Vinson, Jerome Cowan and George Tobias. Continue reading

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Reminder – My Next ‘Ask Me Anything’ on the Black Dahlia Case Is November 5

Boxie and I will be doing a live “Ask Me Anything” on the Black Dahlia case Tuesday, November 5, at 10 a.m. Pacific time, on YouTube and on Instagram. Continue reading

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Mary Mallory / Hollywood Heights: Dr. Caligari and the Rise of American Nationalism

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Note: This is an encore post from 2022.

Robert Wiene’s The Cabinet of Dr. Caligari, described by film critic Roger Ebert as the “first true horror film,” still wows audiences more than 100 years after creation due to its high artistic values and nightmarish, foreboding atmosphere. Reflecting as well as foreshadowing political events in Europe at the time, the story of its first release in Los Angeles in May 1921 also mirrors our current political environment.

Released in Germany to huge acclaim in 1920, The Cabinet of Dr. Caligari popularized the Expressionist Style of filmmaking through its otherworldly depiction of the depraved psyche and nightmarish anxiety of its lead character. An offshoot of the revolutionary early twentieth century art form cubism, which embraced an abstracted and multidimensional presentation of reality, Expressionism symbolically explored the madness and nightmarish qualities of an anxiety-filled, suspicious culture. Continue reading

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Movieland Mystery Photo (Updated + + + +)

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This week’s mystery movie was the 1938 Twentieth Century-Fox film Happy Landing, with Sonja Henie, Don Ameche, Ethel Merman, Cesar Romero, Jean Hersholt, Billy Gilbert, Raymond Scott Quintet, Wally Vernon and Leah Ray. Continue reading

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Movieland Mystery Photo (Updated + + + +)

Main title: Lettering over blurred background.

This week’s mystery movie was the 1949 film Lost Boundaries, with Beatrice Pearson, Mel Ferrer, Susan Douglas, the Rev Robert H. Dunn, Richard Hylton, Grace Coppin, Carleton Carpenter, Seth Arnold, Wendell Holmes, Parker Fennelly, Ralph Riggs, William Greaves, Rai Saunders, Leigh Whipper, Morton Stevens, Maurice Ellis, Alexander Campbell, Edwin Cooper, Royal Beal and Canada Lee. Continue reading

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Mary Mallory / Hollywood Heights — Henry Armetta, Excitable Support

Henry Armetta

Henry Armetta, courtesy of Mary Mallory.



I
n many films of the 1930s and 1940s, what audiences remember most are the one-of-a-kind supporting players, with vibrant personalities, colorful ways of talking, recognizable tics and dramatic looks. Many of these people came to be called “picture stealers,” because their antics stood out in entertaining ways.

As an April 7, 1935, Los Angeles Times story put it, “Many of these men are middle-aged and so true to a “type,” according to movie standards, that they will continue to enact typical roles until they pass from the scene. They command good salaries, may only work a week on a picture, but are considered indispensable by casting directors.” One of these popular actors was the frantic and excitable Henry Armetta.

Mary Mallory’s “Hollywoodland: Tales Lost and Found” for the Kindle is available from Amazon.

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