
Clara Bow in Kid Boots (1926).
The Los Angeles Silent Film Festival achieved remarkable success for its debut the weekend of September 12-14, drawing large, young, and enthusiastic crowds eager for silent films. Organized as “a celebration devoted to the artistry, innovation, and enduring power of silent cinema,” the festival screened a combination of well known classics and recently restored films, offering a little something to please everyone. Produced in conjunction with the American Cinematheque and Mount St. Mary’s Department of Film, Media and Communication, organizers Thomas Barnes, founder of Retroformat Silent Films, Kelby Thwaits, Director of Graduate Programs in Film, Television, and New Media at Mount St. Mary’s, and filmmaker Brooke Dammkoehler, the LASFF revealed the power of silent films to still emotionally speak to us today.
Over the weekend, the Festival recognized two archivists for their contributions to the field. Renowned author and respected film historian Anthony Slide received the LASFF Award for Film Scholarship to recognize how his “research and writing have rescued films, artists, and stories from obscurity.” For more than 50 years, his erudite research, audio commentaries, essays, and writing of such books as Lois Weber: The director Who Lost Her Way in History and The Silent Feminists have educated cinemagoers and deepened their understanding of the workings of the silent film industry and its founding pioneers..
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