
A lobby card for “Too Late for Tears,” listed on EBay as Buy It Now for $75.
For 16 years at Hollywood’s Egyptian Theatre, the Film Noir Foundation has been presenting Noir City, a dedicated look at the evil underbelly of the human psyche, not only in Southern California, but now, all over the world. As usual, the festival pairs up films to highlight actors, locations, themes or interesting dichotomies and this year travels the world to reveal human depravity around the globe.
This year’s opening weekend films focused on petty crooks, slimy slicksters, two-faced plotters and double dealings, all featured in glorious shades of black and white, both in delicious 35-millimeter film prints and pristine digital restorations.
Opening night, March 21, showcased the shady shenanigans of droopy-eyed Dan Duryea and his fellow fraudsters. Long sought after by noir aficionados, “Too Late for Tears” opened the Hollywood Fest after a five-year search and rescue operation by the Film Noir Foundation. The film was carefully restored from a multitude of sources for its physical rebirth.
Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.
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