
Joseph Cotten, left, in “Too Much Johnson.”
The Academy of Motion Picture Arts and Sciences and Los Angeles County Museum of Art opened their salute to Orson Welles Saturday, May 3, 2014, by screening the first films ever made by the famous director, “The Hearts of Age” and “Too Much Johnson.” Both demonstrated his great visual flair and theatrical storytelling while also providing evidence of his propensity for overreaching. “Too Much Johnson” shows a young filmmaker finding his way and gaining a love of his craft while also attempting to juggle too many plates.
RESTORATION
George Eastman House video on restoring “Too Much Johnson’”
ORIGINAL MUSIC (via Spotify)
Paul Bowles’ “Music for a Farce” I
Paul Bowles’ “Music for a Farce” II
Paul Bowles’ “Music for a Farce” III
Paul Bowles’ “Music for a Farce” IV
Paul Bowles’ “Music for a Farce” V
Paul Bowles’ “Music for a Farce” VI
Paul Bowles’ “Music for a Farce” VII
Paul Bowles’ “Music for a Farce” VIII
Before the films, AMPAS’ managing director of programming and education, Randy Haberkamp, led a panel discussion featuring Annette Melville of the National Film Preservation Foundation, Andrea Kalas of Paramount and Bruce Barnes, director of the George Eastman House, relating the background and history of this film, once believed to be lost. Discovered serendipitously in a Pordenone, Italy, warehouse in 2005, “Too Much Johnson” was repatriated to the United States and given to George Eastman House. After major damage was discovered to Reel 2, Haghefilm in the Netherlands executed a magnificent restoration and preservation, saving the reel. 99-year-young Norman Lloyd stole the show, however, regaling the audience with humorous tales of working with Welles as part of the Mercury Theatre in 1938.
Mary Mallory’s “Hollywoodland: Tales Lost and Found” is available for the Kindle.





















