Trouble Was His Business — Raymond Chandler




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The Times’ Robert R. Kirsch reviews Philip Durham’s "Down These Mean Streets a Man Must Go," Dec. 11, 1963.

Kirsch says: Raymond Chandler "was one of a small group of writers who used Los Angeles in the regional sense. The setting — from Pasadena to Santa Monica, from Hollywood to the Malibu Hills — was crucial to his work. Its places and people provided the stage and characters, and even the poetic mood. It was an ambivalent relationship. At times he loved the place; at other times he hated it. But it was always there.

"And as George P. Eliot once wrote: ‘If you want the feel and aspect of Los Angeles and vicinity in the ’30s, ’40s and early ’50s you could hardly do better than to read his fiction.’ " 


Posted in books, Film, Hollywood, Raymond Chandler | Comments Off on Trouble Was His Business — Raymond Chandler

George Garner Rediscovered



The Garner Concert Jubilee Company, in a photo from a promotional brochure.

I’ve been able to gather some more information about George Robert Garner, a Pasadena choral director and singer who was the first African American to solo with the Chicago Symphony Orchestra.Frank Villella, archivist with the Chicago Symphony Orchestra, says:

Tenor George Garner appeared with the Chicago Symphony Orchestra on one occasion, on a Popular Concert at Orchestra Hall on March 25, 1926.  He sang “On away! Awake Beloved” from Samuel Coleridge-Taylor’s Hiawatha’s Wedding Feast (Frederick Stock, our music director, was the conductor). Unfortunately, there was no biography or photograph of Garner included in the program book for that concert.

According to an article in The Chicago Defender (from April 3, 1926; see attached), Garner was “the first soloist of our Race to appear with the Chicago Symphony Orchestra.”  Also according to the article, Garner sang the “Lament” (presumably “Vesti la giubba”) from Leoncavallo’s Pagliacci as an encore. Continue reading

Posted in #opera, Music, Stage | 1 Comment

Found on EBay — Dodger Ticket for Campanella Benefit, 1959

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Los Angeles Times photo

Roy Campanella is honored during a benefit game between the Dodgers and the Yankees.

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Campanella_ebay
This ticket from the benefit game for Roy Campanella, May 7, 1959, has been listed on EBay. Bidding starts at $9.99.
Posted in Dodgers, Front Pages, Sports | Comments Off on Found on EBay — Dodger Ticket for Campanella Benefit, 1959

Matt Weinstock — March 6, 1959




Lost Chords

Matt_weinstockd_3
A PTA meeting at Center Avenue Elementary School in Inglewood opened
Tuesday with a salute to the flag, after which the audience remained
hushed as a Girl Scout choral group assembled for a song and the
accompanist approached the baby grand piano.

The accompanist raised the keyboard cover. She lifted the movable music rack. A puzzled expression came over her face.

She tried them again, then crouched and peered underneath, then into
the instrument. She was no longer merely puzzled, she was baffled, even
desperate.

At this point Principal Irene Hoban went to the rescue and, amid laughter from the many community youth groups present, joined in the search.

In a moment Miss Hoban announced that some men scheduled to give
the auditorium a much-needed renovation had apparently started the job
that 1959_0306_red_streakafternoon without her knowledge, by removing the piano keys.

But all went well nevertheless. The choral group sang without
accompaniment and the proceedings were graced throughout with a nice
light tone.

* *

ANYONE WHO has visited General Hospital knows about the
colored lines on the floors and sidewalks which help people find their
way from one section to another.

The other day staff members at the City Health Department’s new center at 2032 N Marengo
Street, a short distance from the hospital, were surprised to see
several persons dodging traffic in the middle of the street. They
turned out to be patients instructed to follow a line from the main
hospital to the children’s unit. Somehow they’d gotten off the line and
onto the center white line. They 1959_0306_duncanwere retrieved in the nick of time or
doubtless they would be hiking out Highway 66.

* *

CORRECTION
He who hesitates is lost,
They taught me that in school.
But that is wrong I learned today-
They hadn’t filled the pool.
G. C. McHose

* *


WHEN HE WAS
16, Steve Allen writes in Look, he bummed around the country and learned what hunger and poverty meant.

"I remember walking along a road in California one day and finding a
half-empty can of beans by the side of the road. I picked it up but was
disappointed to see that it was crawling with ants. Within seconds I
had shaken and blown the ants out of the can and finished the beans."

A
remarkably forthright statement from a man in a realm where everyone is
supposed to have a fairy godmother arranging his life.

* *

BANK NOTES — Two
women met in a Sunset Boulevard bank and Frank Barron heard one say,
"Isn’t it funny, the only time I ever see you lately is either here or
at the drugstore." "Yeah," the other said wryly, "every time I make a
withdrawal I get sick" . . .  A woman cashing a check in a Westwood
Village bank asked for new $1 bills. The teller told her she didn’t
have 25 new ones but could give her new fives. "Oh no," the woman said,
"then I’d have to take dirty bills in change somewhere else."

* *

1959_0306_abby
AROUND TOWN–

Larry Brown of the SC golf team misfired a ball over the fence at
Wilshire Country Club and was looking forlornly at it when an officer
in a patrol car came along Beverly Boulevard, took in the situation,
stopped and tossed it over the fence. Yep, the long arm of the law . .
. As anyone could have guessed, votes against the death penalty in this
paper’s poll on capital punishment have been received from rogues
signing Caryl Chessman, Harvey Glatman , Stephen Nash and Elizabeth
Duncan . . . Anyone else notice that the newspaper photos of the
collapsing Vanderbilt Apartments, 334 S Figueroa St., showed a scrawled
"Z for Zorro" on it? . . . The magazine Thy Kingdom Come, which
circulates among flying saucer groups, has the slogan "Be active today
or radioactive tomorrow" . . . A mortuary ad in El Pueblo offers a
"courtesy discount" to city employees.  

Posted in Columnists, Matt Weinstock | Comments Off on Matt Weinstock — March 6, 1959

Paul Coates — Confidential File, March 7, 1959


CONFIDENTIAL FILE

Inactivated Barber Makes Superb Clip

Paul_coates_3
Any man who can overcome a handicap like an underactive thyroid and make a name for himself in show business, is, in my book, all right.

Therefore, to wit, I like Perry Como.

True, he makes me yawn. But it’s not because he, personally, bores me, personally.

It’s just that — as anybody knows — yawning is contagious.

The reason I mentioned Perry in the first place is because I read a significant item about him in yesterday’s paper.

According
to the story, he got together with a few Kraft Food Co. moguls over
some pimento cheese spread and crackers, and signed a television
contract which will gross him $25 million in the next two years.

1959_0306_golden_globesFrankly, I’m happy for Perry.

If the Kraft Food Co. thinks he’s worth that much, that’s their business. Maybe his mother values him even higher.

The only thing I’m against is the indelicate way his press agent blabbed it all over town.

It’s making a bum out of the rest of us. Collectively.

All over America today, wives are glaring meaningfully at their husbands, most of whom have perfect thyroids.

The equilibrium of the American home has been upset, just because Perry and his new bosses couldn’t keep a secret.

Twenty-five million dollars is a lot of money — more than some of us earn in a whole lifetime.

But personally, I’m not envious.

In fact, if I’d been sitting at that negotiation table in place of Perry, I’m not so sure that I would have signed.

Certainly, I would have checked into my prospective employers a little more carefully than he did.

I would have found out, for example, something about working conditions.

There are some cheeses I don’t like the smell of. I’d make sure there weren’t any of those stacked around near my desk space.

Then, there’s the matter of paid vacations. Fringe benefits. Promotion programs. And coffee breaks.

What
I’m trying to say is, the salary’s all right. But it’s the little
considerations that really make an employee feel comfortable, feel
wanted, in his job.

In a Cheesey Sort of Way

As for future prospects with the company, I guess that Kraft is a solid-enough organization.

But remember, the contract that Perry signed was for television shows.

Granted, the medium of television is a pretty popular one right now.

It’s new, though. Sort of in the fad stage.

1959_0306_cohen_2That’s the final point, which I wonder if Perry bothered to take into consideration:

Is television here to stay?

But come to think of it, even if TV isn’t here to stay, Perry’s got it made.

He could always go back to being a barber and, at the price of haircuts today, he’d still be a millionaire.

Posted in broadcasting, Columnists, Mickey Cohen, Paul Coates, Television | Comments Off on Paul Coates — Confidential File, March 7, 1959

We’re Twittering — and on Facebook!

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We may delve into the past, but we also try to be up to date. "Throwback" Thursby got us on Twitter. So I upped the ante and created a Facebook page.
Posted in @news, Fashion, Film, Hollywood, LAPD, UFOs | Comments Off on We’re Twittering — and on Facebook!

In the Theaters — March 6, 1920




1920_0306_theaters

Posted in Film, Hollywood | 1 Comment

Trouble Was His Business — Raymond Chandler




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1940_1020_farewell_my_lovely

I hate to say it, but as far as I can tell, The Times didn’t review Chandler’s second novel, "Farewell, My Lovely," at left. We did review the 1945 film, however.

1945_0402_murder_review

 



Posted in books, Film, Hollywood, Raymond Chandler | 1 Comment

Movie Star Mystery Photo


1924_0816_bronson

Our mystery movie star is Betty Bronson, who died in 1971. Her last film was "Evel Knievel."  Eve Golden also points out that she appeared in an episode of "Marcus Welby" not listed on imdb. 

Check back Monday for another Movie Star Mystery Photo!

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Los Angeles Times file photo
Just a reminder on how this works: I post the mystery photo on Monday and reveal the answer on Friday. To keep the mystery photo from getting lost in the other entries, I move it from Monday to Tuesday to Wednesday, etc., adding a photo every day. I have to approve all comments, so if you’re wrong your guess will be posted. If you’re right, you’ll have to wait until Friday. There’s no need to submit your guess five times. Once is enough. The only prize is bragging rights. 

The answer to last week’s photo: Pier Angeli.

2009_0303_mystery_photo

Los Angeles Times file photo

Betty Bronson in Paramount’s "Ritzy" in a photo dated 1927.

Here’s another picture of our mystery woman. Please congratulate Eve Golden, Anne Papineau and Sophie at UCLA, who correctly identified her. Remember, only post your answer once–all comments must be approved, so there’s no point in submitting "Barbara Stanwyck" six times. The answer won’t be revealed until Friday, so if your guess is published before then, that means you’re wrong. 

2009_0304_mystery_photo

Los Angeles Times file photo

Betty Bronson in 1932.

Here’s another photo of our mystery woman. And congratulations to Tom in ATL, Juile, Dru Duniway, Valerie Kline, Lisa R, Molly, Randolph Man, Pauli, LicaPP, Douglas Kroger, Burger, Donna, Jennie Bucks, Allan Ellenberger and Photonic, who have identified her.

Please remember, I don’t publish the identity until Friday so if the guess has been posted, it’s wrong. That would be Theda Bara, Clara Bow, Lillian Gish, Fay Wray, Mary Pickford, Rosalind Russell, etc.

And to the person who said this was too easy…. Perhaps not. 🙂

2009_0305_mystery_photo

Los Angeles Times file photo

Betty Bronson, about 1936.

This photo of our mystery woman was taken a bit later in her life. She left movies to get married and have a family. Then she decided she wanted to return to films–which she did!

Congratulations to Lee B., Theodora Fitzgerald, Randy Skretvedt, Rahuna, Sandy R. and Brent Walker, who correctly identified her.

2009_0306_mystery_photo

Los Angeles Times file photo

Betty Bronson and Daniel Mann during production of "Who’s Got the Action?"

2009_0306_mystery_photo_02

At left, here’s our mystery woman in 1962 with director Daniel Mann. He noticed her name in the studio’s casting office after she decided to supplement her income by returning to films.

She is Betty Bronson, perhaps best known for her role in the silent version of "Peter Pan," above  Unfortunately, our photo from that film was cut down and heavily repainted by The Times’ art department.

Posted in Film, Hollywood, Mystery Photo | 315 Comments

Voices — Sydney Chaplin, 1926 – 2009




1971_1226_sydney_chaplin

By Valerie J. Nelson
March 6, 2009

Sydney
Chaplin, an actor who experienced his greatest success on stage,
earning a Tony Award for starring in the late 1950s musical "Bells Are
Ringing," died Tuesday. He was 82.

Chaplin, the oldest surviving
child of film legend Charlie Chaplin, died at his Rancho Mirage home of
complications following a stroke, said Jerry Bodie, a longtime friend.

Read more >>>

Posted in Film, Hollywood, Obituaries | 1 Comment

March 5, 1959: Blinded by Bullet, Officer Shoots Gunman Who Killed Partner

March 6, 1959: Three die, Three Wounded in L.A. Gun RampageMay 3, 1954: Police artist Ector Garcia drawing a subject.Through the 1950s, Police Officer Ector A. Garcia became a minor celebrity for producing sketches of crime suspects that were astonishingly accurate. But he wanted the excitement of being on the streets and that’s what he got.

Garcia and his partner, Detective Jose L. Castellanos, were working homicide
March 5, 1959, when they got a call that a gunman had gone on a deadly rampage at an East Los Angeles restaurant and was probably heading for the home of his estranged wife.

The gunman ambushed the detectives as they escorted the woman and her uncle to safety, killing Castellanos instantly. Although Garcia was struck by a shot that “seared across his eyes,” the police artist was able to return fire, killing George J. Arevalo, 2844 Whittier Blvd.

“We always knew he would do something like this,” Arevalo’s wife said. “He would go crazy every time he drank. Last March 27 we separated because of his drinking. He
told me when he left he would come back some day and kill the children and me.” Continue reading

Posted in #East L.A., art and artists, books, Front Pages, Homicide, LAPD | Comments Off on March 5, 1959: Blinded by Bullet, Officer Shoots Gunman Who Killed Partner

Found on EBay — Hollywood Boulevard

View Larger Map

Hollywood_postcard

Notice that there’s no traffic signal at Highland, just a stop sign.
This postcard of Hollywood at night, showing the neon signs on Hollywood Boulevard, has been listed on EBay. Bidding starts at $5.99. I suspect my crime buddy Nathan Marsak can give the history of every sign in this picture, starting with Coffee Dan’s (6776 Hollywood Blvd.) and the Pickwick bookstore, 6743 Hollywood Blvd.   
Posted in Architecture, Hollywood | 2 Comments

Matt Weinstock, March 5, 1959




Panes in Stomach

Matt_weinstockd
First let it be stated that G.K. Williams, editor of the Coronado
Journal, and Jane Reed, his assistant, are known by me to be utterly
reliable. Now go on.

They depose, on a stack of pancakes, that one day recently a red
convertible parked in front of their office. In the front seat of this
convertible was an Irish setter. While they watched, aghast, the Irish
setter began munching on the partially lowered glass of the right front
window.

While it was chawing away a lady in scarlet capris who, they
further depose, was not the type to be wearing them, appeared and
exclaimed, "You naughty dog! This is the fourth window you’ve eaten
this week!"

* *

1959_0305_teens
SPEAKING OF
windows, this scrawled message was posted in
the Burbank courthouse: "I do odd jobs like cutting yards, washing
windows. I charge $1 an hour" — with name and phone number.

* *


SHORTLY
after the polar satellite Discoverer I was sent aloft at Vandenberg Air Force Base Saturday Grant Holcomb of KNXT interviewed a high officer at the base about it.

The officer was explaining the missile’s intricate mechanism when George Hause,
sound man, broke in with, "Say, do you mind not using all that
technical jazz? Only the kids understand it, and this is a news program
for adults."

* *


BEFORE
taking off for Seattle on the 6 a.m. plane at International Airport the other day, Mark A. Kunkel of North Hollywood signed up for the maximum casualty flight insurance.

The girl at the desk looked at the form and said, "You haven’t filled in the name — who would you like as beneficiary?"

Still a little sleepy, Mark gave his own name.

"But that’s you, isn’t it?" she said.

Coming fully awake, he replied, "I guess when I made it out I believed in the hereafter."

* *


ONLY IN L.A. —
Two untidy gentlemen brought a jug of muscatel in a W 7th
Street liquor store and as one of them crumpled the paper bag and threw
it into the street a police car with siren screaming and red light
flashing bore down on them. "Man, they sure enforce that litterbug
law!" he exclaimed, retrieving it. But when the police car went past,
en route to a bank robbery at 7th and Hoover, he threw it away again.

* *


1959_0305_teens_ro
ABOUT A
week ago some pinups, mostly art studies from
Playboy, which circulates through the mails, appeared on the hitherto
pure walls of the new police buildingpressroom . A day or two later the
chief strolled in and frowned at them. Yesterday the reporters were
handed this ultimatum: "The ‘art’ work on display on this wall will be
removed forthwith, immediately and without delay. By order of Arthur H.
Hohmann, deputy chief of police."

My, my, such redundancy.

* *

IDES OF MAY
"Crewshoff" again sounds off.
His talk, with threats, just bristles:
Perhaps we shouldn’t scoff
As he flexes his muscled missiles.
— G. L. ERTZ


* *



1959_0305_abby
AT RANDOM —
A jagged hunk of iron fell off a truck on
Harbor Boulevard near Francisco Street and after about 40 cars swerved
around it, a woman stopped her Cadillac and, though wearing white
gloves and a stole, picked it up and tossed it into theiceplant . . . First message to go out on Transmit, the new teletype service, was inadvertently a letter Glen Eaken
, sales manager, wrote to his wife in Seattle. He wrote it so he could
send her the transmission tape to show how the service worked. He
didn’t know the line was open . . . Western Costume, which rents many
of the outfits for TV westerns, calls outlaws’ clothes "varmint’s
garments" . . . A patient inSawtelle Veterans Hospital puts it this way: "They gave up on me but I won’t give up." 

Posted in Columnists, Paul Coates | Comments Off on Matt Weinstock, March 5, 1959

Paul Coates — Confidential File, March 5, 1959




CONFIDENTIAL FILE

Big Money Bonanza Fails to Pay Off

Paul_coates_2
LeRoy McFarland of Huntington Park, has a money mine.

It’s in his back yard. He just discovered it.

It’s a lively one — chock full of coins, thousands of them.

From France, India, Burma, China, Germany, the United States, Mexico. Even Russia.

Big coins. Little coins. Copper coins. Silver coins.

Some of them real old. They date back to 1802.

Valuable, no doubt.

Looking at it objectively, it’s about as good a money mine as anyone could ask to find in his back yard.

1959_0305_cover
But those aren’t exactly LeRoy’s sentiments.

LeRoy hates his money mine. Hates it with a vengeance.

Little Treasure Island

LeRoy,
who’s 32, manages an apartment court at 5917 Compton Avenue. The way it
happened — the way he stumbled onto his cache — is that last Sunday
night he was cleaning up one of the carports at the rear of his
property.

There was a piece of tin dividing two of the ports which he wanted to remove.

He got a shovel and started digging.

When he got about a foot deep, he noticed that there were a few coins mixed in with the dirt. Nothing much.

A British farthing or two. A ten-franc piece. Some Mexican centavos.

But is whetted LeRoy’s curiosity.

He dug deeper. And he found more coins.

Tenants Join In

1959_0305_williams
About
a foot and half down he began running into little bags of them. Some
were wrapped in a plastic material. Others in rotting burlap.

Several of LeRoy’s tenants — surprised to see him digging and working so diligently — were attracted to the scene.

They pitched right in and helped him.

Within an hour, LeRoy had a five-gallon can full to the brim with dirty money.

Figuring
he’d done enough spading for the night, he closed up his money mine
with loose dirt, and lugged the can of treasure inside. There, he
washed it, filling a dishpan with about 40 pounds of clean coins.

Then, with his sister, Ida May, and a girlfriend of hers, he headed to the home of his father-in-law, Bert Johnson, at 5124 E 60th Place, Maywood.

Bert,
an amateur coin collector, got out his magnifying glass. Some of the
pieces were badly worn. Others were mutilated. There were a few with
the face of a U.S. penny on one side and the tail of a dime on the
other.

There was one inscribed "Gold Cup Handicap, one free play, Ocean Park," plus some streetcar tokens and some kids’ play money.

Mr. Johnson suggested that LeRoy take the whole dishpanful to the police.

1959_0305_duncanLeRoy took his advice, and that’s when his troubles started.

With the two girls, he arrived at the Huntington Park Police Station at about nine o’clock.

The whole station house was fascinated by LeRoy’s discovery.

A
sergeant contacted the FBI, and then, in turn, some Secret Service
agents for the Treasury Department. The agents told the police to hold LeRoy and his friends until they got there. 

LeRoy was led back to an interrogation room, while the girls remained up front. It was getting late.

Ida May, LeRoy’s sister explained to one of the officers that she had to get up at five in the morning to go to work.

"Do I have to stay here, too?" she asked.

"Everybody stays," replied the officer. "Those federal boys have it over us. If they say hold you, we hold you."

Ida May Talks

Ida
May is a very pretty girl. She’s a good talker, too. She explained her
problem to a couple of sergeants, and finally, they relented. She and
her friend could go home.

"Now, if I could just see my brother for a minute," she said. "I need to borrow a dollar from him for my bus fare tomorrow."

"Oh, no," answered the officer. "Nobody’s talking to him until the feds do."

1959_0305_kennedy_part1"In that case," Ida May cried indignantly, "when I go home, I’ll get a shovel and just dig up another dollar."

The police let Ida May borrow a dollar from her brother.

An officer drove the two girls home. When he returned to the station, the federal agents were there, busy with LeRoy.

There’s More

The officer broke into the interrogation session and sprinkled two more handfuls of coins into the dishpan.

"He’s got a real mint back there in the yard," beamed the officer. "I got this just turning that shovel a couple of times."

At midnight, the Treasury agents were through with LeRoy. "We’ll take the coins," they explained.

"All right," LeRoy agreed. "Would you give me a receipt for them?"

"No, sir," answered the agent. "Those belong to the government now."

"But I found them," protested LeRoy. "You can keep the mutilated ones, I just want the foreign coins back."

Peril of Jail

"No,"
was the final answer. "And if you dig up any more coins, you’ve got to
give them to us. Understand? If you hold out so much as one coin, you
can get 10 years in jail for it."

LeRoy understood. Meekly, he requested his dishpan back. Here, the agents conceded.

Then
they followed him home, briefly examined his money mine, and told him
that they suspected the bulk of the loot came from vending machines.

1959_0305_kennedy"The foreign coins too?" LeRoy
asked. "Most of them were foreign coins." Then he related a story about
what happened to him when he was digging in the rear of the car port
two weeks earlier.

Stacks of Bills

"It might be
significant," he said, "although I didn’t think anything about it at
the time. I dug up two bundles of moldy paper. Shaped just like stacks
of bills. I didn’t examine them, though. I just shoveled them into the
trash."

The Secret Service here today indicated it has been
busy on several major counterfeiting investigations — and was a little
amazed at some of the stories going around about the coins.

"Nobody asked for a receipt and the man seemed anxious to get rid of his find," Special Agent Guy Spaman said.

"We
haven’t had a chance to go through much of the stuff, but so far we
haven’t found more than 15 cents in actual U.S. money value," he
continued. "Whether some of the foreign coins might be worth more than
their face value, I don’t know."

Felony Angle

What interests the Feds, and they figure McFarland should be interested, too. Possession of coinlike pieces of metal that could be used in a coin machine is a felony.

In
fact, they theorize that somebody who operates such machines probably
buried the collection of slugs and coins to make sure they didn’t show
up in his coin machines again.

"Nobody said he couldn’t dig any more," Spaman said. "But if he finds that type of mutilated coins or coin shapes again, the law remains the same."

Posted in Columnists, Matt Weinstock | Comments Off on Paul Coates — Confidential File, March 5, 1959

In the Theaters — March 5, 1918




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Posted in Film, Hollywood, Music, Stage | 1 Comment

Trouble Was His Business — Raymond Chandler



1939_0219_big_sleep_2

Feb. 19, 1939: "The Big Sleep," reviewed in The Times by Wilbur Needham, a name Chandler might have used for one of his characters. Needham and his wife, Ida, operated Needham Book Finders at 2317 Westwood Blvd.

Note: To mark the 50th anniversary of Raymond Chandler’s death, the
Daily Mirror is revisiting some of The Times’ stories about his life and
influence. We invite the Daily Mirror’s readers to share their thoughts.

Posted in books, Film, Hollywood, Raymond Chandler | Comments Off on Trouble Was His Business — Raymond Chandler

Rediscovering George Garner, March 5, 1939




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From The Times, Feb. 12, 1933.

1939_0305_garner
Seven lines of type in the March 5, 1939, issue of The Times unspooled
into quite a story. If the beginning of the tale is a bit unclear, the
end is even more enigmatic. All we’re left with is the great middle.

The focus of our story is the Rev. George Robert Garner III, who
achieved so many firsts in his lifetime that it’s remarkable so little has
been written about him:

Garner was the first African American to solo with the Chicago Symphony Orchestra, c. 1927.

He was the first African American teacher in Pasadena.

He was the first African American lead in a production at the Pasadena Playhouse.

1934_0701_george_garnerAccording to a 1933 interview in The Times, Garner was born in Chicago and his father was the longtime butler of the Timothy Blackstone household.
According to a 1932 Time magazine feature, Garner sold papers, worked as a bellhop and sang in the choir at Olivet Baptist Church as a young man.

Although Garner was clearly talented, his father opposed a career in music,
insisting instead on something more practical. Garner
eloped with a young musician (presumably pianist Netta Paullyn/Paullyin
Garner) and eventually won the financial support of Mrs. Blackstone and
other arts patrons so that he was able to study in England for six
years.

By 1933, Garner had arrived in Pasadena. The next year, he became the
first African American to star in a production at the Pasadena
Playhouse, "Finder’s Luck," by Alice Haines Baskin. By that time he had
established the George Garner Negro Chorus, which performed concerts at
the Rose Bowl and took part in the first performances of a choral symphony by David Broekman titled "Harlem Heab’n." The chorus was also recognized for performances at expositions in San Diego and San Francisco.

Garner also began the Negro Music Research Foundation, 470
Blake St., Pasadena. Unfortunately, The Times wrote very little about
it except to say that the goal was to preserve spirituals. The group
later opened a center at 440 N. Westmoreland, Los Angeles.

According to a 1938 article in The Times, Garner received a bachelor’s
degree in music education at USC and became Pasadena’s first African
American teacher.

There’s very little about him in The Times in the 1940s except that he
led an interracial chorus that performed Dubois’ "Seven Last Words of
Christ" for Palm Sunday, 1947. The Times critic described Garner as
"one of the city’s outstanding Negro choral directors."

1953_0531_george_garner
Interesting enough, by 1949, he appears as the Rev. George Robert
Garner III in The Times, which says he was regional director of the
National Assn. of Negro Musicians. He delivered the invocation at a
1953 Republican fundraiser and campaigned in Illinois for the
Eisenhower-Nixon ticket.

In the 1950s, he was music critic and arts editor for the Los Angeles
Sentinel, a weekly serving the African American community, and the
conductor of an interfaith chorus sponsored by the Pasadena YMCA.  He
was also a leader in the Los Angeles County Forum Lyceum.

In 1959, the Los Angeles County Board of Supervisors honored him as
executive vice president of the George Garner Music Research Center of
Pasadena. He was also recognized as the founder of the Pasadena Assn.
for the Study of Negro Life and History, which was founded in 1937 and met
at First Methodist Church, 500 E. Colorado Blvd.

What became of him after that is unclear. California death records list
a George R. Garner dying Jan. 8, 1971, but it’s not certain if this is the
same man. The only current reference I can find is a chapter of the National Assn. of Negro Musicians in Altadena that’s named for him.

One nice thing about history blogging is that questions can be
open-ended. I’ve asked the Chicago Symphony Orchestra about Garner’s
historic performance and I’ll be interested to see what else turns up.
And then there’s the citations at the Pasadena Public Library. If I get a chance I’ll take a look and see if I can fill in some of the blanks.


Posted in classical music, Music, Stage | 2 Comments

Found on EBay — Tick Tock Restaurant

Ticktock_ebay
This postcard of the Tick Tock restaurant, onetime Los Angeles landmark at 1716 N. Cahuenga, has been listed on EBay. Bidding starts at $5.99.
Posted in Architecture, Food and Drink | 1 Comment

Voices — Horton Foote, 1916 – 2009





Horton_foote

Photograph by Carolyn Cole / Los Angeles Times

Horton Foote at New York’s Booth Theatre, where his "Dividing the Estate" was being performed, Oct. 11, 2008.

Horton Foote: "I Stick With It"

* Theater * The playwright, 86, keeps very busy and has won a new
fan at SCR, where his ‘Getting Frankie Married’ world-premieres.

March 29, 2002

By MIKE BOEHM, TIMES STAFF WRITER

Horton Foote achieved his first great success in the theater by laying on the histrionics.

That
was some 70 years ago, when he was a schoolboy from Wharton, Texas,
competing in a statewide drama contest. The play, he recalls, was about
three college roommates. He was the one with the bad drug habit.

"He
needed a fix, and I remember [performing] this catastrophic breakdown
onstage," Foote recalled. "When it was all over, the judges called my
teacher over and said, ‘Is that boy afflicted, or is that acting?.’ She
said it was acting, so they gave me first prize."

Somewhere
along the line, Foote changed his tack. By his mid-20s he had concluded
that writing, not acting, was his true calling. And since 1940, when
his first play was produced, he has secured a niche as an admired,
Pulitzer Prize-winning dramatist who eschews stage histrionics and
invites audiences to absorb the subtle, detailed ebb and flow of life
in Harrison, Texas, the fictional small town modeled on Wharton where
his stories unfold.

On March 14, Foote spent a chunk of his 86th
birthday at New York City’s Lincoln Center, where his play "The
Carpetbagger’s Children" was in rehearsals for its New York premiere
this week. After the opening, he was planning to take a day off, then
fly to Costa Mesa in time for tonight’s first preview performance of
another new play, "Getting Frankie Married-and Afterwards," at South
Coast Repertory.

"I love the theater, and I’m always there" when
a major production is gearing up, Foote said over the phone recently
from a New York hotel room. "I’m sure I’m a bother, but there I am. I
stick with it."

Foote is five months younger than his more
famous, and similarly still productive peer, Arthur Miller. But Foote
has a four-year head start on Miller when it comes to getting plays
produced: Miller’s debut didn’t come until 1944, with "The Man Who Had
All the Luck." (Miller’s next play, "Resurrection Blues," opens Aug. 9
at the Guthrie Theater in Minneapollis.)

Foote has written more
than 60 plays. He won the Pulitzer for his 1994 drama, "The Young Man
From Atlanta." He won Oscars for his adaptation of Harper Lee’s "To
Kill a Mockingbird" and his original screenplay for "Tender Mercies."
He won an Emmy for his TV adaptation of William Faulkner’s story "Old
Man." In 2000, President Clinton awarded him a National Medal of Arts.

And now, finally, he has stuck with it long enough to see one of his plays produced on a major Southern California stage.

Overlooked in Southland Until a New Fan Emerges

His
work has been done occasionally here in small theaters. But until South
Coast Repertory secured the world premiere of "Getting Frankie
Married," the area’s leading resident companies-including the Mark
Taper Forum, Ahmanson Theatre and Geffen Playhouse in Los Angeles, the
Globe Theatres and La Jolla Playhouse in San Diego County and the
Laguna Playhouse, Pasadena Playhouse and South Coast itself-had been
pitching a career shutout against Foote.

Martin Benson, the
South Coast artistic director and director of "Getting Frankie
Married," acknowledges having overlooked Foote until the playwright’s
agent sent the "Frankie" script about 18 months ago. Benson went for it
immediately. Now he is reading his way through the Foote oeuvre, with
an eye toward producing more of his scripts–"The Trip to Bountiful,"
which was made into a movie with Geraldine Page in 1985, is a leading
candidate.

"I’m a great admirer of his now," said Benson, who
spent time in Wharton with Foote, meeting some of the townsfolk and
soaking up the atmosphere in hopes of capturing some essence of
small-town Texas onstage in Orange County "Maybe one reason he’s not
produced as much as he should be is that sometimes his plays seem
simplistic on the page. You can think, ‘Oh, rural America’ and that
it’s oversimplified and a cliche. But when you get up to act them,
they’re incredibly rich, with enormous depths. That’s been my discovery
with this play."

Foote wrote "Getting Frankie Married" around
1990, the year in which the play is set. One reason it may not have
been produced until now is that it requires a cast of 12–a huge number
for a contemporary play. Its central figures are Fred Willis, a
wealthy, 43-year-old landowner, and Frankie Lewis, the girlfriend he
has been stringing along for more than 20 years. Frankie is a wife in
all but name and an object of small-town gossip. Fred makes a series of
choices-motivated, he thinks, by love and honor-that turn out horribly
for him.

Foote rates Fred as perhaps the saddest character he
has ever drawn. "That last moment is certainly very moving. to me.
There’s nobody there to comfort him, and he has to struggle through it
for himself."

Although Southern California has been a tough nut
for Foote to crack in terms of productions, it was, long ago, the
seedbed for his theater career. After winning schoolboy laurels for his
acting in Texas, he managed to get his reluctant parents" approval of
his plan to skip college and get more theatrical training. They
wouldn’t countenance his going to New York–"They thought it was a
wicked place"–so he headed West and enrolled in the Pasadena
Playhouse’s acting conservatory. Foote said s the event that shaped him
most in Pasadena–apart from having his Texas accent whitewashed in
elocution lessons–was the touring production of "Hedda Gabler" he
attended in Los Angeles on his 18th birthday with his visiting
grandmother. Eva Le Gallienne’s performance enraptured him, and he came
back to see "A Doll’s House" and "The Master Builder," the other plays
the noted actress was performing in repertory.

"It really rocked
me," Foote recalled. "I’d had this sense of ‘Maybe I’ll end up in the
movies.’ This made me go to New York to be a [stage] actor." In New
York, Foote began writing plays as well as acting in them. "Texas
Town," staged in 1941, won a rave from New York Times critic Brooks
Atkinson who loved Foote’s writing but panned his acting. Writing
became his focus. Foote said he is searching these days for his next
idea, making notes and hoping inspiration will take hold. "There’s
something I’ve been thinking about for 20 years, searching for a way to
do it," he said. He declines to elaborate because "I think it’s death
to talk about something when you’re working on it."

Posted in books, Film, Hollywood, Stage | 3 Comments

Matt Weinstock — March 4, 1959




New Twist on Smog

Matt_weinstockd_3
Along with the rest of us, W. B. France is weary of reading about smog. But he thinks he has a solution.

It is based on a science-fiction story he read long ago. In this tale a
huge spaceship, one of ours, spent 200 years traveling around the
galaxies.

At the end of this time the spaceship headed home. As it neared earth
its homesick occupants were met by small planes and warned against
landing. The earth’s atmosphere had so changed, they were told, it
would be fatal for anyone not accustomed to it.

1959_0304_death_penaltyKEEPING THIS TALE in mind, clearly the thing for earthbounders
to do is get accustomed to smog, even encourage it. In time it would
become our natural atmosphere and we would learn to thrive in it.

And think of the advantages. We would save the millions of dollars now
being spent to combat it. It would repulse an enemy, even the little
green men from up there who might try to invade us. Most of all, it
would eliminate the constant babble about smog so we could concentrate
on crime, scandal and other wholesome topics so dear to us all.

* *


SOMETHING
has been missing since the City Hall tower
courts moved to the new courthouse and reporter John Hunt has realized
what it is. The intense threesomes — two women and a man — who used
to grace the rotunda each morning, are gone.

The man was a lawyer. One woman wore a brave smile. The other, her best
friend, mother or sister, had a look of "Wait until I get on the
witness stand and tell what I know about that guy!" They were having a
final rehearsal before going up to the separation center.

* *

CURRENT EVENTS
My youngster’s conscious of the news,
He knows his rights and states his views.
When naughty he is independent
And calmly takes the Fifth Amendment.
— PEARL ROWE

* *


A WORKMAN
on the graveyard shift in a harbor industrial
plant recently reported excitedly to his pals that an amphibian plane
had pancaked in near Berth 190. He didn’t know, as they did, that it
had crashed off Catalina some time ago and been hauled to the berth
awaiting further plans by its owners.

1959_0304_death_penalty_02The next time he looked
the plane was gone and he learned it had been trucked to a salvage firm
on S Alameda Street. By this time he knew of his original
miscalculation and remarked wryly to his cronies. "It must have set
some kind of record, flying from Catalina to Compton without wings or
tail."

* *

IT IS NOT uncommon for new MTA
drivers on the Sunset Boulevard line to Pacific Palisades to lose their
way but one eastbound bus the other day went completely off orbit.

The
driver, as if impelled by an unseen force, turned onto the San Diego
Freeway on-ramp instead of staying on Sunset. He knew immediately from
the buzzing of the passengers that he had goofed and as soon as
possible he swung off the freeway, circled back to Sunset and, reports
Mary Kay Post, secretary to the dean of women, got students to UCLA in
time for 8 a.m. classes.

* *

AROUND TOWN —
Printed sticker on a car with a Tenn. license on Olympic Boulevard: "A
big welcome to Alaska from little old Texas" . . . Ernie Maxwell
reports fromIdyllwild that it’s a big year for snow women — Marilyn Monroe prototypes. 

Posted in Columnists, Matt Weinstock | Comments Off on Matt Weinstock — March 4, 1959