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A Kinder, Simpler Time Dept.: What to Wear for Donating Blood
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End of Watch — Jack Horrall, 1926 – 2009
Posted in City Hall, LAPD, Obituaries
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31 Die When Plane Explodes in Midair, May 13, 1959
Cars Drive Themselves on Miracle Freeways of the Future!
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Found on EBay — Earl Carroll’s
| This menu from Earl Carroll's nightclub has been listed on EBay. Isn't the artwork great? Bidding starts at $22. |
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Matt Weinstock — May 12, 1959
Moment of Decision
The The dispatcher sent another cab and also, being aware of the driver's condition, an ambulance. The questions arises — should the fare have played the Samaritan and stood by until help arrived for the cabby, a man he'd never seen before, or carry on as he did? A very disturbing question. ::
THE FUTILITY She braked and swerved in time to ::
THOUGHT WHILE WAITING
They've skipped one little detail -HARRY SHEARER ::
THE QUIET
old folks who live near the upper level of Angels Flight at 3rd and Olive are not easy to surprise but they got a good one yesterday. A Not only It seems, Hawthorne, who has a show on KTTV, had some Odd ::
— A young mother of two small daughters is relieved that Mother's Day is over for another year. They bought and insisted she apply blue fingernail polish … Del Mar, as horse players know is "where the turf meets the surf." Art Petsch Jr. reports that a home-towner referred proudly to El Segundo as the place "where the sewer meets the sea" … Harry Oliver, the desert rat, has two new dogs — Dot, which has no tail, and Comma, which has a tiny one … A girl in Vancouver, Wash., wrote the UCLA library for information about a former student, one Jack London, who became a pretty good writer. She will doubtless be sorry to learn he dropped out of school in 1897 without leaving a forwarding address. And it was Cal, not UCLA … Gene Hackley reports this sign on a window screen store on Lankershim Blvd. "Hang Yourself; 20% Discount."
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Posted in Architecture, Columnists, Downtown, Matt Weinstock
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Paul V. Coates — Confidential File, May 12, 1959
Confidential File
Chavez Has Become a State of MindStop that frantic whispering. Calm down. I'm not going to begin until I have your complete, undivided attention. There, that's better. The subject of my travelogue lecture today is "With Rod and Gun Through Chavez Ravine." And don't move for the exits. Just because I've never been there doesn't mean that I'm not an authority. Let's face it. We're all authorities. And The truth of the matter is, there're some folks in that gully who some other folks wish were someplace else. Those are just my surface observations. I go deeper.
I'm for those families who refuse to be budged. I And partly because I don't like to be spattered with tomatoes by emotional strangers. However, before I sign any petition, I'd like to review a few of the facts: The Arechiga But the Arechigas didn't leave — and as a result, they've been living rent-free and tax-free on the property ever since. The amount saved by them adds up to quite a bit. But there's another matter to be considered. The property was condemned to make way for a public housing project, which never materialized.
Legally, apparently not. But morally, I wonder. Obviously, The question as to who's right and who's wrong, I'm afraid, is a moot one. I'm just sorry that some people in Chavez Ravine got the boot so ungracefully. I'm
And while I'm sympathizing, I suppose I ought to say a kind word about poor Walter O'Malley. When Now, through no fault of his own, he's the most despised landlord since Squire Cribbs tried to kick out poor old Missus Wilson.* * A reference to "The Drunkard" — a melodrama that was performed for decades in Los Angeles. |
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Chavez Ravine Revisited
Photograph by George R. Fry Jr. / Los Angeles Times
May 8, 1959: Councilman Edward R. Roybal meets with the Arechiga family at Curtis Street and Malvina Avenue, where they camped out in their fight against being evicted from Chavez Ravine.
Photograph by Harry Chase / Los Angeles Times
Sept. 16, 1959: Groundbreaking for Dodger Stadium. |
| Eric Avila is an associate professor of Chicano studies, history and urban planning at UCLA. His book, “Popular Culture in the Age of White Flight,” deals in part with the Dodgers’ decision to move to Los Angeles and the construction of Dodger Stadium in Chavez Ravine. He answered questions about the Dodgers and Chavez Ravine in an e-mail interview with Keith Thursby.
I realized that Dodger Stadium was another component of this new suburban culture that was taking shape in L.A. during the postwar period. Along with shopping malls, television, theme parks, movies, Dodger Stadium emerged as one of the new cultural institutions that defined the identity of Los Angeles during the 1950s. Thus, I saw the need to include it in my book. 2. There’s a wonderful passage in your book from a former Chavez Ravine resident describing life there before many of the residents were moved out for a housing project that never happened: “There were dances in the churchyard. Pageants held in the streets. Weddings in which the whole community joyously participated.” Reading The Times’ coverage in 1958-59 provides no idea what the community was like at that point. Can you describe life for the remaining residents. How many people were still fighting the Dodgers’ planned move?
Photograph by Hackley / Los Angeles Mirror-News Jan. 9, 1952: Homes being cleared from Chavez Ravine. It’s not surprising to me that the Times didn’t cover the conditions of community life in the Chavez Ravine during the 1950s, except to emphasize that the ravine was a worthless piece of land — a “junkyard,” I think it called that neighborhood — in need of redevelopment. But it’s important to remember that by the time the Dodgers had agreed to move to Los Angeles, most of the residents of the ravine had already moved out, based on an earlier promise from the city that public housing was going to be built in the area. I can only speculate on their disappointment when they learned that the project was canceled, fueled by the later discovery that the city was going to subsidize O’Malley’s bid to build a stadium on the site. And that was the crux of the opposition to the “Sweetheart deal” between O’Malley and City Hall: that the city reneged on its promise to build housing for poor people because government-subsidized housing was “socialistic,” then turned around and subsidized (Walter) O’Malley’s bid to build a stadium in the area (I spell out the terms of that deal in my book). Many Angelenos saw that as pure hypocrisy (and it very much reminds me of current accusations of “socialism” in the U.S.). 3. How would you describe the role of The Times?
4. The campaign for the stadium included the passage of Proposition B, which approved the Dodgers’ deal with the city. How did the city leaders approach that campaign and what did you think of the tactics that were used? The city and The Times used scare tactics to the effect of “if you don’t vote for Proposition B, then the Dodgers will leave L.A. and find another city more willing to accommodate their interests.” No evidence of this, of course, but that’s how The Times advocated its side of the controversy. What many people don’t realize is that Proposition B passed by a narrow margin: Many people did not approve of the deal between the city and the Dodgers, as they felt that the city was giving away too much to bring the Dodgers to L.A. In other words, the Dodgers arrived amidst a great deal of controversy and by no means was there any kind of consensus about their arrival in Southern California. 5. You linked the building of Dodger Stadium to the development of high culture in neighboring Bunker Hill. Can you explain the connection?
6. We’re approaching the anniversary of the Arechiga family evictions. What were the longer-term implications of those evictions, which many people outside Los Angeles saw on television? The long-term reverberations of the evictions left a residue of bitterness among many local Mexican Americans, who remember a much longer history of displacement and dispossession in California and the U.S. West. For many of these people, the televised spectacle of this Mexican family being forcibly evicted from their homes resonated within a larger historical context of the American conquest of Mexico and the subordination of Mexican Americans within a new political, economic and racial order. 7. How did the Dodgers’ move to Los Angeles fit in the cultural changes happening in the region in the late ’50s and early ’60s? This essentially is what my book is about, so I can’t recite the entire argument for you here, but basically, Dodger Stadium was another component of a new suburban culture that took shape in Southern California that catered to white middle class suburban consumers who sought safe, convenient and controlled cultural experiences that were removed from the historic diversity and perceived dangers of the city. Disneyland, shopping malls, freeways were all part of this new suburban culture. True, Dodger Stadium was in the heart of the city, but it was a self-contained island of sports entertainment (defined at the time as “wholesome family entertainment”), lodged upon a hilltop ravine, insulated by a massive parking lot and easily accessed by the new freeways.
Photograph by Steve Fontanini / Los Angeles Times
May 2, 1964: A large crowd packs into Dodger Stadium for a Sunday afternoon game. It looks like every parking spot is taken.
8. Let’s talk about another scenario. What do you think the Dodgers would have done if they were somehow not able to play in Chavez Ravine? What might have become of the area and the people still living there? And would the Dodgers playing somewhere other than Chavez Ravine been better for the region in the long run?
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Found on EBay — Bullock’s Wilshire
This dazzling outfit from Bullock's Wilshire has been listed on EBay. I can only imagine the impression it made at the time. Bidding starts at $175. |
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Matt Weinstock — May 11, 1959
Memorable Mentor
The MISS HOV'S FIRST teaching assignment was in a one-room schoolhouse near Hatton,
From Her students have included humorist Mort Sahl, TV commentator Cleve Hermann, publicist John Astengo and, among others, downtown newsmen Dave Gershon and Eddie Louie. Her secret is really not a secret. In a busy life, she has always found time to help others. ::
ONLY IN L.A.
— A man convicted of a felony in Superior Court came over to the deputy D.A., who has a hearing deficiency, after the verdict and snarled, "What do you do at night — take off your hearing aid so you can't hear you conscience?" ::
SNEAKY STUFF Freedom of the Press day has lust been celebrated in Moscow — News item. They do have freedom of the press. –RICHARD ARMOUR ::
Skimming low over Thousand Oaks, the plane's engine suddenly sputtered and died and Tess had no alternative but to crashland in the lion enclosure of the jungle compound. The Tess, noting his complexion had became strangely mottled, cried, "Oh, Dr. Schrinker! What are those terrible black blotches?" "Nothing to worry about," the psychiatrist consoled. "They're just part of the roar shock, Tess." ::
This The opening sentence: "The last man on Earth sat alone in a room. There was a knock on the door." ::
MISCELLANY
— Grace Morris is in revolt against the policy of some supermarkets which ask customers not only to unload their own carts but to separate the taxable from the non-taxable items. However, the market people say this is done to save customers from paying twice on the same item, thereby saving them a penny here and there … Two working men were moaning about inflation and taxes and one said, "Here's how things are with me — I couldn't make a down payment on a hamburger!" … On a note of despair: So now it's foreverness.
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Posted in Columnists, Matt Weinstock
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Paul V. Coates — Confidential File, May 11, 1959
Confidential File
An Old Man, Much in Love With Love
By all rules of journalism, I should be. And I should be making you laugh. Because when you look at the story objectively, it is funny. Very, very funny. But Francis Van Wie, age 72, is one of them. He's better known as the Ding Dong Daddy of the D Car Line. I drove up to the Sheriff's Honor Farm at Castaic,
I was after sort of a "confession of an aging Don Juan." But what I got is a bit too well acquainted with a sad, unwilling clown. Francis Van Wie is a tired and confused old man. He's a crybaby. He cries a lot. Partly, And partly — maybe mostly — Years ago, he Wearily,
"I "If you could," he added, "call Minnie. Find out if I'm still married to her. I hope they don't take Minnie away from me." When I got back to town, I did call Minnie. And she told me that as far as she was concerned, Francis Van Wie was still very much her husband. "I wouldn't want no better man around than Frank was," she said. "I wish they'd let him come home." Minnie "We got to talking and he asked to come up — by to see me. He kept his word." Seemed the Thing to Do After a brief engagement, Frank and Minnie were married last Aug. 21. "He's a wonderful man," Minnie went on. "Kindhearted. No bad habits. When I felt bad, he took over the work around the house. "The man's a Christian," she said. Minnie told me that until the police picked her husband up two weeks ago, she know nothing of his past. "Will you want to talk to him about it when you get together again?" I asked. "When I get my man back," she answered, "we'll be too busy thinking about the future to be worrying about the past." I'm no sentimentalist, but that's the way I'd like to see this story end.
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A Kinder, Simpler Time Dept.
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Forgotten Voices and Songs of Old Los Angeles
Photographs courtesy of the Southwest Museum Rosendo Uruchurtu (he was Basque, in case you're wondering) demonstrates recording an Edison cylinder, June 5, 1904.
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Each generation has tried to draw interest to these recordings since museum founder Charles F. Lummis made them, mostly between 1904 and 1906, but the projects have never realized their potential, largely because of the technical challenges of re-recording about 400 old, primitive cylinders, and the labor and expense of transcribing, translating and publishing so many songs. Now, nearly 70 years after Times columnist Ed Ainsworth asked: "Why couldn't somebody get out successfully a book of old Spanish folk songs from the Lummis record collection?" samples from the cylinders will be put on display in "Sounds From the Circle," which will be on exhibit at the Southwest Museum from May 9 through July 5. ::
He resumed collecting songs in late 1903 after acquiring an Edison machine, a windup device that made recordings using a large acoustic horn that channeled sound to a vibrating needle that etched grooves into a rotating wax cylinder. In addition to recording hundreds of Native American songs, which must remain a footnote in this story, Lummis began recording Spanish-language songs performed by friends or employees in Los Angeles. He often featured them in his lectures and became friends with American composer Arthur Farwell , who made piano-vocal arrangements of many of the tunes, a small fraction of which were published in 1923 in "Spanish Songs of Old California." ::
After Lummis' death in 1928, the cylinders received sporadic interest and were re-recorded on aluminum discs, reel-to-reel tapes and cassettes, which made the songs more accessible, but introduced another layer of noise and distortion with every generation. And the years were unkind to the cylinders: Some broke and the pieces were carefully saved in the original boxes. Others became severely worn through repeated playing. But although the collection languished in the following decades, it never entirely faded away. In 1940, several songs were revived for the dedication of the restored Palomares Adobe in Pomona. Times columnist Ed Ainsworth wrote: "One of the most extraordinary features of the dedication … was the singing of songs which in some cases had not been heard at the old place for 75 years … Mrs. Bess Adams Garner went to the Southwest Museum and got the words and music made by the late Charles F.Lummis. 'Que Juro Bien,' the American equivalent being 'A Faithful Pledge' and 'El Sueno' 'The Dream' were among those brought back to life." In the late 1980s, TV host Huell Howser featured the cylinders in one of his programs, drawing the interest of musicologist John Koegel, who wrote about the collection for his dissertation at Claremont Graduate University. At roughly the same time, several members of the California Antique Phonograph Society began helping to restore the broken cylinders and re-recording the collection, a fascinating tale in its own right. Volunteers are still at work digitally recording the songs directly from the cylinders and enhancing the audio. In his continuing research to prepare the songs for publication, Koegel, an associate professor music at Cal State Fullerton, researched the lives of the performers and even contacted their descendants, another story that must remain a footnote here. ::
The largest questions about the collection are also the most complex ones: What do these songs — which were old and fading away 100 years ago — tell us about Los Angeles in the mid- to late 19th century? And what do they reveal about Lummis? According to Koegel, Lummis was trying to capture a romanticized view of California that never actually existed. These are songs that would been sung in the parlor for formal or semi-formal entertainment. Many of them are about love.Koegel says that Lummis recorded only one corrido and interrupted the singer, evidently because the song was too coarse and working-class. As Koegel wrote: "Like many English speakers in the Hispanic Southwest at the end of the 19th century, Lummis espoused a romantic view of 'Spanish' culture and society which was not completely based in historical reality. Though almost all of his Spanish-speaking informants were Mexican Americans from middle- or working-class backgrounds, Lummis idealized them and the music they recorded for him as representative of Spanish rather than Mexican culture." We may be frustrated that Lummis sifted out the less refined music and that he wasn't more comprehensive in collecting songs. Still, we must be thankful for what he saved and applaud his philosophy: "To catch our archeology alive." The Southwest Museum is at 234 Museum Drive. Visiting hours are limited to weekends from noon to 5 p.m. during the continuing renovations to repair damage from the 1994 Northridge earthquake. |
Dodger Pitcher Fined for Hitting Batter, May 11, 1959
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"What are you supposed to do, throw everything down the pike and let League president Warren Giles levied the fine after umpire Frank Secory determined Drysdale hit Mays on purpose. "It's a stupid rule in the first place. How can an umpire know Drysdale was no stranger to hitting batters–he plunked 154 during –Keith Thursby |
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L.A. Orders Two-Man Streetcar Crews, May 11, 1939
| These old papers are fantastic; all you have to do is stick a shovel in the dirt and you strike gold.
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Posted in #courts, Film, Front Pages, Hollywood, Homicide, LAPD, Obituaries, Sports
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Drinking With the Junior League
This strawberry daiquiri packs a bit of a wallop, Potts says. |
Brady Potts, who has so many talents they're impossible to list, takes over for his wife, Mary McCoy, on the food history blog Cooking With the Junior League.
Brady writes: I’ve volunteered to plunge First on the list? Straight from Nashville Seasons, we have the classic strawberry daiquiri. |
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A Kinder, Simpler Time Dept.
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1. How did you start studying Chavez Ravine and the Dodgers’ move?
The Los Angeles Times wholeheartedly endorsed the plan to build a stadium in Chavez Ravine, and mocked the plight of the Arechiga family as staged theatrics. Over and over again, the LAT emphasized the imperative to build Dodger Stadium in the ravine — this was after it denounced public housing as a “socialist scheme” — and it played upon local fears that if the public did not approve the construction of Dodger Stadium, that the Dodgers would pack up and go back to New York. Basically, The Times initially played upon local Cold War anxieties to defeat the proposal to build public housing in the ravine, and then became the biggest cheerleader for bringing the Dodgers to Chavez Ravine.
As far as I can tell, the Times — historically a major proprietor of downtown real estate and business — was invested in boosting the centrality of downtown, especially in light of the rapid suburbanization that was occurring in the larger urban region. Thus, both the Music Center and the stadium were central to downtown revitalization — one would attract wealthy elites and the other would attract middle and working class consumers. It was all about their geographic proximity to the downtown core.
Before Walter O’Malley announced his decision to move his team to L.A., he quietly purchased some 11 acres of land in South-Central L.A. which included, I believe, an old baseball diamond known as Wrigley Field. Initially, there was some speculation that O’Malley would build his stadium there. And in fact, the African American community–loyal fans of Jackie Robinson and the Dodgers — expressed its great hope that the Dodgers would settle somewhere in the vicinity of South-Central L.A. The city, however, boosted by the cheerleading of the L.A. Times, proposed what was essentially a gift of the Chavez Ravine (since it had already been cleared initially for a defunct public housing project) to O’Malley, which O’Malley accepted in exchange for the 11 acres in South-Central, much to the chagrin of the black community. The huge irony of course is that now there is some talk about moving the Dodgers out of the ravine somewhere closer to downtown to build one those retro ballparks that are in fashion now, which likely could have been Wrigley Field in South-Central LA. All the makings were there, but instead the city and The Times opted for the Chavez Ravine. As for the community that occupied the ravine prior to its clearance for public housing, I suppose it may very well have become gentrified in the way that Echo Park has become in recent years. Imagine a craftsman home in the heart of Elysian Park!