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Sept. 10, 1940: Allan Jones, with a 273-pound marlin swordfish to his credit, looks like a real threat to Southern California's $10,000 fishing derby, Jimmie Fidler says. |
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Sept. 10, 1940: Allan Jones, with a 273-pound marlin swordfish to his credit, looks like a real threat to Southern California's $10,000 fishing derby, Jimmie Fidler says. |
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Sept. 9, 1941: DISAPPOINTING: Republic's "Puddin' Head" (Judy Canova). The hillbilly comedienne would be more appealing in smaller doses, Jimmie Fidler says. |
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Most of the articles I have found dealing with Gen. Harrison Gray Otis were written after the 1910 bombing. Here’s a 1908 article that is shockingly positive given the current view of the old boy. Otis is a polarizing figure. Few people are neutral about him and most are vehemently critical, responding to his polemics as if he hadn’t died in 1917 but were still writing them. With every new book, he seems to get a bit more like the lost twin of Elmer Fudd or Yosemite Sam; the angry old walrus who died without a friend in the world except for his family. I stumbled across this article in going through James Bassett’s citations for his ill-fated book. The Argonaut was a San Francisco weekly founded in 1877 and edited by Holman from 1907 to 1924. In its early days, the magazine featured Mark Twain, Ambrose Bierce and Bret Harte. |
| Tom Treanor covers a speech by a Salvation Army official explaining a |
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Sept. 8, 1941: “KING’S ROW” SET AT A GLANCE: Bob Cummings washing his hair thrice daily in a concoction based on seaweed to keep it curly, Jimmie Fidler says. |
| The Kodak company has posted this clip of an early Kodachrome test. I can only imagine what the ASA was on the film. I would guess it was fairly slow and took lots of light. |
| Sept. 27, 1978: James Bassett dies. |
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Let me explain. Not long after I joined The Times in 1988, I heard the legend of Jim Bassett’s book about the company. Bassett, so the story went, was given carte blanche by Otis Chandler to write a “tell-all” book and after years of work delivered a manuscript that was locked in a closet because, indeed, it told all. Last week, at the Huntington Library, I finally got to see Bassett’s manuscript, which is divided into two three-ring notebooks of about 400 pages each. My glee and delight faded as if I were a child who wants a bicycle for Christmas and is handed the keys to a bike factory. I knew Bassett was over his head by the second or third page, when he was still on Yang-na and the sandal-footed padres trudging wearily to the sleepy/dusty pueblo of Nuestra Senora la Reina de Los Angeles. Not until Page 25 does Harrison Gray Otis walk into the sleepy/dusty office of The Times (1882). It’s another 25 pages before Otis gets control of the company (1886) and 50 more pages before he buys his first Linotype (c. 1890). And when Bassett finally gets to the 1910 bombing of The Times after 171 tedious, tiresome pages, does he use any of the original source material that he and two his assistants spent years gathering? No. He opens Louis Adamic’s 1931 book “Dynamite” and types in whole paragraphs without ever asking himself: “Is this book the least bit accurate or reliable?” Bassett, poor fellow. So earnest and so lost. He and his two assistants did get carte blanche from Otis Chandler to write the history of the paper and they gathered a storehouse of information – enough interviews and documents for dozens of books on The Times. Memos, company reports, scholarly journals and men’s magazines that you’d find in a barbershop – they got everything they could find. In fact, the entire Times History Center was created to house the materials gathered for Bassett’s one book. In truth, not all of Bassett’s manuscript is like a stale old textbook on California history. Some of it – much of it, in fact – is even worse. He meanders. He gets distracted by interesting but irrelevant stories in going through the old papers. He struggles to contrast Linotypes and the now-primitive technology The Times was using in the 1970s. Again and again, he ignores the actual news stories — on microfilm and hard to access — in favor of books that are readily available but wrong or at least questionable. He doesn't stick to a chronology but circles and backtracks through time, boxing the compass of history. He’s obsessed with old editorials. Poor old fellow, he meant well — and he worked so hard on his opus. Although Bassett had “In Harm’s Way” to his credit, there were much better – younger — writers on the staff by this time who could have done justice to such an ambitious project. At this point, Bassett was nothing but the old guard; a reliable holdover from the drab, gray Norman Chandler years; a loyal drone in the Richard Nixon campaigns of the 1950s, though not a zealot like Kyle Palmer. Poor old Bassett. Correspondence shows that he sent chapters to retired Editor Nick B. Williams for critiques. Williams replied again and again: Cut. Don’t quote so many editorials. Cut. But no matter how many times Bassett was advised to cut, he wrote even more. I am still on Volume One so I’m not sure whether he completed the book before he died in 1978. Although his outline concludes in the mid-1970s, his chapter summary trails off after Chapter 24, which deals with President Kennedy’s assassination and the Watts riots. There’s a lesson for writers in Mt. Bassett, named for the man who created a mountain of information so big that he couldn’t climb it. The good news is that he saved so much material for the researchers who followed. Like me. Epilogue: In 1984, The Times published a bland but approved corporate history by Marshall Berges called “The Life and Times of Los Angeles,” the same title as Bassett’s ill-fated book. It, too, had a troubled history. But that’s another story.
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| Tom Treanor, who was killed covering World War II for The Times, on |
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Sept. 7, 1940: Boss, you could find fodder for sizzling comment in the announced plan of studio czars to pry European big-name writers through immigration barriers by giving them scenario-writing contracts. If there are legitimate jobs of that kind to pass out, why not award them to perfectly capable American writers, dozens of whom are currently on the "work wanted" list? If, on the other hand, there is no legitimate need for additional contract writers, padding the payroll to favor refugees is decidedly unfair to the stockholders, Jimmie Fidler's staff says. |
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Sherwin is a skilled writer and, in keeping with the tone of H.L. Mencken’s “Mercury,” pricks the balloons of as many civic boosters, Babbitts and gods of the “booboisie” as possible. He portrays Gen. Harrison Gray Otis as the usual warlike buffoon and yet mourns the old boy: “If there had been even a mere dozen more Otises throughout the country, it would be a more agreeable place today.” On Page 193, he also makes an interesting note of Otis’ fight over a union shop, which began in 1890: “The demand that put the burr under his saddle was the rule that ties the competent fellow down to the pace of the blockhead. It is, as I suppose most people know, an implicit law of organized labor that, no matter how good a comrade is, he must not work so rapidly and efficiently as to throw his lazy and half-witted mates out of their jobs. This rule cripples the publishing business of America today, as it cripples other industries, and has driven more than one editor and proprietor out of the field altogether.” By the way, the article begins with a quote from “Brann, the Iconoclast.” Those who consider Otis’ anti-union editorials to be the depth of venomous invective would do well to read a few pages. Warning: “Brann, the Iconoclast” is liberally sprinkled racist terms and the N-word. William Cowper Brann could give lessons to Andrew Breitbart, except that he and an irate reader shot each other to death in 1898. There’s something to offend just about everybody. |
This Army cap from Oviatt’s, which was once the leading menswear shop in Los Angeles, has been listed on EBay. The vendor notes that it has some moth damage. Bidding starts at $9.99. |
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Tom Treanor, who was killed covering World War II for The Times, drops in on |
| Sept. 6, 1940: Bells to Barbara Stanwyck, for ordering her press agent to "say nothing" of her recent shopping splurge which completely outfitted an ex-star who has been down on her luck, Jimmie Fidler says. |
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Sept. 6, 1960: With the Dodgers out of the pennant race, team officials wondered what to do with one of their top prospects. Willie Davis, the MVP of the Pacific Coast League, was heading to Los Angeles. It was just a matter of time. But team officials seemed divided about how quickly to elevate Davis, who would become one of the Dodgers' first stars during their Los Angeles years. "Sure I'd like to have Willie but where am I going to play him?" Manager Walt Alston asked The Times' Frank Finch. "I'd have to bench Wally Moon, Frank Howard or Tommy Davis to get him in there." General Manager Buzzie Bavasi told Finch on Sept. 2 to expect some new faces and "one of them could be Davis." –Keith Thursby |
Hey, Keith, look: Vin “Vince” Scully! … Mayor Poulson? I'm afraid not. |
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Sept. 6, 1960: The Times' Al Wolf tried to predict the future and write about the opener of the Dodgers' new park in 1962. The headline "Chavez Ravine—Year 1962" might be the first reference to the eventual name of the ballpark. How was Wolf at predictions? He had the Dodgers playing the Houston Hurricanes, who in 1962 reality were the Colt 45s. Think I like Hurricanes better. He also guessed at the 1962 starting lineup, placing such prospects as Tommy Davis at third, Charlie Smith at second and Willie Davis and Earl Robinson in the outfield. Phil Ortega was pitching. He might not have placed every spot correctly but he did realize the Dodgers were completing their transition from the stars of Brooklyn to the young prospects who would be the foundation of some great teams during the 1960s. Wolf did nail one element, predicting the opening day fans wouldn't make it out of the ballpark before July 4. –Keith Thursby |
Tom Treanor, who was killed covering World War II for The Times, on |
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Sept. 5, 1940: Errol Flynn, dashing hero of many a thrilling screen story, believes that his reputation and professional career have been damaged to the extent of $2 million and he set that figure for his claim yesterday in a suit he filed in the United States District Court, Jimmie Fidler says. The book is "In Place of Splendor, the Autobiography of a Spanish Woman" by By Constancia De La Mora. |
| Perhaps the most common examples of Batchelder tile to turn up on EBay are pieces from the Mayan series. Someone has listed what appears to be most, if not all, of an entire fireplace set. Bidding starts at $9.99. |
| Los Angeles Times file photo
July 10, 1954: Rites are conducted for Joel Watnick, who died after being struck by our mystery guest, actress Lynne Baggett, in a hit-and-run accident at Waring and Orlando avenues.
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Sept. 5, 1910: At 10:30 p.m., a series of blasts destroyed the Lucas Bridge and Iron Co. plant, a nonunion firm in Peoria, Ill. "Three explosions reduced the building to kindling wood and four buildings adjacent to the property were wrecked,” The Times said. And for the second time in several weeks, a bomb in the East Peoria rail yards destroyed carloads of steel girders intended for a Peoria and Pekin Union railroad bridge that was being built over the Illinois River. Despite the devastation, this incident provided a crucial lead to the identity of the bombers. Several days later, investigators found a an unexploded time bomb hidden in the railway bridge. It too had been set for 10:30 p.m. but malfunctioned. For the first time, investigators could examine the bomb components, and they began trying to trace the alarm clock and the unusual type of can used for the nitroglycerin. |
Why, it’s another movie by Ernst Lubitsch! And it could not be more different from the stately silent film we looked at last week. (My God, it’s almost like this was planned.)
A classic comedy of manners, “The Shop Around the Corner” got a boost in 1998 when “You’ve Got Mail” came out; it had also been remade in 1949 as the musical “In The Good Old Summertime” with Judy Garland (and a 3-year-old Liza Minnelli). Timeless as the theme may be, it works really well as a period piece. Shops like this just don’t exist anymore.
James Stewart plays Alfred, top salesman at a retail shop in Budapest, and Maureen Sullavan is new hire Klara. They get off on the wrong foot and spend most of the movie arguing with each other, both unaware that they’re also anonymous pen pals. For both of them, life pretty much revolves around the shop, and both find their letters a welcome escape into a higher realm of thought — and eventually into love!
Really though this is much more of a workplace story than a romance. From the opening scene, when all the shop employees filter in to start the day, the movie’s often an ensemble piece. Stewart’s Alfred is the only person who’s not afraid of boss man Matuschek (Frank Morgan), and a lot of scenes hinge on the different ways the employees try to ingratiate themselves to their boss. Any modern worker can relate, although the top-top boss is more likely to be in a city across the country than an office right off the sales floor. There’s also frequent and noisy comic relief provided by errand boy Pepi (William Tracy).
Once Stewart and Sullavan get going, their snippy exchanges become the movie’s best scenes. My favorites are her hiring scene and another bit in a storage room as she works up to asking for some time off — both scenes start off with a tone of friendly detachment and then gradually dissolve into icy rancor. I love how they coldly address each other as “Miss Novak” and “Mr. Kralik.” Over time, though, they develop a grudging respect for each other.
Before the jump here, I just have to warn you people that there’s a still from one of the final frames toward the bottom there and, well, if you got at all freaked out by Cary Grant dressed as Santa Claus, you might want to brace yourselves. Life is not always pretty, and neither are the movies. OK, here we go.
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Sept. 4, 1940: Comedy of the week: "Argentine Nights," in which the Ritz brothers and Andrews sisters prove laughs and music come in threes, Jimmie Fidler says. Coming Sept. 6: The Ice Follies of 1941 at the Pan-Pacific! |
| Aug. 9, 1974, Paul Conrad on Richard Nixon's resignation. |
| Also, Paul Conrad on the shooting of Robert F. Kennedy. |
July 19, 1910: "Jailbird" … "pinhead" … A typical Times editorial about labor. |
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Sept. 4, 1910: San Francisco labor leaders file a libel suit against Times Editor and General Manager Gen. Harrison Gray Otis and Assistant Manager Harry Chandler. It’s a bit difficult to determine precisely which stories were cited in the suit because The Times so often used caustic language in writing about unions. The Times says: “The complaints were based upon articles in The Times asserting that certain of the aforesaid bosses came to Los Angeles to foment industrial strife and civic disorder,” which sounds very much like this Aug. 25, 1910, story. At the time the suit was filed, Otis was in Mexico on a goodwill trip at the request of President Taft. Chandler, who had just returned from a vacation trip to British Columbia, was freed on $200 bail, The Times said. The libel charges were dismissed by a judge because of errors in the form and substance of the complaints, The Times said. |