"I love you."
"I know."
You know what movie that's from, right? WRONG! Years before Han Solo (and hey, RIP Irvin Kershner), his possibly-most-famous line gets drawled by Rock Hudson, playing a womanizing songwriter in "Pillow Talk." Hudson tosses it off almost before the credits are over; when another woman says, "Let me come over and fix you dinner," he replies, "Well, I guess that'd be all right." Hmm… unlike scruffy-sweet Han, this guy is a real jerk!
"Pillow Talk" is, of course, the first of several snappy, innuendo-filled comedies starring Hudson with the radiantly snub-nosed, impeccably tanned Doris Day. And I'm reviewing it on the recommendation of my mom. Hi, Mom! You were right, of course: This movie is hilarious — it's a blast to watch Hudson's character gradually get his comeuppance. And Doris' fashions are just incredible. I didn't think it was possible for me to covet a teal-blue suit jacket with a giant collar, but I want one.
Hudson and Day play total strangers who happen to share a phone line, since this is back in the days of party lines. He woos women over the phone, while she's a businesswoman who needs the phone for her interior-design clients. Before they've even met, they're at each other's throats: She tries to get his access to the line shut off; he calls her and accuses her of jealousy and "bedroom problems." My goodness! But then he gets a look at her and falls madly in lust. Rather than reveal he's the man she hates, he concocts a goofy Texan alter ego, and the fun begins.
Actually, the fun's pretty much underway from the beginning, starting with the irresistibly catchy title song performed by Day herself. It will get lodged in your brain for a week (at least; I'll keep you all posted) but that's not so bad. The movie's not so much about emotional vulnerability or authenticity, it's just a show, performed by likable people who are clearly having a great time. It's a hoot to watch. And the phone-call gimmick provides a setup for the best split-screen scenes outside "Carrie."
It's also interesting for the single woman in 2010 to observe her idealized cinematic counterpart from 50 years ago. Doris Day swans around Manhattan surrounded by suitors, particularly Tony Randall, who tries to buy her a car. Her life is full of dates and parties and dinners with clients. The modern girl, watching the DVD at home in her pajamas, cannot hope to compare.
But — whenever Doris needs a ride anywhere, she needs a man to drive her (even in the elevator!). Her boss is a man. She's constantly fighting off unwanted advances from clients or their relatives. The only other working woman she seems to know is her long-suffering maid (the fantastic Thelma Ritter). There's also Rock Hudson's sexuality, which was an open secret at the time and is the subject of a sort-of-funny string of jokes about men who like recipes and talk to their mothers. Modern times seem pretty good, I must say.
Still, it'd be fun to sit in a bubble bath talking to a tall, dark cutie on a rotary princess phone. Or telling off a tall, dark cutie with fabulous lines like, "This may come as a surprise to you, but there are some men who don't end every sentence with a proposition!" And I would not mind one of those teal suits, or maybe a dashing furry hat. (Hm; Christmas is coming, Mom…)
Oh, and a hint for the modern ladies: If a nightclub singer (perhaps played by Perry Blackwell) starts belting out a song called "You Lied" while glaring at your date, it's time to catch a cab home. Better yet, take your own dang car!
— Anne Elisabeth Dillon
ladailymirror.com 
“Pillow Talk” — yes, a classic of its type. A seemingly hopeless chick flick that’s pretty darn well done and fun to watch. I recommend the 2003 update-of-sorts, “Down With Love,” with Renee Zellweger. Talk about outfits on this chick! Tony Randall, from Pillow, has a nice part in this one, too. Fun.
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Oh, Fib, I hated “Down with Love!” (T’ain’t funny, McGee.) Renee was like a gawky little girl dressed up in her mother’s clothing and had all the comic skills of a brick to the head, and Ewan MacGregor was obviously slumming it.
Plus, the clothes were early ’60s and the hairstyles late ’60s, which annoyed the wee out of me.
Favorite chick flick? “The Best of Everything”–I have to watch it yearly.
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1. In Pillow Talk, my favorite scene is when Rock Hudson destroys Tony Randall’s arguments in favor of marriage or even monogamy by simply asking “Why?” a few times.
2. Down By Love = painful remake of Sex And The Single Girl. Renee is no Natalie Wood. Worse, Jeri Ryan’s make up and lighting made her look like death warmed over.
3. Other Rock/Doris movies worth watching: Send Me No Flowers; Lover Come Back. Rock/Angie Dickinson movie worth watching: Pretty Maids All In A Row.
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Methinks The Lady Eve don’t get it. These films are awful, so awful they are fun. But whatever floats yer boat.
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One of my favorite films. The fashions are to die for, and if you don’t think Doris Day had a figure…check out the white number she’s wearing in the nightclub scene where she dances with a drunken Nick Adams. Va-voom!
It’s always made me a tad uncomfortable, though – I wonder what Rock Hudson felt playing a straight guy playing a possibly gay guy? Had to be odd.
P~
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This was Rock’s first comedic role, Doris apparently had to talk him into taking it. Glad she did, this is a classic film!
My personal favorite is Come September with the beautiful Gina Lollobrigida. Campy but definitely worth checking out!
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I applaud the lady Eve’s commitment to historical accuracy! As for “Down With Love,” I saw it a few years ago and found it sort of tiring. Through “Pillow Talk” I kept thinking “huh, I should revisit it; I would get all the jokes now.” But instead I think I will just follow benito’s advice and rent “Send Me No Flowers.”
And I did love Rock Hudson going “Why?” It’s a remarkably effective argument.
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“The Best of Everything” with those two well known rubber actors, SuzyPaker and Stephen Boyd? My DVD player would explode if I tried to run that tired old bow wow. Old trick I learned while producing commedia del’arte — if you’re gonng to pretend on stage or in he flickers to be bad, you gotta be good.
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Oh, Fibber, you have broken my heart. Never can I darken your door on Wistful Vista now!
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