Movieland Mystery Photo (Updated + + + +)

Jan. 11, 2020, Black Hand

This week’s mystery movie was the 1950 MGM picture “Black Hand,” with Gene Kelly, J. Carrol Naish, Teresa Celli, Marc Lawrence, Barry Kelley, Frank Puglia and Mario Siletti.

Screenplay by Luther Davis from a story by Leo Townsend.

Photography by Paul C. Vogel, art direction by Cedric Gibbons and Gabriel Scognamillo, edited by Irving Warburton, musical score by Alberto Colombo, recording by Douglas Shearer, set decorations by Edwin B. Willis and Charles de Crof, special effects by Warren Newcombe, costumes by Walter Plunkett, hairstyles by Sydney Guilaroff and makeup by Jack Dawn.

Produced by William H. Wright. Directed by Richard Thorpe.

“Black Hand” is available on DVD from Warner Archive. I try to avoid movies that have just aired on TCM, but I see that it was on TCM last month.

This is week No. 2 of my experiment in going through the trade papers to pick mystery movies, figuring that a film that got decent reviews at the time will hold up or at least seem interesting. “A Child Is Born” failed that test and proved to be a creaky old chestnut. In contrast, “Black Hand” holds up quite well. The lighting, photography and sets are remarkable. The casting is unusual, not only because of its a non-musical role for Gene Kelly, but several actors had very few film credits and in two cases no other films. The “Godfather” fanboys bash it on IMDB because it’s not “The Godfather,” but that was never its intent. “Black Hand” was meant to show organized crime as pure evil. In fact, the movie opened with an important disclaimer, that there are many fine Italians, and the Black Hand, from the perspective of 1950, was nearly a half-century before.  (And, OK, Kelly does sing a tiny bit).

Gene Kelly is always likable and he’s good as the aggrieved son seeking vengeance for his father’s murder. Teresa Celli, as the leading lady and Kelly’s love interest, isn’t asked to do much more than be beautiful and supportive, and does well with what little is demanded of her.  J. Carrol Naish gets a larger role than usual and he’s good in what is a major character part. But the truly remarkable performances come from the smaller parts: Peter Brocco as Kelly’s father, an attorney informing police about the Black Hand. Marc Lawrence as the mob boss who is pure, calculating evil. Mario Siletti and Grazia Narcisco as the Danettas, as Celli’s parents.  Eleonora von Mendelssohn in an uncredited role as Kelly’s distraught mother is good in her brief scenes. Even Phyllis Morris as the disheveled Mary the Shamrock is worth watching.

“Black Hand” was apparently one of several mob-related pictures in the works in early 1950. The New York Times reported that Monogram was planning, from a script by Burnet Hershey, “The Giant Killer,” the story of New York Police Lt. Joseph Petrosino. Lux Films had made “Mafia” (released as “In the Name of the Law,”) starring Massimo Girotti and Jone Salinas. Producer Milton Sperling was working on “Stiletto,” also based on the life of Petrosino.  As far as I can tell, neither “The Giant Killer” nor “Stiletto” ever got to the screen.

 

Harrison’s Reports (Jan. 21, 1950) said:

A strikingly dramatic film, based on the terrorist activities of the notorious Black Hand society, which flourished in New York’s “Little Italy” in the early 1920s, preying on frightened immigrants of Italian extraction. Its mixture of extortion, bombings and killings does not make for a cheerful entertainment, but owing to the expert direction and the fine acting, it grips one’s attention from start to finish.

Outstanding performances are contributed by Gene Kelly, as a young Italian who vows vengeance on the Black Hand for the murder of his father, and by J. Carrol Naish, as an Italian American detective, who sacrifices his life while aiding Kelly to bring the criminal society to justice.

The action is charged with suspense and excitement throughout, building up to an explosive climax that will that the picture-goers holding on to their seats. The story, though fictional, is in many respects historically accurate. the production values are excellent, with the settings and backgrounds conveying a ring of authenticity to the proceedings.

 

Writing in the New York Times (March 13, 1950: Bosley Crowther said:

Even though MGM’s “Black Hand,” which came to the Capitol on Saturday, might cynically be designated as just a period gangster film, it has more to recommend it than a good, adventurous gangster plot. It has, in its picturization of New York’s “Little Italy” back in the unrestricted period of this century’s first decade, some rather affecting indications of the crowded and troubled world, novel and mystifying, in which this city’s Italian immigrants lived. And it has some quite colorful acting by a generally well directed cast, of which the best — and the most — is contributed by Gene Kelly and J. Carrol Naish.

In his first “straight” role in a picture — away from dancing and singing, that is — Mr. Kelly is eminently forceful as a young Italian American who aspired to help his neighbors rid themselves of the bands of terrorists and extortionists which are fearfully known as “the Black Hand.” And Mr. Naish is equally impressive as an Italian detective on the New York police force who joins in the youthful zealot’s campaign to wipe out this terrifying scourge.

Note to the late Mr. Crowther: Kelly had several non-musical roles by this time, including “The Cross of Loraine.”

Jan. 10, 2020, Black Hand

Jan. 11, 2020, Black Hand

 

Jan. 11, 2020, Black Hand

 

Jan. 6, 2020, Mystery Photo

For Monday, we have a mystery youth. He does not approve of such goings-on. In fact, most of this week’s mystery movie involves people disapproving of such goings-on.

Update: This is Raymond Malkin in his only film role.

Jan. 7, 2020, Mystery Photo

For Tuesday, we have a mystery woman and, you guessed it, she does not approve of such goings-on.

Update: This is Phyllis Morris as Mary the Shamrock.

Jan. 7, 2020, Mystery Photo

We also have this mystery woman and, would you believe it? She does not approve of such goings-on.

Update: This is Eleonora von Mendelssohn as Maria Columbo, Gene Kelly’s mother, in her only film. The great-granddaughter of Felix Mendelssohn, she was a prominent actress in prewar Germany, and committed suicide in New York the year after the film was released.  The New York Times reported that she was distraught over the condition of her husband, actor Martin Kosleck, who fractured his spine several weeks earlier when he fell out the window of their third-floor apartment.

Jan. 7, 2020, Mystery Photo

Finally, we have a mysterious gent and, yes, he doesn’t approve either. Virtually no one in this week’s mystery movie approves of such goings-on.

Update: This is Maurice Samuels as bar operator Mr. Moriani.

Jan. 8, 2020, Mystery Photo

For Wednesday, we have this mystery gent. And, that’s right, he does not approve of such goings-on.

Update: This is Peter Brocco. Notice the great lighting.

Jan. 8, 2020, Mystery Photo

And this mystery couple? What do you think? They don’t approve of such goings-on either. Nobody in this movie approves of such goings-on.

Update: This is Mario Siletti and Grazia Narciso as the Danettas.

Brain Trust roll call: Howard Mandelbaum (mystery movie, Monday’s mystery youth and Tuesday’s first two mystery guests).

Jan. 9, 2020, Mystery Photo

For “Aha Thursday,” we have this mysterious gent.

Update: This is Carl Milletaire.

Jan. 9, 2020, Mystery Photo

And also this mysterious gent.

Update: This is Marc Lawrence in a great performance. More great lighting.

Jan. 9, 2020, Mystery Photo

And a less-mysterious mystery gent.

Update: This is J. Carrol Naish.

Brain Trust roll call: Mary Mallory (mystery movie, Monday’s mystery youth, Tuesday’s mystery women and Wednesday’s mystery gents), Howard Mandelbaum (Wednesday’s mystery guests), Sue Slutzky (mystery movie, Monday’s mystery youth, Tuesday’s mystery woman No. 2, and Wednesday’s mystery guests) and Patrick (Wednesday’s mystery gent No. 1).

Jan. 10, 2020, Mystery Photo

Here’s Thursday’s mystery guest No. 2 in an excellent example of disapproved goings-on.

Update: This is Marc Lawrence. The set design of Cedric Gibbons and Gabriel Scognamillo captures the squalor of early 20th century “Little Italy.”

Jan. 10, 2020, Mystery Photo
For Friday, this is our mysterious leading lady….

Update: This is Teresa Celli.

Jan. 10, 2020, Mystery Photo

and our totally unmysterious leading man.

Update: And Gene Kelly.

Brain Trust roll call: Mary Mallory (Wednesday’s mystery woman and Thursday’s mystery guests Nos. 2 and 3), Tucson Barbara (mystery movie and Monday’s mystery youth, Wednesday’s mystery couple and Thursday’s mystery gents Nos. 2 and 3), Howard Mandelbaum (Thursday’s mystery guests), Michael Ryerson (mystery movie and Thursday’s mystery gents Nos. 2 and 3), Benito (Thursday’s mystery gent No. 2), B.J. Merholz (mystery movie  and Wednesday’s mystery gent No. 2), Patrick (mystery movie) and Thom and Megan (mystery movie, Wednesday’s mystery couple and Thursday’s mystery gents Nos. 2 and 3).

About lmharnisch

I am retired from the Los Angeles Times
This entry was posted in 1950, Crime and Courts, Film, Hollywood, Immigration, Mystery Photo, New York and tagged , , , , , , , , , . Bookmark the permalink.

25 Responses to Movieland Mystery Photo (Updated + + + +)

  1. Sylvia E. says:

    Just for grins is Monday’s photo of Billy Gray?

    Like

  2. Howard Mandelbaum says:

    BLACK HAND (1950)
    Monday: Raymond Malkin
    Tuesday: Phyllis Morris; Eleanora von Mendelssohn; Mario Siletti

    Like

  3. Thom and Megan says:

    I’m guessing for Monday it’s Gene Reynolds in Boys Town.

    Like

  4. Mary Mallory says:

    BLACK HAND. Raymond Malkin Monday, Phyllis Morris, Eleanora von Mendelssohn Tuesday, Peter Bracco, Mario Siletti, and Anna Demetrio today.

    Like

  5. Howard Mandelbaum says:

    Tuesday: Maurice Samuels
    Wednesday: Peter Brocco; Mario Siletti, Grazia Narciso.

    Like

  6. Sue Slutzky says:

    The movie is “The Black Hand.” Mon: Raymond Malkin, Tues: Not sure about #1 and #3, but #2 is Elenora von Mendelssohn, Wed: Peter Brocco, Mario Siletti and Grazia Narciso.

    Like

  7. Patrick says:

    Wednesday’s gent is Peter Brocco.

    Like

  8. Mary Mallory says:

    Frank Puglia, Marc Lawrence, and J. Carrol Naish.

    Like

  9. Mary Mallory says:

    Grazia Narciso Wednesday.

    Like

  10. tucsonbarbara says:

    “Black Hand”

    Monday – Raymond Malkin
    Tuesday – Teresa Celli
    Wednesday – Mario Siletti, Grazia Narciso
    Thursday – Frank Puglia, Marc Lawrence, J. Carrol Naish

    Like

  11. Howard Mandelbaum says:

    Carl Milletaire; Marc Lawrence; J. Carrol Naish.

    Like

  12. Well Marc Lawrence and J. Carroll Naish mkae this The Black Hand from 1950. Tomorrow likely bring Gene Kelly, kind of an off-beat role for him.

    Like

  13. Benito says:

    Is that Sergeant Marc Lawrence today?

    Like

  14. B.J. Merholz says:

    Mario Siletti played a tailor in The Black Hand.

    Like

  15. Patrick says:

    Black Hand from 1950.

    Like

  16. Thom and Megan says:

    Our movie is Black Hand with J. Carroll Naish and Marc Lawrence for today, and Mario Siletti and Grazia Narciso for Wednesday.

    Like

  17. Mary Mallory says:

    Carl Milletaire Thursday, Marc Lawrence, Teresa Celli, and Gene Kelly today.

    Like

  18. Sylvia E. says:

    Black Hand 1950

    Gene Kelly and J.Carrol Nash were my way in.

    Had not heard of this movie. Looking forward to your breakdown on Saturday.

    Like

  19. Sylvia E. says:

    Black Hand 1950

    Gene Kelly and J.Carrol Nash were my way in.

    Had not heard of this movie. Looking forward to your breakdown on Saturday.

    Was this one of the random picks? Just curious.

    Like

  20. tucsonbarbara says:

    Marc Lawrence, Teresa Celli, Gene Kelly

    Like

  21. Howard Mandelbaum says:

    Teresa Celli; Gene Kelly.

    Like

  22. Howard Mandelbaum says:

    Teresa Celli, Gene Kelly.

    Like

  23. Benito says:

    BLACK HAND 1950. Bonus: Robert Blake in the cast!

    Like

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